Ricorda il mio nome

This movie is about sweet revenge for a betrayal.

Chaplin's character was once a trusting innocent and was used; now she gives him his fair due. Perkins and Chaplin and Gunn are all so right in their characters (though Chaplin's accent is "off," as it was again in "Nashville"), but they each gave real humanity to their characters. And the haunting music is for me the best part of the show. This film introduced me to Alberta Hunter, and in the years following this film I searched out five more albums by her. Bravo! And when shall we EVER get a DVD publication of the full film? Evidently Ms. Hunter died before signing a release for a commercial VHS (or DVD), so it's legal wrangling that prevents us from having our own copies of this powerful character study.

After carving out eccentric, obtuse molds for her personality while co-starring in Robert Altman's "Nashville" and Alan Rudolph's "Welcome to L.A.", Geraldine Chaplin finally earned a full-bodied (though still utterly eccentric) leading role in Rudolph's "Remember My Name", which was produced by Robert Altman. Chaplin plays an ex-convict and sociopath seeking a reunion with her former husband, a carpenter who has remarried and resides on the west coast; lacking interpersonal skills of any kind, she decides to get his attention by stalking he and his wife and breaking into their house. Intriguing, if unpleasant, modern-day melodrama with noir-ish overtures, made memorable by Chaplin's high-wire performance. Tough and unyielding, and possibly schizophrenic, Chaplin creates a portrait of a woman obsessed by the past, and wilting under the untouchable persona she has created for herself. The narrative goes a little batty in the final stretch, leading to a perplexing conclusion; however, the film's detached tone is very deliberate and assured--it creates a monotone ambiance which is hard to shake off. Director Rudolph, who also wrote the screenplay, seems to feel this material very deeply. It's a twisted and melancholy valentine. **1/2 from ****

In Director Alan Rudolph's REMEMBER MY NAME, Neil and Barbara Curry (Anthony Perkins and Berry Berenson) find themselves haunted by a bizarre woman (Geraldine Chaplin) who simply appears in their town one day. As the story unfolds, the woman becomes increasingly unhinged and more of a danger.

We eventually learn that Neil has a past connection with this woman, and that there's far more to the story than what we initially thought.

Mr. Rudolph keeps the tone of his film somber, with a definite hint of creepiness. Mr. Perkins uses his powers of twitchiness to help add to the overall oddness. Ms. Berenson -real-life wife of Mr. Perkins- plays her role with just the right amount of sane incredulity.

Special mention must go to Ms. Chaplin, whose portrayal of seemingly unfettered psychopathy is a wonder to behold! Some of her character's escapades are uncomfortably jaw-dropping and squirm-inducing!

Watch for Jeff Goldblum in a small early role as a store owner.

A strange thriller full of unexpected events...

You need not have to wade through any over-intellectualized reviews of this film! Breaking it down into basics: (1) it is a low-budget indie; (2)you can figure it out by at least midway through for those with above a lukewarm IQ; (3) some very wasted time; (4) not quite as satisfying as it could have/should have been, since the predator who is really a victim is completely unsympathetic Skip it unless you really enjoy slogging through old B&W B-movies which offer little more than simple revenge as character motivation.

An interesting and well-acted psychological drama about an unhappily married man (Perkins) who finds himself stalked by his first wife (Chaplin), a mentally unbalanced woman who spent the last 12 years in prison for murder. You've seen this kind of insane-female-admirer plot before, but here it's handled more intelligently and tastefully than usual. It remains refreshingly unpredictable all the way through.

Chaplin is particularly impressive, managing to exude fragility, menace, and just plain craziness all at once. It's a solid performance if you're willing to overlook her ever-changing accent (is her character supposed to be American or English?). The film also features an overbearing blues soundtrack that, while decent enough in itself, sounds like it belongs in another film. Still, it's a good movie, probably worth viewing more than once.