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Pretty Baby

  • 1978
  • VM18
  • 1h 50min
VALUTAZIONE IMDb
6,5/10
13.831
LA TUA VALUTAZIONE
POPOLARITÀ
3339
729
Brooke Shields in Pretty Baby (1978)
Guarda Trailer
Riproduci trailer2:27
1 video
99+ foto
Drammi storiciDramma

Una ragazza adolescente vive come prostituta a New Orleans nel 1917.Una ragazza adolescente vive come prostituta a New Orleans nel 1917.Una ragazza adolescente vive come prostituta a New Orleans nel 1917.

  • Regia
    • Louis Malle
  • Sceneggiatura
    • Polly Platt
    • Louis Malle
  • Star
    • Brooke Shields
    • Keith Carradine
    • Susan Sarandon
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    13.831
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3339
    729
    • Regia
      • Louis Malle
    • Sceneggiatura
      • Polly Platt
      • Louis Malle
    • Star
      • Brooke Shields
      • Keith Carradine
      • Susan Sarandon
    • 97Recensioni degli utenti
    • 33Recensioni della critica
    • 66Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 2 vittorie e 6 candidature totali

    Video1

    Trailer
    Trailer 2:27
    Trailer

    Foto117

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    Interpreti principali29

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    Brooke Shields
    Brooke Shields
    • Violet
    Keith Carradine
    Keith Carradine
    • Bellocq
    Susan Sarandon
    Susan Sarandon
    • Hattie
    Frances Faye
    Frances Faye
    • Nell
    Antonio Fargas
    Antonio Fargas
    • Professor
    Matthew Anton
    • Red Top
    Diana Scarwid
    Diana Scarwid
    • Frieda
    Barbara Steele
    Barbara Steele
    • Josephine
    Seret Scott
    • Flora
    Cheryl Markowitz
    • Gussie
    Susan Manskey
    • Fanny
    Laura Zimmerman
    • Agnes
    Miz Mary
    • Odette
    Gerrit Graham
    Gerrit Graham
    • Highpockets
    Mae Mercer
    Mae Mercer
    • Mama Mosebery
    Don Hood
    Don Hood
    • Alfred Fuller
    Pat Pierre Perkins
    • Ola Mae
    • (as Pat Perkins)
    Von Eric Thomas
    • Nonny
    • Regia
      • Louis Malle
    • Sceneggiatura
      • Polly Platt
      • Louis Malle
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti97

    6,513.8K
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    Recensioni in evidenza

    8yossarian100

    Nicely photographed period piece

    Beautifully photographed and sumptuous to watch. Brooke Shields, with that famous saucy and spirited personality, is gorgeous. I wasn't bothered by the nudity. I wasn't bothered by the story either and I feel the movie accurately portrayed a different time with a quite different moral tone than the one we live with today. But, hey, stories are just stories. Actually, I think the main reason this movie works is because it comes across as honest, it feels like being in another place and another time, and it's lovely to see.
    govinda8

    Pretty Baby is a glimpse into the decadence of New Orleans' history

    How sad this movie was, for all of the characters involved. I thought Brooke Shields was excellent as a pre-pubescent nymphette, as Nabakov would say. And I think her acting verged on the almost absurd because she was caught somewhere between childhood and adulthood. Poor Violet, caught tragically between two worlds. But this film and its nudity, were far from disturbing. Louis Malle made the whole piece a sort of decadent, decaying artwork, which is exactly what New Orleans is. You can almost smell and touch the oak trees and plants that are overtaking Bellocq's house. I think that the key to this film is that one must watch it objectively instead of subjectively. The movie is a reflection of the Storyville era of New Orleans. If Malle had covered Shields, it would have been like Michelangelo being forced to cover his Sybils in the chapel; Something beautiful and poignant would have been lost. Watch this movie for a glimpse into the past of New Orleans, but don't forget to read the back of the box before you rent. It IS about prostitution.
    fertilecelluloid

    Very pretty and very solid

    At the time of its release, PRETTY BABY attracted a lot of controversy for its subject matter and matter-of-fact nudity of pre-teen Brook Shields (Violet).

    Now it would probably not get made at all -- which is a shame, because it's a solidly written and directed drama.

    The late Louis Malle, who also directed the amazing BLACK MOON, approaches the subject of child prostitution without judgement or moralizing.

    The film's effectiveness comes from a script that does not burden any of its characters with explanatory dialog. Most of the dialog heard is of the incidental kind. Characters do not pause to explain situations or pontificate. Malle captures glances, body language, reflections and uses the non-verbal to tell his very human story of a New Orleans cathouse.

    Susan Sarandon, as Violet's prostitute mother, turns in a fine performance as a woman in denial of her reality. Keith Carradine, who plays a photographer who falls in love with Violet, delivers a perfectly tuned performance with little more than than a dozen lines of dialogue. Also worth nothing is the beautiful performance of Francis Faye as Nell, the cathouse madam. She brings a sharp gift for irony to her role.

    Brooke is very, very good, too, and this was the performance of her career.
    6SnoopyStyle

    artistic justification

    It's 1917 Storyville, New Orleans. Illiterate willful twelve year old Violet (Brooke Shields)'s mother Hattie (Susan Sarandon) gives birth to a boy. They work in a high class brothel run by drug addict Nell. Ernest J. Bellocq (Keith Carradine) pays to take up residence photographing mostly Hattie. Nell puts Violet's virginity up for auction to her customers. Violet is eager to join the business but the actual act is painful. Violet starts to work as a prostitute. Hattie marries a customer and moves to St. Louis without Violet. After getting a corporal punishment, Violet runs away and moves in with Bellocq starting a sexual relationship.

    Violet's gleeful willing participation in her own degradation is compelling and infuriating. The most engaging scene is the auction. It is creepy with these entranced old men. That scene should be the climax. The movie cannot get any more creepy although it does try. Bellocq is all too quick to sleep with Violet. The movie meanders in the second half. It's all very sad. Brooke Shields is exceedingly young and the movie fits the definition of child porn. There is definitely some artistic merits but I don't know if it justifies pushing open the envelop.
    7Maretha

    eye opener

    I really liked this film for what it is. I also think that it is undoubtedly the most eye-opening film I ever saw in terms of the reality of the daily life of some people. Violet grew up in this house full of prostitutes, without a childhood, never knowing how to behave as a child. She grew up knowing how to behave in order to promote business in their 'house'. The deflowering ritual that Violet had to undergo would have scared me senseless, and it is pitifully sad to think that she looked forward to it, only because then the other women in the house would really take her seriously. The fact of the matter is, this is a true story and people should watch it, even if only to realise how grateful we should be for not living in times like that, for growing up in times where we are actually given a choice.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      The screenplay was based on the first-hand recollections of the operations of New Orleans' "Red Light" prostitution district published in the book "Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District" by Al Rose. The book contains many of photos of New Orleans prostitutes taken by E.J. Bellocq, the character played by Keith Carradine in the movie.
    • Blooper
      In one scene, Violet holds a plastic doll as opposed to a composite one. Plastic dolls weren't available until the late 1940s.
    • Citazioni

      [said to Bellocq twice]

      Violet: I love you once. I love you twice. I love you more than beans and rice!

    • Curiosità sui crediti
      The closing credits include a card that states, "With our gratitude for the priceless music of FERDINAND "JELLY ROLL" MORTON."
    • Versioni alternative
      Against his own wishes UK censor James Ferman was forced to make minor edits to the original cinema version under the 1978 Protection of Children Act, and pubic hair was optically airbrushed onto a scene where Brooke Shields is sitting with her legs slightly spread so that 'the actual cleft was not visible'. A further cut was also made to remove a very brief shot of her standing up in a bath. The edits were fully waived for the 1987 video release.
    • Connessioni
      Edited into Chop Suey (2001)
    • Colonne sonore
      Tiger Rag
      (uncredited)

      Written by Edwin B. Edwards, Nick LaRocca, Tony Sbarbaro, Henry Ragas and Larry Shields

      Performed by Antonio Fargas

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    • How long is Pretty Baby?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 5 aprile 1978 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Niña bonita
    • Luoghi delle riprese
      • Columns Hotel - 3811 St Charles Avenue, New Orleans, Louisiana, Stati Uniti(brothel's interiors)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 5.786.368 USD
    • Lordo in tutto il mondo
      • 5.786.368 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 50min(110 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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