Il gioco del potere

Inside story of a military coup in a fictional South American country. A well written screenplay plus good performances from David Hemmings, Peter O'Toole and Donald Pleasance make this film believable. In a strange way the English language spoken by the characters and northern temperate scenery made the film more real to me because it felt closer to home.

This film should be mandatory viewing for would be dictators, because it provides a virtual recipe for the process - and pitfalls - of staging a military coup. Fans of action and pretty cinematography will be disappointed.

I find this movie quite interesting, I saw this movie in the Philippines during the height of the 1986 revolution in the Phil. I liked the way Peter O Toole played the character of a cunning officer. The treachery of the power grabbers was for real. Other cast and characters of the movie are good to their respective roles. I could not believe the setting was in Canada. I thought it was in Latin America. I recommend this movie to all countries with unstable political system. There's a lot of lesson you could learn from this movie. Its a warning to military adventurism and to those who wants to grab power unconstitutionally. I want to own a DVD copy of this movie. Where could I find it?

"For a coup to be successful you need tanks. My tanks" declares tank commander Peter O'Toole to idealistic young army officer David Hemmings in this engrossing military drama reminiscent of Bunuel's 'La Fievre Monte a El Pao' and Jancso's 'The Red and the White' with a wonderful punch line as he demonstrates to Hemmings that power comes down the barrel of a gun and you never know who's next for the firing squad.

Firstly I personally feel we need all the political films we can get, as they are somewhat far and few between.

The plot is believable if you relate it to something akin to the Portugal Coup in 1974, with the exception of the rather grim ending. This is also not too difficult to accept when looking at other events in the not so distant past.

One point of interest is the motivation of the concept, being a Canadian production may have been the now forgotten political kidnap of the British Government official James Cross by the Front de liberation du Quebec in 1970.

I think the dialogue is the weakest point but I can overlook the somewhat unconvincing conversations as some set pieces, like the Aldo Moro kidnapping and Chilean Secret Police style torture sequence are effective.

I read a TV review of this once that appeared to misunderstand what a coup involves, When the critic stated only one tank was blown up as if to highlight the low production values. The reviewer clearly missing the point entirely.

In this no doubt peculiar film that has a rather dated patina and production values that wouldn't bear scrutiny in today's world of slick multimillion endeavours however drove away at me and ended up surprising my, admittedly reduced expectations. There's a professional cast pulling out the stops to keep it going, and the way the story ended up left quite a visceral punch - even though the screenplay rather gives it away in the opening sequence in a chat show reminiscence by a witness, back in the real world, ie New York.

I like odd movies like this for the curveballs they can throw like the really confusing setting imagined for this country in convulsions. Where somewhere in Eastern Europe do all the military speak in rich English accents or American drawl and the character names seem so anglo-saxon? Where are there big sea freighters unloading British rail rolling stock? The little bit of folk music might have Balkan origin but where in Yogoslavia do they have so many sand dunes for the tank sequences? The 'terrorists' look like the young German Red Brigade or even Irish lackeys. The bit the few reviews can't fail to pick up is the faintly absurd torture of a young woman with electrodes attached to her nipples dispassionately supervised by the Blofelt-type Donald Pleasance (who is good here).

All the funny external elements are redeemed however I think by the seriousness of the whole thing and the repeated riff on home truths like perfectly understandable duplicity and cyclic violence that all such Coup-d'etat and by implication all revolutions can involve -despite best efforts from even good chaps. O'Tool's speech at the end about change and society is so deeply ironic and scary - be very scared of change old boy - a very British movie indeed.