VALUTAZIONE IMDb
5,7/10
6566
LA TUA VALUTAZIONE
Vivendo nei bassifondi della New York City degli anni '40, tre fratelli italo-americani si aiutano e sostengono la carriera di wrestling di uno di loro usando le abilità promozionali e le ta... Leggi tuttoVivendo nei bassifondi della New York City degli anni '40, tre fratelli italo-americani si aiutano e sostengono la carriera di wrestling di uno di loro usando le abilità promozionali e le tattiche da truffatore che conoscono.Vivendo nei bassifondi della New York City degli anni '40, tre fratelli italo-americani si aiutano e sostengono la carriera di wrestling di uno di loro usando le abilità promozionali e le tattiche da truffatore che conoscono.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Aimee Eccles
- Susan Chow
- (as Aimée Eccles)
Recensioni in evidenza
I bought this from HMV on Monday, because I wanted to check out this early Sly Stallone movie, and I've got to say that he made a sterling job of it, both behind and in front of the camera. The story (also by Stallone) borrows a little off ROCKY, but is nonetheless entertaining. Three brothers dream of escaping from the dreary Hell's Kitchen of the 1940s, so one of the guys, Cosmo (Stallone) persuades the youngest bro (Lee Canalito), a big, musclebound labourer, to take part in a wrestling competition in the hope that they will become rich. However, things are never as easy as they seem, as the brothers set out to discover. Critics have said in the past that Sly could never do comedy, but in PA, he has some funny one-liners and he displays wit, warmth and charisma as conman-with-a-heart Cosmo. Note the dramatic change in his character as the movie progresses. The supporting cast is strong, including Armand Assante as the oldest brother who too undergoes a change in character and Frank McRae as an over-the-hill wrestler. There is one nice directorial touch during the film where Cosmo looks through the window of a girl he's been chasing and sees his brother's walking stick next to her bare feet. The wrestling sequences are well handled, as well, with plenty of blood and pounding flesh. I reckon this movie influenced countless 80s B-movie fare such as A.W.O.L. and THE CAGE, but this is the real deal, as it's better acted and pretty realistic. I'd say this was one of Sly's best, alongside FIRST BLOOD and NIGHTHAWKS.
I have to admit that this film to many critics was a turgid mess, but I cannot help but enjoy and have true sentimentality for it. You have to watch Paradise Alley when you are in the right kind of mood. What mood is that? The mood I was in when I saw it on TV years ago.
It's got heart, good wrestling, believable characters, funny moments, a couple of hot babes, suspense and a bit of violence. It even has a good "Rocky" feel ending that wins your heart ending with a strong ballad. This is entertainment and who cares if it doesn't live up to any purists idea of good film-making. It's fun. If this movie were to be redone it might have a chance at the Oscars. It's quirky and offbeat and contains all the elements to get your moneys worth.
It's got heart, good wrestling, believable characters, funny moments, a couple of hot babes, suspense and a bit of violence. It even has a good "Rocky" feel ending that wins your heart ending with a strong ballad. This is entertainment and who cares if it doesn't live up to any purists idea of good film-making. It's fun. If this movie were to be redone it might have a chance at the Oscars. It's quirky and offbeat and contains all the elements to get your moneys worth.
Stallone made this film between "Rocky" and "Rocky II" and it shares alot of similarities with those films. It's the story of three brothers who dream of busting out of the poverty of Hell's Kitchen in New York during the mid-1940's.
Sly plays Cosmo Carboni, the street-wise hustler with no visible means of support but a head full of get-rich-quick schemes who hatches a plan to promote his brutish but gentle-natured brother (who's job is hauling giant blocks of ice all over the city) as a professional wrestler. Armand Assante plays his other brother, a cynical war veteran who was wounded in combat and now works as a mortician.
The story is peppered with colorful Damon Runyon-esque characters and a nicely balanced combination of humor and drama. Stallone writes and directs well, getting good performances from all his actors, and the film has a rich flavor and feeling for the period.
One of Stallone's least-known and least appreciated films, but it's well worth seeking out. Nicely done and entertaining.
Sly plays Cosmo Carboni, the street-wise hustler with no visible means of support but a head full of get-rich-quick schemes who hatches a plan to promote his brutish but gentle-natured brother (who's job is hauling giant blocks of ice all over the city) as a professional wrestler. Armand Assante plays his other brother, a cynical war veteran who was wounded in combat and now works as a mortician.
The story is peppered with colorful Damon Runyon-esque characters and a nicely balanced combination of humor and drama. Stallone writes and directs well, getting good performances from all his actors, and the film has a rich flavor and feeling for the period.
One of Stallone's least-known and least appreciated films, but it's well worth seeking out. Nicely done and entertaining.
Not everyone gets the just of this movie but for those that do it is a laugh riot!! Stallone is hysterical as the animated Cosmos Carboni who is incessantly trying to make an easy buck with random scams. Armand Assante plays Lenny, Cosmos' older brother and voice of reason for the Carboni Boys. Finally, there is the younger brother Vick who can haul 300lbs of ice up 15 flights of stairs without blowing his breakfast but has the IQ of a gnat. So many scenes are gut busters in this movie and I don't want to give them away but a few of my favorites include: Stallone waking up hungover to discover a plate full of roaches on his previous night's dinner. He proceeds to take aim on the plate with his Louisville Slugger and shatters it along with the roaches with his brother and pet bird looking on. The same day he is out in the streets freezing with a stolen concierge outfit on, holding a monkey chained to a table and chanting "see the dancing monkey!" This is his latest money making scheme after Vick won the monkey in a previous night's arm wrestling match. Anyway, it's crude and low brow humor, but that is what makes this film a great Friday night viewing among good buddies.
Probably Stallone's most under valued work, this film reminds the viewer just what talent he had behind the camera (see also Rocky II to IV). The story follows the three Carboni brothers in 1940s New York, as they each try to make their way through life in the slums of Hells Kitchen. Cosmo (Stallone) plans to turn his tough but dim brother Victor into a champion wrestler, and with the help of their third brother (Assante) they set about making their fortune. There are echoes of Rocky throughout the film, (small time nobody becomes admired champion), but what sets it apart is the humour. There are great lines throughout the film delivered with dead pan perfection from the mostly excellent cast, which also includes Stallone regular Joe Spinell. If you can make it through the hilariously bad opening number (sung by Stallone himself), there's plenty here to appreciate. This film is long overdue a release on DVD... come on Universal, how about it?
Lo sapevi?
- QuizSylvester Stallone actually wrote this before Rocky (1976) and tried to sell it to producers for years, to no avail. Once Rocky (1976) became a smash hit, producers were willing to look at the script, and Universal Pictures green-lit the production due to the overwhelming success of Rocky (1976).
- BlooperWhen Cosmo drives Victor's ice truck up on the curb, the back panels fall of before they crash through the window. As the drive away, the wood panels are still on the truck.
- Curiosità sui creditiOpening credits use the 1940s Universal logo.
- Versioni alternativeAll UK versions are cut by 42 secs by the BBFC to remove shots of a tethered and gagged monkey in Cosmo's closet.
- Colonne sonoreToo Close to Paradise
Lyrics by Carole Bayer Sager and Bruce Roberts
Music by Bill Conti
Performed by Sylvester Stallone
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.185.518 USD
- Lordo in tutto il mondo
- 7.185.518 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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