Killer's Delight

When I was growing up, I saw this movie (under the title "The Dark Ride") in several video stores in my town. I was curious about it, but I never got around to renting it. Recently, I found a copy in a thrift store, and felt it was now or never. To tell the truth, I thought it would be awful, but to my surprise I found several aspects of the movie worthy of merit. It's decently acted for the most part by the no-name cast, for one thing. And there are a number of scenes involving the killer that have some genuine creepiness, such as using the simple but effective technique of little to no background music. The movie also correctly illustrates that investigations of serial killers take a lot of long and hard work. Unfortunately, that leads to the big problem of the movie. Even though the movie runs less than 90 minutes, the story is still too drawn out, and gets dull at times. Also, if you are looking for plenty of exploitation material like gore and sexual stuff, there isn't much of that here. In fact, it wouldn't take that much editing to make this movie safe to broadcast on commercial TV. So while I am firm in my opinion to not seek out this movie, I will say that if you find yourself watching it you won't find it completely bad.

"Killer's Delight" opens with the familiar statement that the story you're about to watch is based on true events. You don't need to be Hercule Poirot or Sherlock Holmes to figure out the events in question refer to the bloody killing spree of notorious US serial-killer Ted Bundy, mixed with a little bit of Ed "the Co-Ed Killer" Kemper. Like usual, many important details are changed out of respect for the real victims. The modus operandi of picking up hitchhikers and almost exclusively targeting young attractive girls is kept in place, but the locations and names are different. Remarkable here, though, is how the makers also replaced Bundy's iconic beige Volkswagen Beetle with an old yellow Ford Van.

I have a passion for horror/thriller movies based on true crimes, and appreciated "Killer's Delight" quite a lot, but it's obviously a cheap, amateurish, and largely improvised B-movie. There also isn't much of a plot. Crazed killer, with mommy issues, picks up young girls and brutally murders them. Obsessive police detective tracks his down, but he's always too late to prevent another tragic murder.

Just because "Killer's Delight" is so low budget, the film nevertheless comes across as a raw and often shocking thriller. The opening scene immediately sets the right tone, as a ramshackle old Ford van parks at the edge of cliff, and the driver nihilistically throws the naked body of his last victim into the deep. Don't know about you, but I've seen opening sequences that are far less attention-grabbing. There are more shocking moments throughout the film, including the death-struggle of the poor girl who works at the pool and the unexpectedly downbeat finale. Lead actor (and John Saxon lookalike) James Luisi does a decent job as the hardened cop, and receives good support as well, notably from Martin Speer, Susan Sullivan, John Karlen, and many incredibly pretty girls in tiny bikinis. It may not be a great movie, but "Killer's Delight" accurately captures the gritty, shameless, nasty flavors of 70s exploitation cinema, and that's why it comes recommended to my fellow fanatics of this era.

Detective Sergent Vince De Carlo (James Luisi) and company are on the case of a vicious Serial Killer/Rapist. Can Psychologist Carol (Susan Sullivan) help, or will she become the killer's next victim? And what is with the killer's hilarious White Dude Afro?

Inspired by the case of serial killer Ted Bundy, "Killer's Delight" aka "The Dark Ride" is a rather dull Serial Killer tale from 1978 that doesn't offer much. If anything, it's more of a police procedural flick than a horror movie, as much of the violence occurs off camera. Sure, we get mutilated bodies, but we don't get a whole lot in the exploitation department-especially considering that they are from the aftermath, and not during the crime. Those hoping for the likes of "The Toolbox Murders" or "Maniac" will be very disappointed.

Fortunately, there is an impressive scene involving a woman trying to escape the killer that get's the tone right, and is quite suspenseful to boot. Also, John Karlen is quite effective as the killer, though his hilarious hairstyle (white guys with Afros are always worth a chuckle) is more than a bit distracting.

"The Dark Ride" is too routine and mediocre to really warrant a recommendation, as it lacks the proper exploitation elements, and is dated even by the standards of the time. Those looking for a better example should probably turn to "Don't Go In The House" and a few others instead, as this just doesn't cut it.

I hesitate to mention that this movie was reportedly inspired by the real-life Ted Bundy and Ed Kemper murders because this is actually quite different from the "serial killer biopics" that are so popular today. On one hand, this is kind of one those low-rent crime dramas inspired by "Dirty Harry" (which was itself loosely based on the real-life Zodiac Killer). It is set in the suburbs of San Francisco, not far from where "Dirty Harry" takes place, and the focus is mostly on the two cops investigating the murders. The movie also mines the then-popular "sexy female hitchhiker" movies as pretty much all the victims are young females with tight shorts and loose morals.

In a particular absurdity though, the killer's main hunting ground is a single community swimming pool. This would not only seem to make him very easy to catch, but you would think he'd run out of victims pretty fast since people would STOP GOING SWIMMING AT THAT PARTICULAR POOL. But from a purely exploitation standpoint, of course, the pool locale provides for plenty of scenes of nubile girls in bikinis. The murders are pretty effective, at least while the killer remains a shadowy figure in a sinister yellow van. At one point, he picks up two girls hitchhiking back to the pool (where their mother had dropped off) from their boyfriends' house. One minute the two girls smoking dope in the front seat of the van with the unseen killer and the next minute one of the girls is tied up in the back watching as her friend gets brutally raped. After the killer comes out of the shadows though and turns out to be a short, pudgy John Karlen (from the Euro-fave horror flick "Daughters of Darkness"), the movie becomes significantly less scary.

The movie has some interesting, very 70's touches. The main detective is married (to a woman who's surprisingly understanding when the killer at one point dumps a body on their lawn), yet he's carrying on with a female professor of criminology, who hatches a crackpot scheme to catch the killer using herself as bait. The other detective (Martin Speer, who many may recognize as Dee Wallace's husband in "The Hills Have Eyes") is single, but quite a swinger himself. In one scene he is seriously rebuffed by a female colleague, but in the next scene he is in bed with her (only in the 70's--or, at least, only in the movies of the 70's). The cynical ending is also very 70's. And that, perhaps, is the best reason to see this today--it really captures the flavor of the era (think a kind of downbeat "Starsky and Hutch" with graphic violence and nudity). Not recommended for serious serial killer buffs, but a good movie for 70's crime thriller fans.

Killer's Delight is said to be based on the real life crimes of Ted Bundy, and that would seem to be an accurate assessment of the film as the killer in this film and the real life killer share many similarities; although the release of Killer's Delight and the apprehension of Ted Bundy happened around the same time. The majority of this film focuses on the investigation into the murders rather than the murders themselves and as such the film is not particularly graphic, but we do get to see how the killer targets his victims. The film takes place in a small town and several young girls have turned up dead. Detective De Carlo believes that all the murders were committed by the same killer and as he begins to investigate, discovers that all the girls were hitchhiking before they were killed. It soon becomes apparent to Detective De Carlo that the killer is not only continuing, but actually flaunting the murders under the police's noses. Things begin to heat up as the search for the killer becomes more desperate.

The film gets off to a promising start as we see a young hitchhiker kidnapped and killed, but then things slow down a bit as the police investigation takes central stage. It has to be said that there isn't a lot of tension featured in the film and it mostly just relies on the story and characters to pull it through, which does keep things interesting for most of the duration. The film is very much a product of the seventies; and the production values are surprisingly good and while I doubt that the film had an affluent budget to work from, it doesn't seem to be a low budget film either and I am a rather surprised that the film has vanished so far into obscurity. The film does become a bit tedious in places as it moves on and the final third can be a bit slow, which is a shame but the final climax is decent enough and the film does feature a fitting ending. Despite its obscurity, the film does have a DVD release and while I wouldn't recommend that anyone rushes out to purchase it; it is a decent enough watch if you can get your hands on a copy.