VALUTAZIONE IMDb
8,1/10
21.444
LA TUA VALUTAZIONE
Il concerto finale di The Band.Il concerto finale di The Band.Il concerto finale di The Band.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 3 candidature totali
Recensioni in evidenza
Forget "Woodstock". Forget "Gimme Shelter". "Let It Be'? Forget that too. This is, truly, THE greatest rock and roll film ever made. Why? Well, try for a moment to forget that the actual performance itself features the great artists it does (including The Band) and focus on the film itself.
This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".
Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.
My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.
This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".
Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.
My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.
I have heard a few songs by The Band, but I am certainly not a fan, so it would seem that "The Last Waltz" would be a hard-sell to me but it was not. First, I found I enjoyed most of the music throughout the film--especially since I like rock 'n blues (and there is a strong blues/rock as well as country rhythm to the songs). How can you complain when you get to hear the likes of Muddy Waters, Dr. John, Eric Clapton and many, many others performing with The Band. Second, and much more importantly, I was very, very impressed with the quality of the film work. This was NOT a typical concert film where they simply stick up a camera and record the performances. To know more about this, watch the DVD extra for "The Last Waltz"--"Revisiting The Last Waltz". In this documentary, Robbie Robertson (from The Band) and Martin Scorsese talk about how they made the film--and it was really impressive. Instead of just stationing guys with cameras, EVERYTHING was meticulously planned and the camera angles and techniques show it. In addition to the live concert footage (which is the best I've seen), you have a few numbers that were done very well in the studio as well as interesting interviews. All in all, it's the total package--a very impressive and exceptionally well made film. While the music might not be to your liking, you can't help but admire excellent film making.
In the words of Robbie Robertson, "The Last Waltz" began as a concert and turned into a celebration. There is no word that can be used to describe "The Last Waltz" better than 'celebration'. This is a celebration of The Band, and of music, specifically American music, which The Band loved and played so many styles of.
"The Last Waltz" is a concert film, and there's a common sentiment outside of the rock fan community that such films can never be true art films. If proof exists that this is not true, "The Last Waltz" is it. The film is brilliantly directed by Martin Scorsese, who captures this incredibly powerful and remarkable performance with skill that can't be described as anything other than amazing. This film looks absolutely stunning. What else can one ask for other than a film that looks pristine and beautiful, and contains some of the best music ever written? Scorsese is a smart filmmaker and knows that he could add to the film by including short interview segments with the members of The Band, all of which are relevant to and enhance the film.
The beauty of "The Last Waltz" is its simplicity. The Band were probably the most unpretentious major musical group there has ever been. They were interested in nothing other than playing good music, and Scorsese, at least in this instance, is not interested in doing anything other than creating a simple, true document of a memorable, great musical event. That's what he does, he captures a brilliant concert where the addition of celebrity musical guests does not cheapen it at all, but makes it a true celebration of music. Muddy Waters, Paul Butterfield, Joni Mitchell, Neil Diamond, Van Morrison, Eric Clapton, Dr. John, Neil Young... the list goes on and on.
Phenomenal musicianship, phenomenal film-making, a phenomenal film all around. One of the best and most joyous films ever made.
10/10
"The Last Waltz" is a concert film, and there's a common sentiment outside of the rock fan community that such films can never be true art films. If proof exists that this is not true, "The Last Waltz" is it. The film is brilliantly directed by Martin Scorsese, who captures this incredibly powerful and remarkable performance with skill that can't be described as anything other than amazing. This film looks absolutely stunning. What else can one ask for other than a film that looks pristine and beautiful, and contains some of the best music ever written? Scorsese is a smart filmmaker and knows that he could add to the film by including short interview segments with the members of The Band, all of which are relevant to and enhance the film.
The beauty of "The Last Waltz" is its simplicity. The Band were probably the most unpretentious major musical group there has ever been. They were interested in nothing other than playing good music, and Scorsese, at least in this instance, is not interested in doing anything other than creating a simple, true document of a memorable, great musical event. That's what he does, he captures a brilliant concert where the addition of celebrity musical guests does not cheapen it at all, but makes it a true celebration of music. Muddy Waters, Paul Butterfield, Joni Mitchell, Neil Diamond, Van Morrison, Eric Clapton, Dr. John, Neil Young... the list goes on and on.
Phenomenal musicianship, phenomenal film-making, a phenomenal film all around. One of the best and most joyous films ever made.
10/10
Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.
10LJMTitle
You don't have to be a die-hard fan of The Band to appreciate this concert film. Martin Scorsese turns this farewell performance into a lasting tribute to one of the greatest bands of all time, and to many of their contemporaries as well. The guest performer list for this show reads like a veritable who's who of Rock and Roll history, with performances by Van Morrison, Joni Mitchell, Bob Dylan and Eric Clapton, to name but a few. Even if you weren't born yet, or were too young to remember these artists in their heyday, this film will educate you as to what all the fuss was about. And believe me, the fuss was well deserved.
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Lo sapevi?
- QuizDuring his opening guitar solo in "Further On Up the Road", Eric Clapton's guitar strap came off. To compensate while he fixed it, Robbie Robertson spontaneously played a brief solo of his own.
- BlooperDuring Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds.
- Curiosità sui creditiAt the beginning of the film it just says: "THIS FILM SHOULD BE PLAYED LOUD!"
- Versioni alternativeThe United Artists logo is plastered with United Artists Classics in the 1980's reissue followed by the 2001 variant in the MGM DVD and Blu-ray, and 2007 variant in the Criterion Blu-ray and 4K Ultra HD prints.
- ConnessioniEdited into Once Were Brothers: Robbie Robertson & The Band (2019)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El último rock
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 322.313 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.151 USD
- 7 apr 2002
- Lordo in tutto il mondo
- 364.982 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Dolby Stereo(original release)
- Proporzioni
- 1.85 : 1
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