Il re degli zingari

I saw this movie in the theater in 1978. It is one of my favorite films. Then I met someone who is Gypsy, who became one of my closest friends. She told me alot of what is shown in the movie is quite accurate. The part about stealing does go on but, (at least in her branch of the family) it is looked down upon. Most of them are proud of their American heritage AND their Romany heritage.

You will get a wide and varying reaction as to the veracity of what Peter Maas wrote about the Romany culture in his non-fiction book, King Of The Gypsies. The information from that source yielded a screenplay with both Hamlet and Oedipal like qualities in it about the succession in leadership to a gypsy clan.

The title role in King Of The Gypsies is played by Sterling Hayden and he and his Queen Shelley Winters have as much responsibility to their clan as the Corleones do. But they've got a son in Judd Hirsch who has the worst qualities of Fredo and Sonny Corleone in one package. This is not a guy you want running the clan.

Hayden pins his hopes on his grandson Eric Roberts. But Roberts has walked away from gypsy life and now is even courting a nice all American girl in Annette O'Toole. He's a singing waiter at Mama Leone's which is no more.

Hirsch of course has no desire to be John of Gaunt in his family, son of one king and father of another. This sets up the conflict within the clan that goes active when Hayden dies.

Eric Roberts made his screen debut here and does fine, but the guy to really watch in this film is Judd Hirsch. You can hardly believe that the amiable Alex Reiger from Taxi is played by the same actor. Hirsch's part of Grozzo should be his career role. Had it been played by someone like Al Pacino and would have had King Of The Gypsies come to the screen some 15 to 20 years later it might have gotten an Oscar nomination. At this point Pacino would have been cast in the Roberts part. How Hirsch was overlooked is a mystery that only the gypsies know.

For an insight into a part of human society overlooked, King Of The Gypsies is highly recommended.

Released in 1978, "King of the Gypsies" chronicles the life of an American gypsy (Eric Roberts in his debut) who resists being made the king of his clan by his grandfather (Sterling Hayden). Meanwhile his villainous father (Judd Hirsch) resents that he was passed up and hostilities mount. Susan Sarandon plays the mother, Shelley Winters the grandmother, Brooke Shields the young sister and Annette O'Toole & Annie Potts the potential girlfriends.

The movie plays like a less-epic and lower-budgeted version of 1972's "The Godfather," albeit about Gypsies rather than a Mafia family. The cast and acting are superlative and the tone is gritty realistic. The screenplay was based on Peter Maas' true-life book. The story covers three generations of a Gypsy family from the 40s into the 70s and is narrated by Robert's character, which provides an interesting continuity. It's not great, but it's good enough and provides a window into this unconventional culture, their traveling lifestyle, interactions, work (including "fortune telling"), schemes, music, dancing and misadventures.

The film runs 112 minutes and was shot in New York/New Jersey area.

GRADE: B

...not as good as "Time of the Gypsies" (1988) Dom za vesanje (original title) or "Black Cat, White Cat"(1998) Crna Macka, Beli Macor (original title), both directed by Emir Kusturica or "I Even Met Happy Gypsies" (1967) Skupljaci Perja (original title) of Aleksandar Petrovic. Despite the fact that we have an entire orchestra of good and very good actors, such as Sterling Hayden, Shelley Winters, Susan Sarandon, Judd Hirsch, Eric Roberts, Brooke Shields, Annette O'Toole, Annie Potts, the film does not have consistency, it's only a mediocre attempt to show how gypsies really are. Eric Roberts is honest in his role debut. Susan Sarandon is more beautiful than ever and very talented as always. Best of all is Judd Hirsch he's the most natural and believable gypsy. Beautiful music with Stéphane Grappelli, accompanied by other talented musicians.

Peter Maas's book is a non-fiction look at the Gypsy culture, particularly how it has translated into 20th century America. This movie is mostly fiction, although it draws on some of the material in the book.

It's basically a family drama, with a rebellious youth (Eric Roberts) squaring off against his abusive father (Judd Hirsch). I'm not sure if a case can be made for Eric Roberts as a terrific actor, but he doesn't embarrass himself here, and the rest of the cast, Hirsch, Shelley Winters, Susan Sarandon, and Sterling Hayden, is superb. A fascinating look at a culture that may be dissolving into modern life, and a well-paced and acted film that is consistently entertaining.

There's a special treat for jazz fans, as violin giant Stephane Grappelli appears in the movie, along with mandolin player David Grisman, performing a medley composed by Grisman and performed with Grappelli on a live album that has always been one of my favorites. This is the only footage I've seen of Grappelli performing, and while it's limited to a few shots, it's still worth the price of admission.

A DVD release has finally been announced for June 3, 2008.