Junoon

This movie is a beautiful love story and portrays the feudal life style of the landed aristocracy in North India, particularly in the Awadh region (around Lucknow), a major centre of the 1857 war of independence. Also, IMHO, Javed Khan (Shashi Kapoor)has already seen Ruth, even before the Church massacre (remember the first scene- Ruth notices someone standing outside the house).

Interesting trivia from the movie:

Ruth's grandma is played by Ismat Chughtai, one of the foremost progressive Urdu writers of the last century.

Ruth was played by Nafisa Ali, who had been crowned Miss India in 1977 or 1978 (?). This was her last movie till she appeared in the 2000 movie 'Major Saab' with Amitabh Bacchan (Amitabh's wife).

Terrific. The best part which i like about Shyam Benegal movies that they are not melodramatic & all emotions are shown in moderate doses mostly though scenes which appear like pictures.Everyone is free to interpret them.Another striking quality is even while making historical or period movie he shies from creating grand scenes but rather takes viewer through background to event & aftermaths of event.Sometimes viewer may find it disappointing but it has its own merits. Coming back to movie it sticks to original narration faithfully & develops some character like the aunt in a better way than story. Scene in the mango garden of swinging and women from both cultures expressing happiness in their own way is superb.Also nightmare of Ruth that shashi kapoor is going to rape her captures her mental trauma very well & in fact builds up viewer for the eventuality when she falls in love with him.

I've seen this movie twice, and liked it even better the second time. Right from the title scene of the crazy-looking "pir", the atmosphere created is gripping and unforgettable.

The events of 1857 were shocking in their violence, and neither the British nor the rebels showed themselves to be very honorable. The word "junoon" (obsession) connotes a tinge of madness, and that kind of madness is a very appropriate way to view the period. The "love story" is also suffused with the same out-of-control emotion. (Also, only a crazy man would want to leave Shabana Azmi for another woman, even one as gorgeous as the young Nafisa Ali!) Shyam Benegal has made a masterpiece that captures that feeling visually.

Now, if only they would convert this film to DVD, I would buy it in a second.

"That Pathan, he's looking at me."

Junoon is a 1978 Hindi feature film directed by Shyam Benegal and produced by Shashi Kapoor. Junoon is a lost gem that deserves more attention than it has received over the last three decades. Based on a novel by Ruskin Bond, Junoon presents the haunting tale of love, obsession, jingoism and death set around the Indian Mutiny of 1857. The movie underlines the atrocities of war while simultaneously trying to grapple with various social, moral and political issues. Junoon's ensemble star cast includes Jennifer Kendal, Shabana Azmi, Nafisa Ali, Naseeruddin Shah, and Shashi Kapoor.

Shyam Benegal and team need to be applauded for bringing Ruskin Bond's poignant tale to life. The movie's attention to period detail is immaculate. Benegal also succeeds in eliciting strong performances from all his actors. While the movie's real highlight is Shashi Kapoor's breathtaking performance, it would be unjust to overlook the other performances. The cinematography speaks for itself: the vivid and powerful images enrich the movie with an element of realism which woos the viewers into believing as if they are part of the history. The history unfolds with a subtle element of drama that keeps monotony at bay, also ensures that it doesn't become melodramatic.

Benegal, by the virtue of his groundbreaking cinematic works in the '70s and the '80s, rightfully established himself as the undisputed heir to the legacy of great Indian auteurs whose works paved the way for a new movement in Indian cinema during the late '40s to the '60s, popularly known as Indian New Wave/Parallel Cinema. Benegal's first four films created a strong buzz among the Indian film aficionados and that's what brought him in contact with Shashi Kapoor who went on to back his next two projects: Junoon and Kalyug.

Shashi Kapoor is breathtaking to watch in the lead role of a love-struck feudal chieftain, Javed Khan, who falls for a young British girl. This, in my opinion, also happens to be Kapoor's best performance ever. What makes the portrayal special is its deceptive simplicity. It may be a cinch to play a madman but it's exceedingly challenging to play a role that lies mid-way between sanity and madness. An actor is required to muster all his talent to bring such a complex caricature to life and that's exactly where Kapoor triumphs as he effortlessly goes through a gamut of emotions during the portrayal.

Junoon is a cinematic epic which serves as a powerful eye-opener for the contemporary Indian filmmakers who, blinded by the glitz and glamour of Bollywood, seem to lack both the ideas and the resolve needed to make great cinema. A major area where the movie scores heavily is in its balanced use of visuals and dialogues. Junoon is a great means to get acquainted with classic Indian cinema and a must watch for anyone who admires topnotch world cinema. 9/10

A more in-depth review can be read at:

http://www.apotpourriofvestiges.com/

"Junoon" means obsession and this is exactly what was portrayed in this movie. Based on the book, "The Flight of The Pigeons," which is based during the "Great Indian Mutiny" of 1857 and the aftermath, this shows of what really had happened in terms of the setting of the background - the mutiny and the aftermath. The mutiny now has been considered to be the first Indian war of independence, Javed Khan, a Pathan, comes into the town that he lives and sees a man making a prophecy of what is to come but en route to his house he sees an English girl, Ruth and becomes obsessed with her to such an extend that he keeps on staring at her whenever he sees her. This naturally frightens her and she informs her father about this. He tells her to ignore. But in the meantime, Ruth's grandmother, who is an Indian, is informed by their servant that he thinks that no one should go to church the next day as he has heard there will be a raid by the mutineers. But this is ignored and Ruth and her father go to church the next day and get involved in a blood bath that follows.

Adopted and Directed by Shyam Benegal, written and based on the book by Ruskin Bond and produced by Shashi Kapoor, this is a well researched based story, which shows the brutality of the soldiers of the British East India Company and of those who fought against them. The movie consists of a superb cast: Shashi Kapoor, Jennifer Kendal, Shabana Azmi, Tom Alter, Benjamin Gilani, Kunal Kapoor, Karan Kapoor, Pearl Padamsee, Geoffrey Kendal, Sanjana Kapoor, Khulbhushan Kharbanda and Naseerudin Shah. The movie is in Urdu, which is similar to Hindi, and in English.

"Junoon" brings out the real meaning of the word "obsession" which is mixed in with violence and historical background. This is a movie that is worthwhile watching. The song that is most enchanting is the one at the beginning.