Kiss Phantoms

Yes, the movie is horrible, and yes it is an embarrassment. However, if you grew up with KISS in the 1970's this movie will be very near and dear to your heart. The fact that this movie was even made is a testament to the KISS phenomenon of the 70's. It isn't so much a movie as it is a magical moment in time captured.

With tunes like "I Stole Your Love" and "Shout It Out Loud". This movie leaves no stone unturned for Kiss fans. It's so period, so dated, yet completely fun (especially if you're a nostalgia freak). Yet another one of those films where technically the acting stinks, the script is lame and the set is an amusement park but you just have to watch it once or twice or again and again. Choice is yours! (but I'd check it out:) As a Kiss fan I have no choice but to stick it a 10.

This is such a terrible movie that i can't help but love it. It's so pointless! The plot is terrible, it looks like it was shot on a broken VHS camera by someone with a blindfold on. The acting really couldn't be any worse but the music is good apart from when the evil Kiss robots do a show. Can anyone tell me why Beth is in there, yeah it's a good song but it's not set-up, no-one comments on it and everyone is just posing... absurdly. The thing i love the most though is how Gene strides around in his platforms, he looks like he's been riding a horse for too long! It's such fun it has to be watched and absolutely essential if your in danger of taking Kiss too seriously...

These are the reasons why i hate this film and the reasons why i love it. Don't ask me how that works i'm as confused as you.

I'm no KISS lover, nor am I a KISS hater; I suppose I'm a bit of a casual fan. I am however, a lover of movies of the genre that is sometimes called "Inexplicable." KISS Meets The Phantom (Of the Park) is such a movie. A real head-scratcher. You'll be scratching your head so damn much your scalp will start to flake. I think this movie keeps Head and Shoulders in business.

KISS star as themselves (Sort of, they are the band KISS, but they only refer to themselves as "The Demon" or "Space Ace" and so on), in a, well, really, a TV movie, but even then, that doesn't explain how poor the quality is. TV movies look better than this, heck, most after school specials have this beat. Anyway, KISS is playing 3 days of concerts at an unamed amusement park (In reality, Magic Mountain in California), and in between their 2-song concerts (That's as much as we see anyway), they fight the evil shenanigans of an evil inventor who works in a secret lab underneath the park.

Although I can't recall him ever being referred to in the film as "The Phantom" I have to assume he is the titular character. He certainly doesn't wear pink tights and fire pistols; though that probably would have pepped up the plot, which is droll and inane to say the least.

Here's the main problem. Amongst the opening credits you will prominently see displayed as Executive Producer one Joseph Barberra, famous for the Hanna Barberra cartoons. You will also notice a lot of musical cues and story elements that seem plucked right out of bad episodes of Scooby-Doo, Super Friends, Josie and the Pussycats and others. I'm not reaching here, a lot of sounds and music are exactly the same. Basically, the film is a live action Hanna Barberra cartoon, complete with terrible laser beam eye blasts and fire breath (One time you can see the physical edges of the effect, not a proud moment for Gene). This movie could have worked as a cartoon, or as a KISS movie about, I dunno, a concert. Instead its A Hard Days Scooby, and a poor one at that.

KISS certainly don't help their cause, Gene is really the only one who seems comfortable in his non-performance scenes, and he's hindered by a weird reverb effect on his voice that makes him almost impossible to understand. Ace and Paul are both more wooden than George Washington's teeth, and "The Cat" sounds an awful lot like Duke from GI Joe (His voice having been redubbed in post because, well, it was bad). In one scene, Ace is also clearly a stunt double, who's...well, black. In another, he's Asian. Oops.

I know I've made it sound awful but...well, okay so it's awful. But KISS Meets The Phantom often achieves that rare goofy quality of a movie that isn't so much bad, as it is completely insane and way off base. It's not as funny as a Plan 9, or a Gymkata, but it is worthy of at least one viewing with a big crowd of rowdy friends.

Consider this: In 1978 Wonder Woman was a fairly decent sized hit TV series. Cheese and camp were in. KISS Meets the Phantom of the Park originally was planned (and scripted) as "Star Wars meets A Hard Day's Night." Unfortunately, the network censors decided that it was too violent and too serious for all the kids that would likely be watching, so the script was toned down. After 3 or 4 re-writes the script hardly resembled that which the band and their management agreed to, but they had already signed their contracts, so...

Out came KISS Meets the Phantom of the Park to TV screens in the Fall of 1978. It was bad, unintentionally funny in spots, and yet - it was still kind of cool if you "got it." The idea of KISS as superheroes was a natural, and, in fact, it followed the two Marvel Comics KISS special issues from 1977 & 1978 - including the idea of where they got their powers. There are some ideas in the story that if fleshed out and written well could have made for a good TV movie. Unfortunately Hanna Barbera was running the show, and turned it into a live action cartoon - with the approval (and outright urging) of NBC. The band so hated the script that even Paul Stanley and Gene Simmons - the guys in the band with good work ethic and aspirations of becoming serious Hollywood actors someday - didn't bother to study their lines. They just had their lines barked out to them and repeated them for each take. Peter Criss, as has been noted many times, didn't even bother to show up for the "looping," or overdubbing of his voice to fix the spots where the audio recording wasn't up to par (and had his voice replaced by a cartoon voice actor throughout the film as a result). Ace Frehley also seems disinterested for most of the movie (and as he was, and still is, a big Science Fiction fan that shows just how unhappy he was with the script - and the film-making process in general).

Anthony Zerbe and Carmine Caridi, however, do their best to salvage something out of this mess. They give solid, fairly believable performances despite dialog that is often cheesy, and despite their characters being written as cardboard cut-outs rather than 3 dimensional people. Kudos to them, they clearly were (and still are) professionals.

The highlights of the movie end up being the music and the cheesy fight scenes - and maybe the interplay between Zerbe's Abner Deveraux and Caridi's Calvin Richards. KISS Meets the Phantom of the Park can be fun to watch IF you go into it expecting a cheesy 70's superhero camp movie. If that's all you expect, then it meets and exceeds those expectations. It's a great bit of nostalgia as well.

KISS survived this movie, but just barely. A year later they had a huge hit with their Dynasty album, but then saw Peter Criss leave the band, with Ace Frehley following suit a couple of years later. They saw their fortunes fade for a few years (despite the introduction of the late, great Eric Carr on drums in 1980) before their career revival minus the make-up with albums like Lick It Up, Animalize, Asylum, and Revenge. In 1996 the original group got back together for a wildly successful reunion that lasted for 5 years. Once again, Peter Criss and Ace Frehley proved to be too unstable and erratic to continue in the band, and they each ended up leaving KISS (or being asked to leave) for a second time. Despite a "Farewell Tour" in 2000-2001 KISS still continues today, and they still hate this movie. But like a veteran telling war stories, they still tell the tale of making this movie, and of how a great idea was turned into something profoundly stupid yet still strangely compelling.