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Emanuelle In The Country features its sultry star Laura Gemser getting naked, taking unnecessary showers and indulging in soft-core hanky panky, just like she does in all of her Black Emanuelle films; the fact is, however, that this film is not a legitimate part of the Black Emanuelle series, despite what its desperate distributors would have you believe with their cheeky title, but rather a totally unrelated sex comedy starring Gemser as a sexy doctor who takes up residence in a rural Italian town, where she immediately becomes the centre of attention for the randy male populace.

The film features plenty of good natured rumpy pumpy, not only from its star, but also from gorgeous blonde Antonella Prati, and a couple of other winsome wenches, but all the steamy sex in the world could not possibly compensate for the dreadfully unsophisticated comedy, which makes the whole affair virtually unbearable (and this is coming from a fan of the Robin Askwith Confessions series). To give an idea of just how puerile the humour in Emanuelle In The Country is, an early comical gem sees smoke coming out of a man's ears when he claps eyes on the town's sexy new MD (oh, and his hair stands on end as well—how hilarious). And it only gets worse from thereon in.

When exactly did the Black Emanuelle movies turn into a comedy-series? As an ambitious and free-spirited journalist, this gorgeous woman battled against women's oppression, snuff-networks, prostitution, slavery and even freaking cannibals! So what the hell is she doing now as the sexy doctor in a small community full of sleazy rednecks? Well, it can all be explained in one simply sentence. It's NOT a Black Emanuelle film at all and hasn't got anything to do with either "Emanuelle in Bangkok", "Emanuelle in America" and "Emanuelle and the Last Cannibals". This is just a very simple-minded and forgettable sex comedy in which Laura Gemser's character is actually named Selena, only the distributors assumed it'd be much more profitable to put the name Emanuelle on the DVD-cover. Can you blame them for wanting to make more money? Well, either way it's a really lame film that is only funny when it tries to be serious and vice versa. It has no actual story to tell, as it simply introduces random male characters that try to end up in Gemser's bed (some succeed) and random female characters that get jealous of the new babe in town and use their naked bodies to win the men back. Again, some succeed. The acting and directing are terrible, the use of music is overly lurid and the sex jokes are embarrassingly anti-funny. The things we have to endure to catch a glimpse of Laura's perplexing naked body!

If you are an Emanuelle fan (indeed if you are a film fan), I really would not bother with this one- a weird cross breed of "Carry On Luigi" and weak Gemser softcore. It has none of the humour of the former, and none of the sophistication of the latter.

Yes Gemser gets naked occasionally, as does AN Other, but the film is so lousy that we just don't care. No charm, no sensuality- and not worth your time.

For those who are fans of Eurotica, I would of course strongly recommend the others in the Emanuelle series- but this (like a number of other so-called entries in the series) has "Emanuelle" daubed on it, but wears the title with no authority.

I watched this on Woodhaven Entertainment/Soft Touch Video/Intermedia Video Products's DVD, a really cheap affair (and at least I got it out of a cheap bin, where it belonged). Atrocious dubbing, so-so print quality that in some scenes it was noticeably worse.

Laura Gemser is lovely, but I couldn't watch the movie, actually. I watched the first few minutes, hit the fast forward scan button and didn't stop. The movie starts as Laura Gemser plays a doctor arriving in an Italian village. Men in the village are discussing various actresses in the movies that they find attractive, then they see her and are amazed. One man who looks at her has his hair blown out like he stuck his finger in an electrical socket. A lot of the voices are really corny; this may actually be the case with the original Italian dialog.

I can't imagine actually sitting through this movie, except maybe if a better print was used along with the original dialog and English subtitles. Something like a documentary on Italian softcore sex comedies of the 1970s would really help put it in some context as well.

This is the kind of movie that really tends to tick people off because it is greatly misrepresented by its English title. As other reviewers have said, this is NOT a "Black Emanuelle" film but one of a small number of Italian sex comedies "Black Emanuelle"-star Laura Gemser appeared in around that time (probably the most interesting being Jose Larraz's "Malizia Erotica"). Comedy was not really Gemser's forte, but then Italian sex comedies were really nobody's forte. A few actresses like Edwige Fenech had some small degree of comic timing, but for the vast majority, comic timing mostly involved how long it took them to strip down to the skin and how frequently they did it. These movies today are either in Italian only and really stupid, or dubbed into English and really, REALLY stupid. This one falls into the latter category (but tack on a couple more "reallys").

Gemser plays a female doctor from the city who moves into the country with her husband and drives all the country bumpkin stereotypes crazy. This is a pretty sorry portrayal of rural Southern Italy. (If people had seen something like this at the turn of the century, they would have had flotillas and gunboats stationed around Ellis Island to turn back southern Italian immigrants before they implanted their inbred yokel seeds here in America). This movie not only unfunny, it's painfully unfunny. The only good thing about it is Gemser. Naturally, it lacks the depravity of the films she made with Joe D'Amato ("Black Emanuelle" and otherwise), but it has the usual nude scenes, and a long (some would say interminable) softcore sex scene near the end that differs somewhat from the "Black Emanuelle" series where the sex scenes are more truncated. If THAT'S a reason to watch this dreck, have at it, but keep in mind you are going to suffer mightily through a lot of lame, badly-dubbed provincial "comedy" to get there. But then that's why they invented fast-forward buttons.