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Matthau is a widowed hospital doctor enjoying his single status and the footloose and available nurses on the staff whilst colleague and friend Richard Benjamin looks on with amusement and amazement. Their boss is hard-of-hearing going on senile Chief of Staff Art Carney who is up for re-election to that post.

Matthau is content playing the field without commitment until he meets single mother Glenda Jackson who insists upon being the only woman in his life while she is in his life. At the same time, he comes under pressure to respond to the amorous advances of a potential litigant in a malpractice suit, and to support the shambolic and incompetent Carney in his attempt to be re-elected Chief of Staff.

This is a superior old-fashioned romantic comedy graced by four Grade-A actors and an excellent supporting cast working with a first-rate dry, caustic and sarcastic script. Carney steals every scene he's in and, in the parlance of IMDb, has us rolling on the floor laughing out loud whenever he appears on screen. We are otherwise entertained by the on-off relationship of the two leads and various sub-plots.

Lacks the ambition to be a great film, but remains one of the best of its kind and watchable and re-watchable for its comedic value alone. Deserves more attention than it seems to have received and well worth the cost of the DVD or video cassette.

Walter Matthau stars as a surgeon who is enjoying his new-found role as most desirable bachelor around. His pal, Richard Benjamin (his wonderful droll self) points out what a cliche' this is, but Matthau doesn't care. He explains he was married young and as a virgin, and although his marriage ended with his wife's death, he wants to sample the wares so to speak and experience the sexual freedom of the 70s. The two are on staff at a small hospital headed by slightly senile Art Carney, who shouldn't be allowed to drive, let alone perform surgery. When Matthau corrects Carney's antiquated treatment of patient Glenda Jackson, he is forced to back the old guy or risk dismissal. Matthau and Jackson cross paths again, in a heated discussion about health care..and again..and again.

Jackson is divorced, opinionated and clever--everything the young women Matthau has been seeing aren't. Their first real date is like watching a comfortable couple, and ends in a truly funny bit of physical comedy ('keeping one foot on the floor'as was required in old films they're discussing). Since Jackson's ex was a serial cheater, she makes it clear she isn't interested in being just one of his many, and they agree on a two week 'trial' exclusive relationship. There is a montage of 'togetherness scenes' that seems a little too pat in the film, but the witty dialogue returns as the pair hits a snag: Matthau may be the only one who can convince a wealthy young woman (Candy Azzara) not to file a hefty lawsuit after her rich old hubby dies in surgery. Matthau has two decisions of conscience to make--is he ready for a real commitment to Jackson, and will he stand up to Carney?

This really was a delight to watch--Matthau and Jackson had great funny chemistry, and Carney is terrific as the doctor who teeters between wacky (he orders breakfast for patients be served at 5am, and lunch at 9) and sounding perfectly lucid while explaining why he wants to keep his position of power. We get to see Matthau in a dress (and it isn't a pretty sight), and his son, Charlie, as Jackson's teenager. This used to make the rounds on network TV a great deal, but it seems lost to the ages these days. It's on DVD but will likely never make it to Blu.

it is a brilliant film. scene by scene, word by word. not only for the smart script or for great acting - both interesting ingredients of movie but for the real seductive chemistry between the leas actors. sure, it is the Hepburn- Tracy recipes but the taste is different. Glenda Jackson does a remarkable job and Walter Matthau use with grace the small details in his personal manner. charming and clever, old fashion and modern, bottle for the flavor of a kind of lost perfume, it is pure delight. Art Carney is one of splendid pillars of humor and the mixture between couple problems and ethic dilemmas is explored with rare art.

HOUSE CALLS was an amusing 1978 comedy about a widowed doctor (Walter Matthau) who now wants to play the field but can't help but be drawn to a patient of his (Glenda Jackson) who refuses to be just another notch on his bedpost. Matthau likes the woman but does not really want to make the commitment that she insists upon so he agrees to date her exclusively for two weeks and then make a decision as to whether or not he wants to commit; however, other complications make it difficult for Matthau to make a decision when the two weeks are up, even though he is clearly in love with the woman. Matthau and Jackson have surprisingly effective chemistry as a screen couple and are given strong support from Richard Benjamin, Candice Azzara, Dick O'Neill, and especially Art Carney as the inept and senile Chief of Staff at the hospital where Matthau is employed. Matthau even has a brief scene with his real-life son, Charlie, who appears as Jackson's son. This engaging comedy still holds up pretty well after all these years. If you've never seen it, it's worth the rental.

I remember seeing this 1978 comedy at one of the bargain matinees I took in when I was looking for a study break from my college courses. Walter Matthau and Glenda Jackson do some effective Tracy-Hepburn-style thrusting-and-parrying in this featherweight romp directed by the reliable Howard Zieff (he did "Private Benjamin") about a newly widowed doctor's aggressive re-entry into the dating game. It all breezes by quickly primarily thanks to the clever script by veteran screenwriter Julius J. Epstein ("Casablanca") along with Alan Mandel, Max Shulman and future director Charles Shyer.

Dr. Charley Nichols has just come back from Hawaii after his wife's death. Upon his return, he becomes aware that he is instant catnip to any and all the single women in LA. He works in a hospital run by an increasingly senile chief-of-staff, Amos Willoughby, whom Charley has to pacify to keep his residency. Enter Ann Atkinson, a transplanted Englishwoman who bakes cheesecakes for a living and has certain concrete opinions about the medical profession, which she expresses freely on a PBS talk show. Of course, Charley is on the show's discussion panel, and sparks, as they say, fly. This leads to the standard complications about how serious Charley is willing to become about Ann. At the same time, the hospital has to deal with a potential wrongful death lawsuit from the widow of a rich baseball team owner who died at the hospital under Willoughby's careless supervision.

It's just refreshing to see such a mature yet bracing love story between two characters inhabited by actors who deliver lines with the scalpel-wielding skill of surgeons. Matthau is his usual 1970's curmudgeonly swinger and quite a sight waddling with his gangly arms held akimbo in his power walk. Away from her heavy, award-winning Elizabethan roles, Jackson is crisply sardonic and charmingly vulnerable as the feisty Ann, who thinks all doctors should aspire to be Albert Schweitzer. Art Carney plays Willoughby with predictable bluster, while Richard Benjamin provides amiable support as Charley's colleague, Dr. Solomon. It's all very compact with a few nice jabs at the greed within the medical profession. There are no extras on the 2005 DVD.