VALUTAZIONE IMDb
7,0/10
8453
LA TUA VALUTAZIONE
L'ultimo studente di un morente maestro di arti marziali è istruito di dover localizzare i precedenti cinque studenti e sconfiggere tutti i cattivi in mezzo a essi.L'ultimo studente di un morente maestro di arti marziali è istruito di dover localizzare i precedenti cinque studenti e sconfiggere tutti i cattivi in mezzo a essi.L'ultimo studente di un morente maestro di arti marziali è istruito di dover localizzare i precedenti cinque studenti e sconfiggere tutti i cattivi in mezzo a essi.
Phillip Chung-Fung Kwok
- Ho Yuan-Hsin
- (as Chui Kuo)
- …
Meng Lo
- Liang Shen, Toad
- (as Mang Lo)
Lung-Wei Wang
- Judge Wang
- (as Wang Lung-wei)
Ku Feng
- Old Master Yuan (Guest star)
- (as Feng Ku)
Chen-Tu Tan
- Constable
- (as Chen-Tao Tan)
Recensioni in evidenza
Most 70s (and 80s) Kong Kong martial arts films barely function as movies; usually there are a few well-planned fight sequences, but the plot is scraped pretty thin to fill in the gaps between those nodes -- like porno films, really.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
Five Deadly Venoms is the first film in the unofficial Venoms series of martial arts films, starring a large group of martial artists and performers working mostly in Shaw Brothers pictures. This first film was hugely influential in Kung Fu film history, and is certainly an enjoyable ride. The film opens with an old man training by sitting in a pot full of boiling water. He tells his pupil, a man trained in the five venoms schools - centipede (Fast strikes), snake (powerful, targeted strikes), scorpion (hidden and sudden strikes), toad (immense physical immunity), and lizard (ability to climb walls), to track down the five experts - one in each of these styles. The teacher knows some have turned to evil, but his pupil must team up with the good ones to defeat the others. Also they wear masks that comically impede their ability to be understood. This is to hide each masters identity from the other. In the capital, the venoms are scheming against each other using secret codes, executions, and torture.
This film has some very fun and campy sequences, with excellent martial arts choreography. It's style is certainly a bit Wu Xia in nature - with the styles giving each master incredible powers. The Toad is a particularly interesting character for his ability to withstand great physical pain. This was a very memorable martial arts film, with the story, martial arts action, costumes and acting, setting and feeling fitting well together. This film certainly suffers from the Shaw Brothers "charm" - the same sets used again and again, similar styles to many of their hundreds of other films, and so on. Even so, this film stands above the pack for its quality, charm and enjoyability. Good watch and a classic of its genre, it is certainly worthy of a watch for fans of this genre of films, or those looking for a good martial arts flick to watch.
This film has some very fun and campy sequences, with excellent martial arts choreography. It's style is certainly a bit Wu Xia in nature - with the styles giving each master incredible powers. The Toad is a particularly interesting character for his ability to withstand great physical pain. This was a very memorable martial arts film, with the story, martial arts action, costumes and acting, setting and feeling fitting well together. This film certainly suffers from the Shaw Brothers "charm" - the same sets used again and again, similar styles to many of their hundreds of other films, and so on. Even so, this film stands above the pack for its quality, charm and enjoyability. Good watch and a classic of its genre, it is certainly worthy of a watch for fans of this genre of films, or those looking for a good martial arts flick to watch.
I love movies just like everyone else, but if you don't watch kung fu flix your missing something special, 5 deadly venoms was one of the first kung fu movie i seen as a kid. The fight scene were so amazing plus the storylines are too good!! wink.wink. THIS IS A MUST WATCH FOR ALL MOVIE LOVERS!
This is definitely one of the best kung fu movies ever, and may be one of the best movies ever... It's got a great plot that functions like a puzzle, with lots of intrigue and suspense. This film is full of cat and mouse games and deceptions, with people hiding their identities and their natures. The characters in this film live and breath much more than your average kung fu movie characters. They are all interesting and compelling and the movie does a good job at giving them scenes to show their personality's and desires.
The fight scenes play out like little stories and many of them are very original and exciting. It has cool training sequences and martial arts skills that are so awesome they enter the realm of fantasy. There are 5 members of the poison clan each one with his own style that mimics the special skill of a venomous animal. The styles of each of these characters are fun to watch and you can see the techniques they use in training applied during the film... When this happens, The director uses quick cutting back to the training scene to draw a parallel. These cuts are accompanied by music changes and sound effects and the whole thing really works nicely.
One thing about this movie that is very original is the way it treats death. The director Chang Cheh was obviously very concerned that the film not trivialize death. This makes some of the scenes in the movie much more effective. We actually care when people are killed in this film. This is because the camera lingers on the horror of death even when the bad guys are killed. Some of the sequences in this movie are truly gut wrenching. When characters go in search of vengeance you really feel their anger and pain.
At the same time, this is also a fun movie. It has all the typical things you expect from a traditional kung fu film. There is bad dubbing, The characters are willing to fight at the drop of a hat. Some of the sound effects are hilarious and at times the behavior of the characters is incredibly unrealistic... all this just adds to the greatness of the film.
And lets not forget that this director was a visual stylist much more gifted than most of his contemporaries. If you watch this movie closely you will notice that the technical prowess on display is virtuostic. Everything goes by so fast (because of the quick cutting style and the rapid camera movements of the genre) that it is easy to overlook how beautiful the movie really is. The lighting and composition are spectacular at times. The camera work and movement is extremely sophisticated along with very interesting fast paced editing... In the scenes that portray suspense and intrigue for example, imagine Hitchcock moving at about twice the speed. Chang Cheh was truly a master craftsman and artist who knew his genre and was able to produce important material while working within it's confines. He doesn't rattle the boat of the kung fu genre film, but in a subtle way his skills permeate every scene and every shot and they add greatly to the quality of the work. He is an important filmmaker who continues to influence many people.
This is the real package A kung fu movie that delivers on every level. It's art, it's trash, it's emotionally moving, and it's fun, it has a true sense of morality, but doesn't allow that morality to get in the way of delivering good action. I recommend it to everybody whether you are a fan of this genre or not.
The fight scenes play out like little stories and many of them are very original and exciting. It has cool training sequences and martial arts skills that are so awesome they enter the realm of fantasy. There are 5 members of the poison clan each one with his own style that mimics the special skill of a venomous animal. The styles of each of these characters are fun to watch and you can see the techniques they use in training applied during the film... When this happens, The director uses quick cutting back to the training scene to draw a parallel. These cuts are accompanied by music changes and sound effects and the whole thing really works nicely.
One thing about this movie that is very original is the way it treats death. The director Chang Cheh was obviously very concerned that the film not trivialize death. This makes some of the scenes in the movie much more effective. We actually care when people are killed in this film. This is because the camera lingers on the horror of death even when the bad guys are killed. Some of the sequences in this movie are truly gut wrenching. When characters go in search of vengeance you really feel their anger and pain.
At the same time, this is also a fun movie. It has all the typical things you expect from a traditional kung fu film. There is bad dubbing, The characters are willing to fight at the drop of a hat. Some of the sound effects are hilarious and at times the behavior of the characters is incredibly unrealistic... all this just adds to the greatness of the film.
And lets not forget that this director was a visual stylist much more gifted than most of his contemporaries. If you watch this movie closely you will notice that the technical prowess on display is virtuostic. Everything goes by so fast (because of the quick cutting style and the rapid camera movements of the genre) that it is easy to overlook how beautiful the movie really is. The lighting and composition are spectacular at times. The camera work and movement is extremely sophisticated along with very interesting fast paced editing... In the scenes that portray suspense and intrigue for example, imagine Hitchcock moving at about twice the speed. Chang Cheh was truly a master craftsman and artist who knew his genre and was able to produce important material while working within it's confines. He doesn't rattle the boat of the kung fu genre film, but in a subtle way his skills permeate every scene and every shot and they add greatly to the quality of the work. He is an important filmmaker who continues to influence many people.
This is the real package A kung fu movie that delivers on every level. It's art, it's trash, it's emotionally moving, and it's fun, it has a true sense of morality, but doesn't allow that morality to get in the way of delivering good action. I recommend it to everybody whether you are a fan of this genre or not.
10clurge-2
Be careful with this one. Once you get yer mitts on it, it'll change the way you look at kung-fu flicks. You will be yearning a plot from all of the kung-fu films now, you will be wanting character depth and development, you will be craving mystery and unpredictability, you will demand dynamic camera work and incredible backdrops. Sadly, you won't find all of these aspects together in one kung-fu movie, EXCEPT for Five Deadly Venoms!
Easily the best kung-fu movie of all-time, Venoms blends a rich plot, full of twists and turns, with colourful (and developed) characters, along with some of the best camerawork to come out of the 70s. The success of someone liking the film depends on the viewers ability to decipher which character is which, and who specializes in what venom. One is the Centipede, two is the Snake, three is the Scorpion, four is the Lizard, and five is the Toad. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, we learn along with the student character, finding out who these different men turn out to be. We are in his shoes (so to speak), and we have to pick who we trust, and who we don't, just like he does. We learn along with him.
Not only is the plot, the characters, and the camerawork great, it's also fun to watch, which in my book makes it more valuable than almost any other movie of it's kind. It's worth quite a few watches to pick up on everything that's going on. Venoms is a lesson on what kung-fu can really do...just don't expect many other kung-fu films to live up to it's gauntlet.
Easily the best kung-fu movie of all-time, Venoms blends a rich plot, full of twists and turns, with colourful (and developed) characters, along with some of the best camerawork to come out of the 70s. The success of someone liking the film depends on the viewers ability to decipher which character is which, and who specializes in what venom. One is the Centipede, two is the Snake, three is the Scorpion, four is the Lizard, and five is the Toad. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, we learn along with the student character, finding out who these different men turn out to be. We are in his shoes (so to speak), and we have to pick who we trust, and who we don't, just like he does. We learn along with him.
Not only is the plot, the characters, and the camerawork great, it's also fun to watch, which in my book makes it more valuable than almost any other movie of it's kind. It's worth quite a few watches to pick up on everything that's going on. Venoms is a lesson on what kung-fu can really do...just don't expect many other kung-fu films to live up to it's gauntlet.
Lo sapevi?
- QuizRanked #11 in Entertainment Weekly's "Top 50 Cult Films of All-Time."
- BlooperNear the end of the film when the Lizard, the Scorpion, the Snake, the Centipede and the Teacher's sixth and final pupil confront each other at the Snake's mansion, the Lizard calls the Centipede "Number 5". The Centipede was actually "Number 1" and was referred to as such throughout the rest of the film and the Toad was actually "Number 5" and was also referred to as such throughout the rest of the film. This is undoubtedly an error in the English dubbing, not in the original Mandarin dialogue.
- ConnessioniEdited into Kill Bill - Volume 1 (2003)
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