FM

70's time capsule is chock full of fantastic music, the soundtrack is justly famous, and excellent actors. The basic story line is David vs. Goliath but is entertainingly played and provides a look at what FM radio used to be and shows what's been lost by the homogenization of the airwaves, at least the non satellite airwaves.

Good concert footage of Jimmy Buffet and Linda Ronstadt give a sense of what live concerts were at the time. Of the performers while all are good a few stand out. Martin Mull is a hoot as the egotistical and somewhat child like disc jockey Eric Swan and the great Eileen Brennan makes a lot out of her small part as the world weary DJ Mother. No one did world weary as well as Eileen Brennan. Not a great picture but for any music lover unmissable.

It may not be a cinematic masterpiece, but the 1978 movie FM has something going for it as, admittedly in its dated late 1970s way, it somehow foresaw the corporate turn that the radio media would take in years to come. And it does so with a wall-to-wall soundtrack of late 70s Top 40 memories that now fall under the rubric of Classic Rock. In essence, this is the classic rock response to the disco onslaught of Saturday NIGHT FEVER.

Michael Brandon is Jeff Dugan, the program director at QSKY radio in Los Angeles who oversees an on-air staff of wild and crazy disc jockeys (Alex Karras; Cleavon Little; Eileen Brennan; Cassie Yates; Martin Mull) that, through playing what the L.A. populace wants to hear and with limited commercial interruptions, has made the radio station Number One in the second largest media market in the nation. Things seem to be looking up, until "the boys upstairs" decide how much better things could be if more commercials were aired between blasts of Steely Dan, Queen, and Boston. Naturally, this doesn't sit well with Dugan and his merry band, but the top brass envision QSKY just becoming one big infomercial. This, however, leads to an insane backlash from the QSKY staff and, eventually, a takeover of the station that nearly results in rioting on the streets.

This is definitely pretty thin stuff for a film that was allegedly the inspiration for CBS-TV's fine sitcom "WKRP In Cincinnati" (though the pilot of that series was being filmed at the same time FM was being filmed, so the resemblance is only coincidental). But while this film is no NETWORK, in terms of films that attack the decay of the media, FM still works in getting its situations across. Maybe the idea that a radio station's staff would rail against corporate interference sounds a bit daft, but the notion that a big conglomerate (Clear Channel, for example) would turn a radio station into one big box in which the music is only the filler between attempts to part listeners from their hard-earned money isn't so easy to laugh at anymore.

FM has a lot going for it. For one, it was the only feature film directed by John A. Alonzo, one of Hollywood's premiere cinematographers; his credits include CHINATOWN, BLACK Sunday, SCARFACE, and parts of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And for another, that wall-to-wall soundtrack of what we now call classic rock is enhanced by actual concert footage of Jimmy Buffett and Linda Ronstadt. Buffett's performance of "Livingston Saturday Night" reminds one of what he was decades before his Margaritaville was hijacked by Nashville pretenders like Kenny Chesney and Toby Keith. And Linda, normally a very stage-shy performer, asserts herself boldly on searing renditions of "Tumbling Dice" and "Poor, Poor, Pitiful Me", then pays a heartfelt tribute to Elvis by doing the King's 1956 classic "Love Me Tender."

I can't help but give FM a rating of "7" because it reminds one of what the radio was like before corporate interference and MTV began to slowly corrupt and destroy it, and because it is an interesting time capsule of life in Los Angeles at the end of the 1970s.

I was in radio in the area the movie took place in the late 1970's, most of my friends felt the movie was molded after 94.7 KMET, "The Mighty Met" which at the time was king, with KLOS always nipping at their heels. Sadly, corporate money won out, the MET went "NEW AGE" and KLOS survived. Remember Paraquat, Ace "Space" Young, "The Gonzer" and Jim Ladd to mention a few Met Cats! None of us even thought about "WKRP in Cincinnatti" as a off shoot to "FM" although it was a great show. Myself and many others worked at a station much like "WKRP" at one time or another! "FM" was excellent and reflected a wild time in radio, when there was some pretty weird music out there and some great ones too!

This movie was very popular in 1978, largely on the strength of it's soundtrack. FM radio itself was just busting out in many smaller towns and the idea of this whole new spectrum of radio sound was a very new thing. This movie is the story of one LA FM station, they play cool music, promote cool concerts and take over the station when things go wrong for them. The story is largely forgettable, but in all actuality, it was all a promotion for the double-LP soundtrack ( now to be found in almost any thrift shop in the US ). Steely Dan make a good showing as does Linda Ronstadt. Jimmy Buffett does well also, this was just before he started becoming just a parody of himself as he began catering more to an audience of drunken yuppie "parrotheads". It's hard to want to recommend this movie, if you are interested in the time and the music back then, definately go see this. If you are a fan of "WKRP in Cincinatti", and heard that that TV show was based on this one, don't go in expecting a movie version of WKRP.

As someone who works in "the business", I did notice that FM has its share of inaccuracies and things that don't quite work...big whoop...do not let those deter you from enjoying a movie that has been underrated and under-appreciated...with a cast that works well together and a killer soundtrack, FM tracks the musings of a station in LA that takes its music and its audience seriously...without commercial interruption...Michael Brandon is superb as the hero, Jeff Dugan... Martin Mull is great as an over-the-top DJ, Eric Swan...Eileen Brennan as Mother, the late Cleavon Little as the Prince of Darkness, and Cassie Yates as Laura Coe make up an air staff that I would love to work with...the bad guys are Albert Driscoll, a company exec who doesn't understand anything beyond the bottom line, Regis Lamar, a "flunky" salesman who is doing what he's being told- even though he tries to understand what the radio people are doing, and Michael J Carlyle, a greasy radio exec not unlike a few in radio...and all through the movie, the fact that it is fun to work in radio is very evident...one note...Alex Karras as the Cowboy is a little bit of miscasting...not sure why he was put in there other than his character was in the book...but overall the quality and flow is excellent...and, as its catchphrase goes, "no static at all"...for those of you who are historians of radio, you will love the dual mikes they use at QSKY...brings back the memories...you're probably going to have to find the movie online somewhere, since it's unusual to locate it in a rental store, but it is a nice addition to a library...and try to find a brand new copy...WITH the poster!