Aggiungi una trama nella tua linguaA manager is sent to vacation by his doctor due to symptoms of stress. He chooses Hawaii, because that's where his grandfather worked as a missionary. He doesn't know that his grandpa and al... Leggi tuttoA manager is sent to vacation by his doctor due to symptoms of stress. He chooses Hawaii, because that's where his grandfather worked as a missionary. He doesn't know that his grandpa and all male successors are cursed by the Voodoo clan. Every night he transforms into a werewolf... Leggi tuttoA manager is sent to vacation by his doctor due to symptoms of stress. He chooses Hawaii, because that's where his grandfather worked as a missionary. He doesn't know that his grandpa and all male successors are cursed by the Voodoo clan. Every night he transforms into a werewolf and horribly slays young women.
- Julie Chin
- (as Lydia Lei Kayahara)
Recensioni in evidenza
But boy, does he make dumb decisions.
I mean, the poor guy is completely stressed out at work, and he's having vague, sweaty nightmares about crazy voodoo ceremonies on an island.
His doctor tells him it's time to chill out. Urges him to take a nice vacation.
And what does Jason do?
He sees a poster for Hawaii, and one of the images on it is a voodoo mask.
Sure, why not? Sold.
Now to be fair, Jason also goes to Hawaii because his grandfather was a missionary worker there back in the day. It was a bit of a nostalgia trip for him. He isn't aware, though, that the old man ran afoul of a voodoo priestess, who put a curse on the family.
I'm not sure that if Jason had just stayed in California - or gone to chill in, like, Vegas, he'd have started sprouting extraneous hair and fangs. But when he goes to grandpa's old stomping grounds, it sure brings out the beast in him.
This kind of throws a monkey wrench into a budding romance Jason has with a woman he meets at the resort named Diane (Barbara Trentham). Needless to say, he becomes a pain in the neck as well for the other vacationing guests on the island.
Lieutenant Russ Cort (Dolph Sweet) and out-of-sight ladies man and hotel detective/handyman Rick Bladen (Joe Penny), meanwhile, have their hands full trying to sort things out.
We're talking Made-for-TV here, so the gore is at a minimum, and the naughty bits are very, very, very tame. I wasn't on the edge of my seat very often, either. But there were some cool werewolf attack scenes in between the filler romantic overtures between Jason and Diane.
I've read a few complaints about wolfie's "look," but quite honestly, I didn't have a problem with it. There was one full transformation scene, and again, I liked it better than most. I guess I'm easy to please.
One bonus for me was that Debralee Scott made an appearance as a vacationing stewardess named Sherry Weston. Such an appealing, wonderful performer. Left acting too early and died too soon.
For a TV flick, it's a well-done scary movie with a cool setting (cheap werewolf costumes in seventies Hawaii cocktail lounge locations), a weird electronic sound track and a stunning witch queen played by France Nuyen. Though the story and the thrills are a bit weak it's worth to watch!
A dude is vacationing in Hawaii (I guess that's where they spent the budget) and is troubled by the natives. He infuriates them with his presence. One night he wakes up and discovers he's been cursed. By whom or what we don't know. If you want to find out why or what he's cursed with (one is appearing in this stupid movie) you'll have to go to your local independent video store and find out for yourself. Be warned this movie stinks on ice.
Not recommended. It'll neither please werewolf fans or bad movie lovers.
While technically I remember this to be the very first werewolf film - or one of the first - I saw as a tiny little kid on a late night TV channel, I actually remembered little else of it (aside from the ending terrifying me). Probably because of the complete film being, uh, well, pretty much ballocks. What we got here, is a werewolf in Hawaii, in a motion picture flavored with ancient native sorcery (a curse, always scary stuff!), horribly colored shirts and dangerously short sporting shorts. All this could work, but it doesn't.
So what did I get out of this film? Well,... a lot of muzak (seriously, will you listen to all those hideous tunes on the soundtrack) and some great textbook examples of experimental cross-cutting. Sergej Eisenstein should see this - he'd be proud. And then there's Robert Foxworth running around in werewolf make-up. I imagine this film to be a very tedious watch for the regular viewer, but if you manage to place yourself in the minds of the people who made this, you'll have a hard time wiping that grin off your face. It's just so ridiculous how they put this movie together. Especially the "cleverly planned" romantic interludes between Foxworth and Barbara Trentham are always a hoot to which you can set a timer. But the most painful thing about this film, is that Foxworth is the actual werewolf. The viewer knows this from the start, but Foxworth's character doesn't (It's you, Foxworth! Wake up, man, it's YOU! ...aw, Christ!). He always wakes up every morning, but has no clue about what he'd been up to all night ("Hmmm, must have been too much sun and alcohol..."). Now, any film in which the viewer knows everything from the first minute, but all the other characters are running around trying to figure things out, is just a plain bore to sit through. In this case, an often funny bore, yes, but you'll be glad to see the credits roll after that final "shocking" surprise end-shot.
Finally, I can imagine one of the very first production meetings of this film having went a little as follows. Throw in a producer (P), director (D) and writer (W):
P: "Let's make a film about a guy going to Hawaii on a holiday and have him change into a werewolf every night."
D: "Great! I love werewolf movies. I want to direct one."
P: "Fine! Writer, figure something out to make the guy a werewolf."
W: "Okay, we could put a curse on him, because his ancestors were evil missionaries... or something."
P: "Wonderful angle! I like it! Anything else?"
W: "I could throw in a redundant subplot about a thief, robbing rooms. So the police can run around clueless."
P: "Excellent! Who's going to play the leading guy?"
W: "I suggest Robert Foxworth. He usually doesn't have a clue about the characters he's playing."
D: "Uh, could I direct some romantic interludes too? I like those."
P: "Yeah sure. Romance always works."
D: "What about tits? I want to shoot some naked breasts too."
W: "I could write a gratuitous shower-scene into the script"
P: "Okay for the shower-scene. But no tits. Remember, this is going to be shown on television. And put Foxworth in a shower somewhere too, for the ladies. But don't show his butt, D."
D: "Aw, darn. I like Foxworth's butt."
P: "Okay, all set then. W, you get your script ready in a week. I'll book us some tickets to Hawaii. I could use a holiday myself."
D: "Yipii! We're gonna make a werewolf movie in Hawaii!"
P: "Shut up, D. Go shoot this movie or you're not getting paid."
Sure they got away with this. It was the 70's. They got this movie made.
Lo sapevi?
- BlooperAfter Robert Foxworth comes out of the shower, you can see the reflection of the camera operator's arm in the bathroom mirror.
- ConnessioniFeatured in Kauai Thru Hollywood (2014)