Il cacciatore

Nothing prepares us for a life in the so called modern world but we partake in the traditions passed on to us through family, friends and colleagues, at home, out socialising and in the workplace. It's called culture and, for the most part, it keeps us safe and secure, as the bonds we develop make us feel a part of the fabric but it's still psychologically a challenge to the hunter gatherers mind - increasingly so today.

Put that mind into war, battles, conflict, abuse, threat and it's anyone's guess what might result. Put that mind into the events portrayed here, albeit quite extreme, and you have the basis for a fascinating insight into the cultural and social destruction that conflict can reap through individuals, as well as entire populations, and continue to do so long after the truce has been declared.

Mix into the portrayal some of the finest actors of their generation, perhaps of all time, and you have a genuinely timeless anti-war reflection that, in itself, should be enough to dissuade the most sabre rattling politico, who genuinely cares about their citizens, to put their swords away and resolve any differences peacefully. Unfortunately, recent history suggests otherwise.

"The Deer Hunter" is 32 years old. How extraordinary to sit through it now. Walking over the politics that divided , somehow, all of its admirers then. "Great film but..." How silly to think of it now. Michael (a sensational young Robert De Niro) is as extreme a character as Rocco was in "Rocco And His Brothers" His goodness, the one that was always there but that he discovers under the most horrendous circumstances, underlined by Stanley Mayers's "Cavatina" permeates the entire film. I remember thinking, when I saw the film for the first time, that I couldn't or wouldn't spend ten minutes with Michael and his friends, the ones we meet at the beginning of the film but by the end I thought of them as brothers and I loved them. I actually loved them. That in itself is a sort of film miracle. John Savage will break your heart, it certainly broke mine and Christopher Walken is absolutely riveting. How strange to tho think that Michael Cimino, still a young man, is nowhere to be seen. Is still a punishment for "Heaven's Gate" and "Indecent Exposure" or there is something else we don't know about. The Cimino behind "The Deer Hunter" is a true master.

Eight stars. The seeds of Cimino's downfall were sown in his greatest triumph.

His Heaven's Gate was the disaster that ended the Hollywood auteur era of the 60s and 70s. And one needs look no further than the first act of The Deer Hunter to see why. Maybe Cimino thought he really needed three one-hour acts for some sort of symmetry. I don't know. What I do know is that act one was about twice as long as it had any business being. It dragged. Painfully so.

Now, once we leave Clairton for Vietnam, the film elevates to brilliance. Acts two and three are masterful. Cimino's work here is glorious. And the acting is splendid from the first scene onward. DeNiro and Walken get most of the cred, but Streep and Cazale are both monumental here. Savage and Dzundza also turn in splendid performances. Dzundza's is the easiest to overlook, just as Savage's is the easiest to discount. But his work is needed for the whole tragic tale to hang together. Nick and Steve are both shattered by their experiences. And, for all his love and effort, Mike really can't save them.

This is a great film. If Cimino had cut half an hour from act one, it would be a transcendant one. 14 August 2023.

The Deer Hunter (1978)

**** (out of 4)

Michael Cimino's masterpiece about three friend (Robert DeNiro, John Savage, Christopher Walken) whose lives we see before, during and after the Vietnam war.

THE DEER HUNTER ended up winning five Academy Awards including Best Picture, Best Director and Best Supporting Actor for Walken. The film was a hit at the box office and won all sorts of critical acclaim but I still think the film is quite underrated as it's one of the most draining and emotional films ever made. It's certainly not a fun or pleasant movie to watch but there's no question that Cimino made something incredibly powerful and at times shocking.

The film might have been praised but some threw a lot of criticism at it including some of the Vietnam scenes dealing with the Russian roulette. Many have said that the most powerful scenes in the movie were nothing more than a work of fiction but I find this to be a rather silly complaint because this was a movie and not a documentary. These scenes are some of the most powerful moments in film history so to say the film would have been better off without them is rather stupid. The scenes in Vietnam with the solders being forced to play against one another are among the most intense scenes you will ever see.

Another bit of criticism is aimed at Cimino and his decision to make the wedding sequence last for fifty-two minutes. Personally speaking, I think this was a great decision and the other two-thirds of the film wouldn't have been as powerful without such a long opening. Not only do we get to know all of the characters involved but a lot of the stuff that happens here pays off later in the movie. One of the most powerful and telling scenes deals with a soldier who comes to drink at the bar and is confronted by DeNiro. I'm obviously not going to spoil anything but this plays an important part later in the picture on the mental state of his character.

Speaking of DeNiro, he once again delivers a marvelous performance and especially since he's the main character in the movie and must play so many different emotions. The actor perfectly nails the character and really brings a lot of heart and soul to the picture. The ensemble cast really does a remarkable job here with Meryl Streep showing what greatness was to come with her. Walken deserved his Oscar for his heartbreaking performance. Savage, George Dzundza, Chuck Aspegren and John Cazale are all equally wonderful as well.

Technically speaking the film is quite flawless with some masterful cinematography from Vilmos Zsigmond as well as a haunting and incredibly moving score by Stanley Myers. THE DEER HUNTER is without question one of the most depressing and emotionally draining movies that you'll ever see but it's also a masterpiece and one of the greatest films ever created.

A comment re the other comments: A lot of the comments criticize the first half hour as being too long. In my opinion, these comments miss the point of the movie.

Of course many of the scenes in the first hour don't advance the narrative. They're not supposed to; they're for character development.

The whole point of the movie is to show us how the various characters were affected by the war. It wouldn't have worked nearly as powerfully as it does had the first hour been trimmed down. We have to sense the careless and frat-boy-like immaturity of these young men. That's why the scenes all revolve around frivolity and seemingly senseless boyish behavior; it creates such a stark contrast to the devastated characters of the three who went to war (and the relatively unaffected personalities of those who stayed behind, like Stanley).

The strong points of the film are the outstanding performances of nearly every actor in the movie. Yes, there are technical deficiencies in the sound, but it hardly matters. This is nitpicking compared to the overall construction of the film.