Il cacciatore

Three steel workers from a small town in Pennsylvania prepare to go to war in Vietnam. The night before they go, Steven is married, sparking a large celebration. The next morning they go deer hunting one last time in the woods before they leave. Time passes and the three meet up again in Vietnam as prisoners of war. Brutal mental torture affects them in different ways before they escape and are separated again. Back in Pennsylvania Michael realises the extent to which the war has not only affected him but devastated the lives of his friends in different ways.

I have seen this film several times and I'll admit that I always assume that it is a classic film mainly because I saw it twice when I was in my early teens and was blown away by parts of it. I say this because I want to acknowledge that it may not be as great a film as many critics lists believe it to be, but at the same time I still watch it occasionally as I find it to be a moving story and a good film. The plot is moving if it is viewed on it's surface as a tale of three men whose lives are deeply affected by the war. Going past that to deeper themes I always feel that the film doesn't manage to be as deep as it thinks it is, so I try not to linger too long on these.

The breakdown of the film gives significantly more time to events in the home town rather than Vietnam. This is as it should be – for many people the war was a fleeting thing that has stayed with them for much longer than they were actually involved. The wedding scene is a little overlong but it does serve as a chance to get to see the characters in their setting before we quickly move to the events that changed them and the people they become. The time in Vietnam is quite short but very memorable (many people who have never seen the film will still know these scenes) and the final hour or so of the film is moving even if it takes things to an extreme to make it's point.

The cast make the film work as well, if not more, than the material itself. De Niro is the rock on which it all stands and is pretty good. The only weakness in his performance was that he was the one who had to be `the hero' type who does what he can. Walken gets the lion share of praise for his is the role that changes the most significantly throughout the film. It is easy to forget that he was not anywhere near as famous as De Niro at this time and it is amazing in that regard to see him hold his own. Savage gives a good performance and support is strong in the form of such actors as Cazale, Dzundza and Aspegren. Even Streep gives a performance refreshingly free of sentiment or forced accents.

The film is a little overlong and could easily have lost 30 minutes (although not all from one place) to give it a tighter feel. Some scenes feel stretched beyond their useful duration leading to the feel that the film wanted to be 3 hours long, rather than being cut back to 3 hours long. Despite this though I still think this is a good film that is a powerful story at it's heart. I personally don't think it would make my top 50 (were I ever to do one) but I will watch it again.

The Deer Hunter is a masterpiece of life among a community before and after three friends get drafted to fight in the Vietnam War. The tragic events that take place in the jungles and the adjustment back into the drinking and hunting life of steel workers in Pittsburgh shook my life forever. Bobby, Chris, and John all give fine performances with an outstanding supporting cast comprised of George Dzunda(Crimson Tide, The Limbic Region) Meryl Streep(Kramer vs. Kramer, Out of Africa) and of course the late John Cazale(The Conversation, Dog Day Afternoon). The scenes are lavishly created to pull us into the magic and to strike horror into our dreams. The themes of a powerful movie such as this applies across all generations even to now with all that is happening with our soldiers in the Middle East. If you only have "one shot" to see an outstanding movie that will make your heart sing and make your soul weep, make it this movie.

"The Deer Hunter" is not a film about the Vietnam war, as it is wrongly said in many cases.

"The Deer Hunter" is a film tells the story of 3 friends within about 5-6 years, during which their friendship is repeatedly put to the test.

It is primarily a picture of the contemporary life of a group of people around 30 living in a small American town during the Vietnam war.

The first hour of the film portrays the every day life of three friends Mike (De Niro), Steven (Savage) and Nick (Walken), who look forward to Steve's wedding but at the same time have to prepare for their commitment in Vietnam. The main actors (above all De Niro and Walken) perfectly picture the character's inner conflict between their easygoing home town life and the forthcoming assignment in Vietnam. Despite this conflict the characters don't show their concerns to their environment.

Particularly Nick is worried about him and his friends leaving his home town and perhaps never coming back, but he only tells his best friend Mike of his thoughts, who is much more resolute and sees their engagement as a strong masculine act.

Cimino manages to show the simple irrationality of young men, going to a senseless war from which they might never return for the only purpose of glory and approval, and abandoning their settled and happy life for it. The spectator just can't understand why those young men voluntarily sign for the army and give up everything they have. The passage from the small-town-idyll to the war cruelty is greatly pictured. Cimino does not show the three friends' way to Vietnam or the training, he immediately switches from a happy get-together to the cruel war captivity of the Vietcong. This passage perfectly underlines the contrast and the inexplicability of the three men's actions.

Although the passage that is set in Vietnam is only about one third of the whole film long, the war is omnipresent at any time, which is probably the best benefit of the whole film, Cimino does not need to bomb the spectator with pictures of crying children, mutilated soldiers or desert battlefields in order to illustrate the cruelty of war. Far from it! The changed behavior of all characters after the friends' returns tell more about wars' capability of changing someone's life, than anything else.

And the fact that the many dreams that these three friends had before they went to Vietnam didn't come true, because of their longing for recognition by becoming an acclaimed veteran can even pluck your heartstrings.

Cimino's great directing and the cast's awesome acting provide for a touching and honest drama about the friendship of a group of young men, that is destroyed by the Vietnam war.

Nothing prepares us for a life in the so called modern world but we partake in the traditions passed on to us through family, friends and colleagues, at home, out socialising and in the workplace. It's called culture and, for the most part, it keeps us safe and secure, as the bonds we develop make us feel a part of the fabric but it's still psychologically a challenge to the hunter gatherers mind - increasingly so today.

Put that mind into war, battles, conflict, abuse, threat and it's anyone's guess what might result. Put that mind into the events portrayed here, albeit quite extreme, and you have the basis for a fascinating insight into the cultural and social destruction that conflict can reap through individuals, as well as entire populations, and continue to do so long after the truce has been declared.

Mix into the portrayal some of the finest actors of their generation, perhaps of all time, and you have a genuinely timeless anti-war reflection that, in itself, should be enough to dissuade the most sabre rattling politico, who genuinely cares about their citizens, to put their swords away and resolve any differences peacefully. Unfortunately, recent history suggests otherwise.

No, this is not the best film about the Vietnam War; it's hardly about Vietnam at all. The vets who don't like it have it wrong, as do the Vietnamese who found it racist. It could be any war, with any combatants. But because the (primary) victims here are recognizable American archetypes, Americans will feel this in their gut more than any other war film I know of. This is one of the very few post-war Hollywood films that shows a sincere reverence for the lives of small town Americans.

After seeing it in a very high quality theater on its initial release, I walked out thinking it was easily one of the best movies I had ever seen - and that I never wanted to see it again. But I looked at it today on cable and found that not much had changed about it, or me. I don't want to see it again...but I want you to see it.

Even now, the Russian Roulette scene (in context, people: watch all that comes before it first) is the single most intense sequence I've seen; it makes the end of "Reservoir Dogs" seem like a cartoon. Best Walken performance, period. Meryl Streep glows, DeNiro has seldom been more affecting. A unique classic...it is not surprising that Cimino didn't have another movie in him after something this wrenching.