Wang Yu Teng la morte vestita di bianco

I've seen many of Wang Yu's films, and I think that "Blood of the Dragon" (aka "The Desperate Chase") just might be his finest moment. It's certainly one of the only independent films he made that can hold its own against Chang Cheh-directed epics like "The Magnificent Trio" and "The Assassin" in terms of excitement and tragic scope. The fights (very little empty-hand action, but plenty of spears, swords and more exotic weapons) are well-choreographed, the tone of the movie is appropriately grim, and Wang's character Lung Tai is a hero you actually care about and root for. The dubbing is slightly better than what I've heard in most Hong Kong and Taiwanese martial arts flicks, and the hard-rocking American soundtrack--recorded by Flood--enhances the action. "One man, one weapon, one hell of a movie"...that's what "Blood of the Dragon" promises, and it delivers! (Especially in the no-holds-barred climax.)

Considering the absurd plot (what little there is of it) and the really cheesy special FX she had to work with, director Kao Pao Shu deploys very good camera work and superior acting from her leads to produce a surprisingly strong action film. Wang Yu, in one of his last really good roles, comes across exactly as he should, a killer finally finding something worth dying for; anything less from him, and the film would probably collapse; but he pulls it off. He is well supported by one of the few successful "non-combatants" in martial-arts films (she did appear fighting in a couple films, but not many) Chiao Chiao (a frequent co-star from Wang Yu's shaw Bros. period). Most of the other actors turn in competent but stereotyped performances, but never mind. The film belongs to Kao Pao Shu and Wang Yu, and they deliver.

I have read that this is an inferior remake of a previous Wang Yu film, Beach of the War God, which I have not seen. But lacking comparison, this film stands well on its own, despite all the drawbacks one expects from an American release of a 1970s Hong Kong action film. It moves along so well, one is quite happy to forgive such obvious flaws. A true gem in the rough.

In 1971 Jimmy Wang Yu broke his contract with Shaw Brothers. Shaw Brothers business model considered all actors as replaceable commodities totally under their control. Jimmy avoided the legal problems by making movies in Taiwan and he started fast by starring in seven movies in his first year.

Lisa Chiao Chiao also left Shaw Brothers at the same time and continued to act in Taiwan. I believe her contract simply expired. In Jimmy's most famous movie "One-Armed Swordsman" she played his rescuer when conveniently he fell into her boat. Were they a couple in real life? If I ever meet either of them I will ask. Jimmy had another role at Shaw Brothers as a fighter with a silver spear. Since he had both arms in this movie he was also able to fight with the spear but used the sword more. There is a good mix of fights here with different weapons, all normal and no absurd movie creations, and hand fighting. Most sequences are brawls versus many opponents. Jimmy's brawl sequences are among the best ever filmed. This is simply because he avoids the cheap, overdone fight moves. These include - a circular wave of the sword and stunt men fly away in every direction, too many close ups instead of long shots, shaky camera sequences, and sudden leaps to escape that land the fighter in the next county. Jimmy's moves always show power so even if he sometimes misses by an armslength it can be overlooked. Sometimes you can even see a pure finesse move if you look closely.

There is a child in this movie. If you must include a child in a movie instead of a prop then rule number one is the child must not be annoying. Pure gold is if the child is actually good and adds something. Here the eleven year old Yau Lung is pure gold.

Overall this is not Jimmy's best of 1971 and not his worst either. There were parts that simply dragged so I can only rate this as average for the year and genre.

There is little in this low-budget Chinese kung fu drama that we haven't seen before, aside from a few nifty weapons. It's a predictable story of one man versus an empire, the bad guys this time around being the big, greasy bearded Mongols whose dominance spells trouble for good-guy fighter White Dragon. Eventually Dragon ends up taking on an entire Mongol army alone, but not before he has mildly romanced an attractive barmaid, made friends with a not-too-annoying young Chinese kid, and chopped off a guy's finger! The film is pretty bloody for a kung fu movie. I'm not talking Chang Cheh kinda bloody, as in a bloodbath or slaughterhouse film (see CRIPPLED AVENGERS or SUPER NINJAS) but the blood does flow fairly steadily.

Bolstering the film is one-time action legend Jimmy Wang Yu (THE ONE-ARMED BOXER), a film star whose career was already on the wane in the late '70s after his box-office gold of a decade previously. Wang Yu would slug on in a plethora of low-budget, sometimes interesting movies in the '80s and '90s (FANTASY MISSION FORCE being a good sample of his later work) but he would never reach the early heights of his career, which saw him equal popularity with Bruce Lee. Here, he doesn't have a lot to do as the noble, heroic White Dragon, other than swing his spear around and jump into the air a lot. Still, Wang Yu is cool in my book, his acting a little better than most of his contemporaries, so kudos to him for his appearance here.

Unfortunately, the American distributor saw fit to tinker with this movie for its US release. Thus we get dubbed in American voices (rather than the usual English dubbing); a hilarious US cast list showing up at the end (the names are either made up or those of the dubbers) and worst of all, cheesy rock music inserted over the soundtrack. Speaking of sounds, the sound effects in this movie are hilariously over the top, whether it be a spear swinging, a ball-and-chain spinning or a horse clip-clopping down a road (they do that a lot in this film). It's pretty funny to watch and listen to. Although far from a classic, BLOOD OF THE DRAGON has plenty of goofy flying, clichéd dialogue, and silly action to recommend it, cheesy effects and a high body count. Kung fu fans might enjoy it, providing they find a good copy (Brentwood DVD's is typically poor).

Jimmy Wang Yu stars as a martial art criminal who decided to change his ways and help a young boy bring a bamboo containing a list of people that is in the hitlist on a Mongolian leader. Only problem is Jimmy has to take the list to a son who has a vendetta against him for killing his dad. More trouble occurs and lots of action and violence happen. Lots of known faces (including Roy Chiao) helps this standard action film. This 1974 film was released in the U.S. in 1978 by a small American distributor who redubbed it (more Americanized voices instead of the H.K. English accent dubbers), re-scored it (by an Atlanta rock band FLOOD), and edited it (removed a finger cut off scene) for it's release. The only reason why it failed at the theatres was they bill THE MAN FROM HONG KONG star as "Wang Yu". Other than that, it's a pretty good action film.