Taxi

When Jim Brooks, David Davis, Ed. Weinberger and Stan Daniels left MTM to form their own production company, they applied what worked well for them on shows like The Mary Tyler Moore Show and Rhoda to create and produce their own show and it would become Taxi.

The show was a true ensemble comedy like The Mary Tyler Moore Show with outstanding writing and a great cast with nobody dominating the story lines like Fonzie on Happy Days and Urkel on Family Matters,

The cast was anchored by Judd Hirsch, who played career cabbie Alex Rieger. He's the father figure of the bunch and supportive to would be boxer Tony Banta, played by Tony Danza, aspiring actor Bobby Wheeler, played by Jeff Conaway and the lone female driver Elaine Nardo, portrayed by Marilu Henner.

Also adding to the hysteria was Andy Kaufman as mechanic Latka, who comes from an unidentified foreign country. He created his mannerisms and language that brought a lot to each episode he was in.

But to me, the best character on the show was Louie DePalma, the nasty dispatcher that turned out to be the role that put Danny DeVito on the map. DeVito's portrayal of Louie turned to be the meanest boss on TV since Mr. Slate on The Flintstones. One the other side of the coin, Taxi was also the show that he worked with the woman who would become his wife, Rhea Perlman.

Another character who to me was very funny was Reverend Jim, the Christopher Lloyd character who became a regular in the second season after Randall Carver was let go. His portrayal of a burned out hippie, especially in the episode where he took his driver's test was outstanding.

One other character who came along later in the run was Simka Dahblitz, played by Carol Kane. She would later marry Latka.

The show would also be the launching pad for brothers Glen and Les Charles, who would later team up with James Burrows to create and produce another classic comedy, Cheers. Though Taxi won 18 Emmys and had a healthy five year run, it was sent to the garage after moving to NBC in the 1982-83 season. I'll close with the tag line that was heard after the closing credits "Thank you Mr. Walters."

One of the very funniest ensemble US sit-coms ever, I loved "Taxi" when it was first transmitted in the late 70's. I was too young to get into "M.A.S.H." from the start, "Soap" started brightly then faded, "Happy Days" and it's spin-offs were too young, "The Mary Tyler Moore Show" was only shown infrequently in the UK, "The Bob Newhart Show" wasn't picked up at all and "Rhoda" my other favourite of the era, only played on BBC2. "Taxi" was shown on BBC1 in the early evening and I almost never missed an episode.

The main character I suppose was Judd Hirsch as Alex, the go-to guy for anyone with a problem, while Marilu Henner as the sassy Elaine, Jeff Conaway as moonlighting actor Bobby and Tony Banta as Tony the dim-witted boxer were prominent in support, indeed the last two of course can be seen as morphing into the character of Joey in "Friends" 20 years or so later.

The real scene-stealers of course were Danny DeVito as the nasty, lippy depot manager Louie, Christopher Lloyd as the flaky Reverend Jim Ignatowski and Andy Kaufman as the surreal man-child Latka Graves. Without "Taxi" I doubt there would have been a "Cheers" or indeed "Friends" but with very funny scripts by a talented pool of writers including David Lloyd, the Charles brothers, Ken Estin and Earl Pomeranz and produced by James L Brooks, the laugh count in each episode was usually high and the longer you lived with the characters, the more you liked and almost knew them, especially as the action almost never left the front of the depot where the characters congregated.

I've just treated myself by re-watching my favourite episode, where Louie is seduced by the boss's wife, a vamped-up superb guest-shot by Eileen Brennan, in fact I'd go as far to say it's one of the funniest comedic shows ever. They couldn't all hit that standard, of course, but the general consistency kept it going for 114 episodes. It was De Vito and to a lesser degree Lloyd who would go on to break into films and as others have said its perhaps a little surprising that no spin-off shows were ever devised.

Perhaps it's better that way though, leaving the employees of the Sunshine Cab Company in our memory as the collective band of cabbies who regularly drove us into fits of laughter, week after week.

It doesn't happen very often, but from time to time in history the human race has managed to create something so supreme, so perfect and so outstanding that not even does it become a wonder, but it also lifts the entire creativity in man to a higher level and sets a new standard according to what people are able to create and how they evolve. The show Taxi is the result of one of those man made manifestations.

Its real, its genius and its surprising. Its the art of acting, humor and intelligence come together. It captures centuries of human knowledge and wisdom. So marvelous put together, that not only will it be the best creation of its time, but its also an ideal for all times.

Many shows since are a reflection of TAXI, with many ideas, taken more or less directly from the show, and have become famous on that base. But they will never ever reach the hight of the original: TAXI Which once and for all proofs what a unique and unbeatable masterpiece TAXI is. A true wonder. Now, then and forever.

The first season of this classic sitcom started off on the ground running as we're introduced to the down-trodden, brow-beaten denizen taxi drivers of the Sunshine Cab Company, the advice giving Alex Reirger (Judd Hirsh), failed boxer Tony Banta (Tony Danza, failed actor Bobby Wheeler (Jeff Conaway), new immigrant, Latka (superbly played by Andy Kaufman) as well as new cab drivers Elaine and John (Marilu Henner and Randall Carver respectively), and cranky, hateful boss Louie De Palma (Dsnny DeVito, in the role of his career). These people are life losers, but the writing is such that they are NEVER treated as such. All of the characters were highly relatable and one couldn't help but feel empathetic to each of them. We're laughing with these guys, not at them. And it's a very funny, poignant show. Guest stars this season included Former Welterweight Champion of the World Carlos Palomino, Tom Selleck, Jeffrey Tambor, Martin Mull, and Suzanne Kent in a very memorable part as Alex's blind date, the overweight self-pitying Angela who would return next season in a surprising way. The first Season of Taxi was a few outstanding shows, a few funny ones, but not a clunker in the bunch. And you have no choice but to love that theme song.

My Season 1 grade: A

Taxi was, and still is, the greatest sit-com I've ever seen. The Louie DePalma, Iggy and Rieger characters were simply magnificent creations. I would laugh until I cried while watching this show. It's still funny today in re-runs. Louie's "affair" with Emily (which was revived in a later episode) is particularly hilarious. Iggy playing piano at a black-tie

gala (as Elaine's "date" for the evening) is both amusing and heart-warming. The scripts were excellent as they blended wry, sarcastic humor with some degree of pathos in each episode. This show succeeded at a time when there was no "political correctness" to erode its rough edges. It's very doubtful one of the three major networks would create and air a show like this in today's more conservative climate.