Taxi

Taxi was, and still is, the greatest sit-com I've ever seen. The Louie DePalma, Iggy and Rieger characters were simply magnificent creations. I would laugh until I cried while watching this show. It's still funny today in re-runs. Louie's "affair" with Emily (which was revived in a later episode) is particularly hilarious. Iggy playing piano at a black-tie

gala (as Elaine's "date" for the evening) is both amusing and heart-warming. The scripts were excellent as they blended wry, sarcastic humor with some degree of pathos in each episode. This show succeeded at a time when there was no "political correctness" to erode its rough edges. It's very doubtful one of the three major networks would create and air a show like this in today's more conservative climate.

Taxi was, during it's five-year run, the most funny, engaging, memorable, and heartbreaking show on television. The show helped to redefine situation comedies and created a handful of classic characters.

The show revolves around the drivers at the Sunshine Cab company: Alex Rieger (Judd Hirsch) was the good-hearted mensch who finds himself solving everyone else's problems. Bobby Wheeler (Jeff Conaway) is an aspiring actor and ladies man. Tony Banta (Tony Danza) is a struggling boxer who can never seem to win a fight. Elaine Nardo (Marilu Henner) is a single mother of two with dreams of opening her own art gallery. Reverend Jim Ignatowski (Christopher Lloyd) is an absolute space cadet, and Louie DePalma (Danny DeVito) is surely the nastiest, angriest, most miserable boss in history. Thanks to DeVito's charm, he is still somehow lovable.

Besides the great acting in "Taxi," there was the writing- always funny and often bittersweet without ever being maudlin or melodramatic. There are episodes that can make you laugh so hard you cry, and vice versa. Thanks to the genius of director James Burrows Taxi stands as one of television's best shows. And who can forget the haunting theme by Bob James?

If you get a chance to see "Taxi," take it... here's hoping it gets a DVD release in the near future.

Grade: A+

What more can you say about one of the classic situation comedies of all time. Just like many of the classics, this show was a great ensemble. Judd Hirsch may have been the star, but it was the interplay between the cast members that made this show what it was. Tony, Bobby, Elaine, Jim, Louie and, of course, Latka were all great characters and they helped make this show what it was. But, it not only was the characters. The writing made this one of the more intelligent comedies of its era and you could see a lot of what made "Cheers" great in this show. This show deserves a lot of the praise it has gotten over the years and its too bad that that more shows can't follow the example that "Taxi" showed.

Funny thing, I never watched 'Taxi' during its initial run during the late 1970s and early 1980s. Something about the title, I never got past that. However, during its re-runs during the 1990s I became an enthusiastic fan. I taped all the episodes so I could watch them at my convenience (I didn't save them, so don't ask). It became like watching a 'family', much as did my other favorite, 'Northern Exposure.' Both series had a common quality, set in an unusual place, with quirky characters and meaningful stories, so that during each episode you actually begin to care for each one. Who could ever forget Alex Rieger, Louie De Palma, Elaine Nardo, Tony Banta, Latka Gravas, Simka, and my all-time favorite character, Christopher Lloyd as Reverend Jim Ignatowski. I like that he took the name 'Ignatokski' because it was 'flower child' spelled backwards! (If you don't get it, then you will never 'get it.')

A few of my favorite moments come to mind ...

Jim burns Louie's apartment. Jim discovers that "I must have had piano lessons..." Jim works all the overtime he can to buy ... a dozen TV sets, achieving his greatest goal in life. The moment in college, when Jim takes one bite of a brownie, and he becomes what we know as the kookie Ignatowski.

I'll think of many more after I post these comments!! A great TV series, maybe it will come out on DVD some day.

When Jim Brooks, David Davis, Ed. Weinberger and Stan Daniels left MTM to form their own production company, they applied what worked well for them on shows like The Mary Tyler Moore Show and Rhoda to create and produce their own show and it would become Taxi.

The show was a true ensemble comedy like The Mary Tyler Moore Show with outstanding writing and a great cast with nobody dominating the story lines like Fonzie on Happy Days and Urkel on Family Matters,

The cast was anchored by Judd Hirsch, who played career cabbie Alex Rieger. He's the father figure of the bunch and supportive to would be boxer Tony Banta, played by Tony Danza, aspiring actor Bobby Wheeler, played by Jeff Conaway and the lone female driver Elaine Nardo, portrayed by Marilu Henner.

Also adding to the hysteria was Andy Kaufman as mechanic Latka, who comes from an unidentified foreign country. He created his mannerisms and language that brought a lot to each episode he was in.

But to me, the best character on the show was Louie DePalma, the nasty dispatcher that turned out to be the role that put Danny DeVito on the map. DeVito's portrayal of Louie turned to be the meanest boss on TV since Mr. Slate on The Flintstones. One the other side of the coin, Taxi was also the show that he worked with the woman who would become his wife, Rhea Perlman.

Another character who to me was very funny was Reverend Jim, the Christopher Lloyd character who became a regular in the second season after Randall Carver was let go. His portrayal of a burned out hippie, especially in the episode where he took his driver's test was outstanding.

One other character who came along later in the run was Simka Dahblitz, played by Carol Kane. She would later marry Latka.

The show would also be the launching pad for brothers Glen and Les Charles, who would later team up with James Burrows to create and produce another classic comedy, Cheers. Though Taxi won 18 Emmys and had a healthy five year run, it was sent to the garage after moving to NBC in the 1982-83 season. I'll close with the tag line that was heard after the closing credits "Thank you Mr. Walters."