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7,0/10
1400
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFollowing his release from Slade prison, Fletcher tries to stick to the straight and narrow, but it isn't easy.Following his release from Slade prison, Fletcher tries to stick to the straight and narrow, but it isn't easy.Following his release from Slade prison, Fletcher tries to stick to the straight and narrow, but it isn't easy.
- Ha vinto 2 BAFTA Award
- 2 vittorie totali
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Recensioni in evidenza
Like Porridge, Going Straight was a series that was to shine! In 1978 it won a Bafta TV Award and rightly so! With a fantastic theme tune (If you can find the elongated version on LP - do its magnificent!),Writing team and the superb acting of Ronnie Barker- Fulton Mackay and Richard Beckinsale who could say it was bad? As many posters have said here - it didn't live up to the expectations of Porridge and in a way this "could" be correct, but i feel it packs the same punch! It shows the strain of trying to reintegrate back into life, on the straight and narrow, fighting back temptation and the leering face of crime and Barker plays this to an Art! Be it the wittiness of Fletch,The stupidity of remarks from Raymond or the "happy ending" - The series is memorable for it.
And to say that Barker said it was up there with Porridge - what more can one say!
And to say that Barker said it was up there with Porridge - what more can one say!
Until I bought the DVD, I'd never even heard of this sequel nevermind seen it.
I was too young to see this when it originally aired and although I had seen Porridge on tv numerous times, i don't recall this ever being repeated. It's a real shame, because it's right up there with Porridge for me. I always put Porridge in my top 2 or 3 sitcoms of all time. When doing so, I forget that this series isn't actually Porridge. To me, it still is Porridge.
The first episode is absolutely essential and it's a crime in itself that many people have never even seen it. It's great to see McKay and Fletch on an even footing and it bookends the series with the pilot perfectly.
The other episodes aren't quite up to that standard, but they still have Fletch, Godber and plenty of jokes and philosophy that made the original series so great et cetera et cetera. Also, it has one of the best theme tunes ever! Once you hear it, you'll be singing it in the shower and making your neighbours think you're an ex-con! Such a shame that most people probably don't even know this series exists. It's easily the second best thing Ronnie B ever did.
The first episode is absolutely essential and it's a crime in itself that many people have never even seen it. It's great to see McKay and Fletch on an even footing and it bookends the series with the pilot perfectly.
The other episodes aren't quite up to that standard, but they still have Fletch, Godber and plenty of jokes and philosophy that made the original series so great et cetera et cetera. Also, it has one of the best theme tunes ever! Once you hear it, you'll be singing it in the shower and making your neighbours think you're an ex-con! Such a shame that most people probably don't even know this series exists. It's easily the second best thing Ronnie B ever did.
8crw1
I thoroughly endorse Liam's well expressed review. Going Straight deals with the same person in very different circumstances and one that has to have non-humorous aspects. The episodes are clever, and funny where they need to be, very funny, with Fletch's repartee as sharp as ever. And his delivery is flawless. I found myself chuckling all the time I wasn't feeling sorry for him or worried about him. It's an excellent supplement to the wonderful Porridge. And Godber was as perfect in his new circumstances as he ever was. Interesting to see some supporting actors who went on to considerable acclaim themselves. If I have any reservations they are only about Ingrid's London accent - though nothing could ever be as bad as Dick Van Dyke's chimney sweep.
'Going Straight' is often thought of as a failed sequel to 'Porridge.' However, it would help to think of the show as an epilogue to 'Porridge.' If both shows were called 'Fletcher' then I very much doubt that any distinction would be made between the two.
By the time the show was written Ian La Frenais, Dick Clement and Ronnie Barker had the mind of Fletcher down to a tee. This in itself made the series superb - with some of the finest writing and acting to adorn our T.V. screens. But there is a more important point to 'Going Straight.' Although 'Porridge' tried to relate the daily grind of prison life it was, by it's very nature, a comedy programme. Fletcher's spirit, intelligence, humour and status inside 'Slade' almost made you want to commit a felony and go and join him. However, once outside he became a 'nobody.' The writers cleverly showed that outside a prison Fletcher was on life's bottom rung - on course for a life of menial work, low status and even lower pay. Fletcher finds himself very frustrated at the lack of opportunities for ex-cons, especially at his age, and this comes through in the series quite strongly. Personally, I admired him in 'Porridge' and pitied him in 'Going Straight.' In 'Porridge' it was often referred to that the system can't be beaten. 'Going Straight' showed that even after having served time for crimes the system still controls your destiny. A lesson for us all.
By the time the show was written Ian La Frenais, Dick Clement and Ronnie Barker had the mind of Fletcher down to a tee. This in itself made the series superb - with some of the finest writing and acting to adorn our T.V. screens. But there is a more important point to 'Going Straight.' Although 'Porridge' tried to relate the daily grind of prison life it was, by it's very nature, a comedy programme. Fletcher's spirit, intelligence, humour and status inside 'Slade' almost made you want to commit a felony and go and join him. However, once outside he became a 'nobody.' The writers cleverly showed that outside a prison Fletcher was on life's bottom rung - on course for a life of menial work, low status and even lower pay. Fletcher finds himself very frustrated at the lack of opportunities for ex-cons, especially at his age, and this comes through in the series quite strongly. Personally, I admired him in 'Porridge' and pitied him in 'Going Straight.' In 'Porridge' it was often referred to that the system can't be beaten. 'Going Straight' showed that even after having served time for crimes the system still controls your destiny. A lesson for us all.
Couldn't agree more with another review on here, if both shows we're called "Fletcher" no-one would have spotted the join between this and Porridge.
Ronnie Barker just as great as ever. And what a tragedy we lost Richard Beckinsale so early, truly talented young actor.
Along with a supporting cast of Fulton Mackay (even though only 1 episode) and Patricia Brake as Fletch's daughter. Even a very young Nicholas Lyndhurst as his son.
Maybe the support hasn't got as many purely comical characters as Porridge (Warren, Maclaren, Ives, Barrowclough etc) which probably just takes the slight edge off if you wanted to compare the series seperately.
Still worth a revisit, or getting acquainted with if you liked Porridge and didn't catch this. And a catchy theme tune just to add the finishing touch. Great memories
Lo sapevi?
- QuizDespite winning a BAFTA for best comedy, it was felt by many involved that the show was too much in the shadow of Porridge and lacked the sparkle of its predecessor. Producer, Sydney Lotterby, said that Fletcher and Godber lacked purpose and context outside of the prison setting and that it was 'almost inevitable that there wouldn't have been a second series' regardless of Richard Beckinsale's subsequent death.
- ConnessioniFeatured in Ronnie Barker Interview (2001)
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