La battaglia dei pianeti

Having run madly around the school playground as a member of G-Force, I have fond memories of this series. I was lucky enough to discover some UK re-runs recently and I must say it doesn't disappoint. This had to be one of the most bizarre cartoon series ever. Sub-anime cartoon action, with a core of good Vs evil morality and a strange taste in feathery superhero costumes.

Basically, our five brave orphan heroes spend their day chilling and waiting to be called into action - when they are, it's off in the Phoenix zap about and save our galaxy from another lacklustre take-over attempt by Spectra - embodied be the Evil Zoltar.

Intros from soothing robot narrator 7-Zark-7 (and his robot dog 1-Rover-1) push the plots along, and somehow our heroes save the day by flying about a bit, throwing some banter about and coaxing this weeks traitor back to the good guys before wherever they are explodes. Zoltar then promptly escapes to pester the good peoples of Earth and her colonies another day.

You will not find a better example of 70's haircuts, camp villains, naff plots and creaky cold-war style American morality. It's a winner!

A few things to treasure... One: All the computers still work on ticker-tape in the future... fantastic! Two: Camp bad-guy Zoltar not only had all the best lines, but some of the most fulsome lips in the cartoon universe. Three: Possibly the most melodramatic opening spiel in tevevision history (even beats the A-team!) Four: 7-Zark-7's ongoing romance with 'Susan' the sexy computer voice that delivered the mission at the start of the show.

In the UK, you can catch 'Battle of the Planets' on Bravo, usually in the dead of night. On reflection, perhaps this is a good thing - the children of today might not be able to handle the sheer drama and tension.

And yes, I did have a crush on Princess. And I still do.

Wow, what happened to cartoons like this one?? This certainly wasn't the best in anime-ish art, nor did it have a particularly great plot. So why did we love it? Somehow, it tapped perfectly into the mind of a 6-12 year old! As someone who still watches cartoons (shhh..don't tell!) I look back at these types of cartoons and wish they still made them in America. It seems sad to me that kids today do not have these kinds of fun entertainment to wake up to on Saturday morning. Just about everyone I know who is my age remembers this cartoon and others like it with fond memories! Just say to anyone in their late 20's.."Hey do you remember G-Force? The cartoon with the guys in spacesuits that look like birds?" and you will surely get: "Oh yeah!!..." and probably a story of how when THEY were a kid, cartoons were good! Maybe it's just nostalgia, or maybe I'm just getting old and cranky, I don't know. I just wish they still had cartoons like this.

The animation? Not too bad, considering it was drawn in 1972 or so. But certainly nothing special. The story? Hit and miss, mainly because BotP was made up of edited episodes of the Japanese show Gatchaman (and was therefore missing some key story elements).

So why do people - including me - love this show so much?

Because for almost anyone born between 1970 and 1976 in the US, BotP was one of the key television programs of our youth. It was exciting, exotic and captured our imaginations like nothing else on the tube.

But I think you really had to be there to appreciate it. Neutral observers would probably say that BotP just doesn't hold up after all these years, and if I had to be objective about it, I'd probably have to agree.

Still, you owe it to yourself to give it a look, just so you know what everyone's talking about.

Those of us who watched this series in the 70's tend to have a deep love of this show. Those who have been able to see the uncut Gatchaman episodes have seen what it could have been. Those who have seen the "G-Force" version have seen how bad it could have been. It was revolutionary in its time, and some of it still holds up well.

Sandy Frank brought Tatsunoko's Science Ninja Team Gatchaman to America as Battle of the Planets. The names were changed to protect the innocent, or because they foolishly thought American kids couldn't identify with Japanese names, like Ken, Joe and June. Oh, well, Whatta ya gonna do? Instead, they became Mark, Jason, Princess, Tiny and Keeyop, with voice work from Casey Kasem, Ronnie Schell, and Janet "Judy Jetson" Waldo. To further the ties to then-popular Star Wars, a robot, 7-Zark-&, was added, with obviously inferior animation. The series was moved from Earth to outer space. People sill died occasionally, but not in as large numbers as in Gatchaman. Exploding planes and ships were always robot controlled and Spectra forces aways ejected, much like in the later GI Joe series. But what still set this apart from other animated fare was the mature storytelling.

The characters had real feelings and motivations. They sought revenge, felt jealousy and fear, had relationships, and got hurt. The battles were spectacular, even after being heavily censored. The villains were unabashedly evil, not misguided. The heroes didn't always win, at least not completely. Plus, there was character development and ongoing sub-plots. Quite a change from the Superfriends and Scooby Doo.

The main flaw with the series is the censorship and the added footage. The new animation was greatly inferior and detracted from the plot. The distributors didn't have enough faith in the viewers and felt an overwhelming need to protect them from violence; however, this audience was in love with Star Wars and wasn't afraid of a little violence. The later G-Force version stuck closer to the storyline and showed that most of the violence could be left in without being too graphic, editing only the most extreme scenes.

The series was highly influential in Japan, inspiring many imitators, including the live action Power Ranger shows. In the US, it inspired a cult following, but did little to pave the way for better animated shows, at least immediately. In later years, fans of the show would end up in the tv world and would import greater numbers of Japanese animated programs. Now, Japanese shows and manga comics account for a large segment of youth entertainment. The dvd revolution has finally brought the uncut Gatchaman, along with the altered BOTP, to American homes, through legal means, rather than bootlegs. There's even talk of a continuation of the show and/or new show. Although somewhat dated, there's still quite a bit of entertainment value here.

I agree with the previous commentor. At 9 years old I would get up at 6AM to watch G-Force. A few weeks ago, on a whim, I did an internet search on G-Force. I found that the show is soon to be distributed in the US in DVD format come August 2001! Enjoy!