Certi piccolissimi peccati

The movie was only funny for the first 30 mins with the mixed up. Way too long and predictable, only about 10 mins worth of story stretched into almost 2 hours.

Every actor needs a breakthrough role and Jean Rochefort's finally came courtesy of director Yves Robert in this slight but utterly delightful piece. The character of Etienne Dorsay affords the marvellous Monsieur Rochefort the opportunity to employ his innate quirkiness, eccentricity, Gallic charm and comedic timing to the fullest.

This is essentially a 'buddy' movie featuring a marriage break-up, a domineering mother and one of the buddies coming out of the closet but the scenes that work best are those involving Etienne, his wife, played by the lovely and talented Daniele Delorme, the object of his desire Anny Duperey who possesses that 'je ne sais quoi' in spades and Martine Sarcey as a libidinous colleague who resents being repeatedly stood up. Especially funny are Etienne's antics on horseback. Rochefort was in fact a keen equestrian and horse breeder who developed a passion for these noble creatures whilst filming 'Cartouche'.

Dialogue is by Jean-Loup Dapadie who contributed to so many of Claude Sautet's films, including the archetypal 'buddy' movie 'Vincent, Francois, Paul et les autres'.

The sequel alas worked less well but that is customarily the case with sequels and eight years were to elapse before the obligatory Hollywood makeover. Whether the result was worth the wait is of course down to the individual viewer.

Etienne(Jean Rochefort)is a happily married man and a good father. His friends all have secret affairs and/or cheat on their wives. One morning, Etienne sees a woman in red passing by his car. He falls in love with her and tries everything to get to know her better. Of course, this must be kept a secret to his wife.

Whereas the story may not be very original, this film is extremely charming and amiable nonetheless. It has a great supporting cast(Brasseur is a stand-out), very funny moments and many real-life characters. Too bad this charming little film was later remade as THE WOMAN IN RED(with Gene Wilder and Kelly LeBrock). But Hollywood seems to have this "urge" to make their own version of each film with a bit of success outside the States. Anyway, if you have to choose between the original and the remake, choose UN ÉLEPHANT...(or PARDON MON AFFAIRE as it is sometimes called). 7/10

"Un éléphant ca trompe énormément" is the original of the American remake "The woman in red" (1984, Gene Wilder). Not always are American remakes good films, but if not they still can lead the way to films that are good. See for example "Insomonia" (2002, Christopher Nolan) pointing to the 1997 original by Erik Skjoldbjærg or "Nightwatch" (1997, Ole Bornedal) pointing to the Danish 1994 original "Nattevagten" by the same director. The 2002 "Insomnia" incidentatlly wasn't a bad film at all, the 1997 "Nightwatch" was.

"Un éléphant ...." is about four men in mid life crisis. It shares this theme with for example a film like "American beauty" (1999, Sam Mendes). Films about mid life crises are almost always bittersweet. They have comical elements, as men pursuing a new love interest after all those years invariably behave strangly. On the other hand they are also sad because in essence these men are dissatisfied with their lives.

"Un éléphant ..." is no exception. With respect to the sad element, none of the four men is really happy. One is an incurable womanizer who panics every time his wife leaves him, one is a single still dominated by his mother, one is a homosexual who has not come out yet and the main character is a civil servant with a dull life.

We can see the comical element throughout the whole movie, sometimes bordering on slapstick. Not all jokes are funny, but some are. The slapstick in the scenes with horses are in my opinion very funny. I could imagine these scenes have been an inspiration for director Benedikt Erlingsson when making "Of horses and men" (2013).

Last but not least, "Un éléphant ... " (and also "The woman in red") derive their fame to no small extent from a film quote derived from "The seven year itch" (1955, Billy Wilder) showing the billowing dress of Marilyn Monroe ("The seven year itch"), Anny Duperey ("Un éléphant ... ") and Kelly LeBrock ("The woman in red").

This Yves Robert's film gave Gene Wilder the idea for a US remake ("The Woman in red"). But the latter doesn't have neither the freshness nor the simplicity of the French version.

As a European, I feel myself better at ease with the Robert's movie because it is nearer to my culture -and the fact that actors and action are set in Paris make easier for me to understand the way characters think...

It's doubtless a French comedy, with a perfect actor for this kind of work -Jean Rochefort, who portrays a typical French "bourgeois", awkward, shy and proud of his social position at the same time. A frustrated male of Latin culture...!

Etienne (Rochefort) falls in love with a sexy woman he meets in his bureau. This woman is then chosen for an advertisement... He will do everything for conquering her, unless telling it his wife. The film is a joke about men erotically fantasies.

The film is witty, charming and well written. Whereas Italian comedies play mostly with satire, strange comical faces and misunderstandings, French comedies are less caricature, they present "clownesques" situations in (appearently) more serious environments. Two excellent comical approaches! They're so different from American comical movies -in American comedies there's more mess, you laugh because situations are so incredible and full of contradictions.

This film is worth to see, Jean Rochefort is funny even if he seems serious. When I saw the Gene Wilder movie I didn't enjoy so much -Wilder is an excellent actor, but his "Woman in red" had something quite artificial.. It was not as spontaneous like the original one. Wilder is better with his extravaganzas, with slapstick elements...