La Soufrière - Warten auf eine unausweichliche Katastrophe
- 1977
- 31min
Aggiungi una trama nella tua linguaHerzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ca... Leggi tuttoHerzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog catches the eeriness of an abandoned city, with stop lights cycling over an empty intersecti... Leggi tuttoHerzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog catches the eeriness of an abandoned city, with stop lights cycling over an empty intersection.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Recensioni in evidenza
It's a great premise and you can instantly see why Herzog was attracted to this story: the images of the deserted town are haunting in the extreme, and nature plays a big part. Unforgettable shots include snakes evacuating the volcano slopes and dead dogs lying rotting in the lonely streets. The human stories which conclude this brief report are even more devastating, a study of loneliness and the acceptance of fate. All of these are themes commonly explored by Herzog, and they're just as intriguing here.
The conversations with the people left behind were a little hard to follow, but still interesting. If a guy has nowhere to go, why should he leave? It's his home and, in the end, the volcano didn't interrupt after all. Vindication if there ever was.
Check it out. It's only 30 minutes anyway.
So one's fears about the film are immediately raised as Herzog and friends helicopter into the island. But what he finds there is more like an episode of THE AVENGERS. There is something very frightening and eerie about an empty, abandoned town, prompting all kinds of disturbing fears. The traffic lights still flash, TVs are still on, donkeys roam the streets, on which lie dying, starving dogs. Snakes, fleeing from the imminent eruption, float drowned in the sea. There is not a boat or vehicle in sight in this coastal town. This is magnificent filmmaking, also reminiscent of Resnais' tracks in NUIT ET BROUILLARD through abandoned concentration camps.
Herzog then does typically loopy things, trying to get as far up the volcano as he can, only to be hilariously pushed back by toxic clouds. The man's hubris, usually so grating, is amusingly punctured here. To build up our fears, he relates the tale of nearby Martinique, whose volcano gave out the exact same warnings, and whose principle city was completely reduced to cinders, 20000 dying. Only one man survived, an incorrigible prisoner, locked in isolation. His burns made him a favorite on the freak-show circuit, and Herzog, somewhat suspectly, shows us photographs of him with his injuries, inviting us to join in the gawping.
I won't spoil what happens next, but Herzog's grand narrative of the epic, rebellion, the extremes of experience are give short shrift from Nature and Reality. But there's no denying the power of interviews with men just lying there waiting for 'God's will'. A great film, one of Herzog's best.
Herzog has made a film of stark beauty that is also deeply disturbing. There is something about it that is not quite right. Of course it has to do with the fact that the film is like real life Waiting for Godot, we are waiting for the end that never comes, despite all the signs. Its an unnerving proposition that messes with your head, but in a good way. Its 30 minutes well spent.
Lo sapevi?
- QuizDuring a Q&A session at the Eye film museum in July 2023, Ed Lachman stated that he never retrieved the glasses he forgot on La Soufrière.
- BlooperLouis-Auguste Cyparis was not the only survivor of the volcanic eruption-- there were 3 in total, including a young girl and a shoemaker-- and he died in 1929, not 1956.
- ConnessioniFeatured in Was ich bin, sind meine Filme (1978)
- Colonne sonoreSiegfried's Funeral Music (from The Ring of the Nibelung)
Composed by Richard Wagner.
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