Una squadra di hockey su ghiaccio senza successo si fa strada attraverso il costante litigio e l'uso della forza durante il gioco.Una squadra di hockey su ghiaccio senza successo si fa strada attraverso il costante litigio e l'uso della forza durante il gioco.Una squadra di hockey su ghiaccio senza successo si fa strada attraverso il costante litigio e l'uso della forza durante il gioco.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Allan F. Nicholls
- Upton
- (as Allan Nicholls)
Recensioni in evidenza
One of the knocks that has always been given to Paul Newman was that he was not right for comedy. When you're talking about stuff like A New Kind of Love or Rally Round the Flag Boys that's probably true. But Slapshot shows that what Paul Newman needed to be good for comedy was something not quite so sophisticated.
Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.
The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.
So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.
And his team actually starts to win and the Charlestown Chiefs become a gate attraction.
There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.
All Hail the Brothers Hanson.
Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.
The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.
So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.
And his team actually starts to win and the Charlestown Chiefs become a gate attraction.
There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.
All Hail the Brothers Hanson.
The Charlestown Chiefs is a hopeless losing hockey team in fifth place. The team has to do ridiculous events to make extra cash. Reggie Dunlop (Paul Newman) is a player/coach with a rag tag team with the latest being the goonish Hanson brothers. Their best player Ned Braden (Michael Ontkean) has a jealous wife (Lindsay Crouse) who hates the small town. With the town's mill closing, the team has to close at the end of the season. Reggie Dunlop decides to pump up the team and attendance by planting a story of the team moving to Florida and starts playing goon hockey.
This is an inappropriate movie and it's all the more funnier because of it. It is possibly the funniest hockey movie of all times. Director George Roy Hill rejoins Paul Newman after the success of Butch Cassidy and the Sundance Kid and The Sting. It is more fun and more hilarious than either one. However you have to prepare for the language, the homophobia, and the goon hockey. It's certainly not a pretty movie.
This is an inappropriate movie and it's all the more funnier because of it. It is possibly the funniest hockey movie of all times. Director George Roy Hill rejoins Paul Newman after the success of Butch Cassidy and the Sundance Kid and The Sting. It is more fun and more hilarious than either one. However you have to prepare for the language, the homophobia, and the goon hockey. It's certainly not a pretty movie.
I love how they got Paul Newman for this part, and how great he looks out on the ice. The film parodies the violence in hockey, and it had some potentially interesting bits in the class aspects of a blue collar town facing a plant closing, as well as a mostly faceless owner who disdains the sport and simply looks forward to a tax write-off, but unfortunately these don't come to much. Worse is the cringe-inducing homophobia. The best part of the film are the hilarious Hanson brothers, and the film could have used a lot more of them.
To be completely honest, "Slap Shot" would've charmed me simply for being a hockey movie. We could do with more of those, without Emilio Estevez. But it earns its place among the better (best?) sports movies not for having underdog skill, a committed dream or thirst for winning, but for dabbling in the gutters of blue humor and distilling the sport down to its most low-brow of beer-guzzling violent fun. The closest thing I can think of to compare this to is "Major League", which is a compliment unto itself.
Even if you don't like the sport, the movie is absolutely worth your time for an unusually profane (and always likable) Paul Newman and for the psychotic Hanson brothers.
Thoroughly entertaining.
8/10
Even if you don't like the sport, the movie is absolutely worth your time for an unusually profane (and always likable) Paul Newman and for the psychotic Hanson brothers.
Thoroughly entertaining.
8/10
Mostly hated by critics on its release, as much for its cynical viewpoint as its relentless profanity, "Slap Shot" has since become something of a cult classic.
Set in the low-rent world of minor-league hockey, the movie follows the efforts of player-coach Reggie Dunlop (Paul Newman) to turn around the Charlestown Chiefs' final, losing season in a dying Pennsylvania steel town. Reggie is not above using a dirty trick or two to manipulate his teammates or psych out opposing players, and cheerfully gets physical when he has to. Even Reggie recoils in disgust, however, when his tightwad manager (Strother Martin) brings in the Hanson Brothers, three thick-lensed, thicker-headed goons who are more interested in fighting than playing Reggie's brand of "old-time hockey".
When it becomes apparent that the hometown crowd loves the Hanson's rough and bloody style, Reggie decides to go with the flow, and to fire up his other players concocts the story that, if they can win the championship, the owner will be able to sell the franchise to a group of rich retirees in Florida. To do that, though, they will have to get past an opposing squad specially stocked with the league's most notorious goons...
A sometimes uneasy blend of slapstick and kitchen-sink realism , "Slap Shot" has some pertinent things to say about the American worship of success at all costs, and (long before the rise of the WWF) our fascination with violent sports. Echos of its gritty style can be seen not only in many later sporting films, such as "Bull Durham" and "Major League", but even in the wave of British movies in which characters fight to hold onto their lives after the collapse of hometown industry, such as "The Full Monty" and "Brassed Off".
The film really shines as a straight comedy, though, delivering some classic characters and set pieces: virtually every appearance of the Hansons; a clueless, toupee-wearing sportscaster (Andrew Duncan); the team's tiny Quebecker goalie (Yvon Barrette), and Newman himself, in one of his personal favorite roles. The females fare less well, although Jennifer Warren stands out as Dunlop's long-suffering, estranged wife.
Note: in the VHS version, the background music has been replaced by an inferior, generic soundtrack. The DVD version, with the original music, is preferable.
Set in the low-rent world of minor-league hockey, the movie follows the efforts of player-coach Reggie Dunlop (Paul Newman) to turn around the Charlestown Chiefs' final, losing season in a dying Pennsylvania steel town. Reggie is not above using a dirty trick or two to manipulate his teammates or psych out opposing players, and cheerfully gets physical when he has to. Even Reggie recoils in disgust, however, when his tightwad manager (Strother Martin) brings in the Hanson Brothers, three thick-lensed, thicker-headed goons who are more interested in fighting than playing Reggie's brand of "old-time hockey".
When it becomes apparent that the hometown crowd loves the Hanson's rough and bloody style, Reggie decides to go with the flow, and to fire up his other players concocts the story that, if they can win the championship, the owner will be able to sell the franchise to a group of rich retirees in Florida. To do that, though, they will have to get past an opposing squad specially stocked with the league's most notorious goons...
A sometimes uneasy blend of slapstick and kitchen-sink realism , "Slap Shot" has some pertinent things to say about the American worship of success at all costs, and (long before the rise of the WWF) our fascination with violent sports. Echos of its gritty style can be seen not only in many later sporting films, such as "Bull Durham" and "Major League", but even in the wave of British movies in which characters fight to hold onto their lives after the collapse of hometown industry, such as "The Full Monty" and "Brassed Off".
The film really shines as a straight comedy, though, delivering some classic characters and set pieces: virtually every appearance of the Hansons; a clueless, toupee-wearing sportscaster (Andrew Duncan); the team's tiny Quebecker goalie (Yvon Barrette), and Newman himself, in one of his personal favorite roles. The females fare less well, although Jennifer Warren stands out as Dunlop's long-suffering, estranged wife.
Note: in the VHS version, the background music has been replaced by an inferior, generic soundtrack. The DVD version, with the original music, is preferable.
Lo sapevi?
- QuizPaul Newman had stated on many occasions that he had more fun making this film than on any other film he has starred in, and that it remained his favorite.
- BlooperJust after the wives discuss the "Great Ideas of the World" set, Jean-Guy Drouin chases a player behind the net and when they come out the other side, a director in skates and a couple members of his crew can be seen on the ice in the corner of the rink.
- Citazioni
[referee skates over to Steve Carlson during the playing of the National Anthem]
Peterboro Referee: I got my eye on the three of you, guys. You pull one thing, you're out of this game! I run a clean game here. I have any trouble here, I'll suspend you!
Steve Hanson: I'm listening to the fucking song!
- Curiosità sui creditiSpecial thanks to John Mitchell and his Johnstown Jets.
- Versioni alternativeThe VHS and laserdisc version replaced Maxine Nightingale's recording of "Right Back Where We Started From" on the soundtrack. The DVD and TV versions retain the song.
- ConnessioniEdited into Yoostar 2: In the Movies (2011)
- Colonne sonoreRight Back Where We Started From
Written by Pierre Tubbs and J. Vincent Edwards (uncredited)
Performed by Maxine Nightingale
United Artists Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El castañazo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 28.000.000 USD
- Lordo in tutto il mondo
- 28.000.000 USD
- Tempo di esecuzione2 ore 3 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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