L'occhio nel triangolo

For a film about Zombie Nazi soldiers who rise from the sea to murder a group of shipwrecked tourists, you would expect blood and guts. Well "Shock Waves" is relatively bloodless. and yet, it is an extremely good horror film! Heavy on the tension and atmosphere, this is a film, much like John Carpenter's "Halloween," that relies on mood and setting to captivate it's audience. the fact that this movie was made with a larger budget, and big name actors, helps "Shock Waves" to avoid being categorized as cheap exploitation. The cast is great, but of course the dead Nazis are the centerpiece of the production. The images of these blond SS soldiers walking out of the water are haunting and almost beautiful to behold. The fact that they don't have any reason to kill the hapless tourists makes them seem a bit more soulless than if they were killing them for "food." They don't eat their victims; they just kill them and leave them where they lie.

Featuring a wonderful, creepy electronic score and imaginative camera-work throughout, this is a must-see for fans of the genre. Of course those looking for a bloodbath will be disappointed. but those looking for some good, old fashioned horror should be pleasantly surprised with this gem. Recommended.

Ken Wiederhorn, who went on to direct the dull EYES OF A STRANGER, hits celluloid paydirt with this thoughtful, creepy and lyrical horror flick.

Mostly a work of effective moments, its images of dead Nazi soldiers emerging from the sea and advancing towards a distant shoreline have never left me or lost their power to evoke a sense of horror.

The story is a simple one, as the best horror stories are. Members of The Death Corps, an SS unit never apprehended by Allied Forces, return to menace holidaymakers with a little help from a friend.

The moderate pacing works in favor of the off-kilter narrative and the numerous sequences in which the undead soldiers attack the living are swift and highly effective.

Peter Cushing turns in a small but sincere performance, as does genre stalwart John Carradine.

Score by Richard Einhorn is memorable.

SHOCK WAVES has nothing in common with recent Hollywood horror films, but it has plenty in common with mostly unseen (outside their country of origin) Japanese horror outings such as LIVING SKELETON.

This film isn't a big budget film which may put off some viewers from the outset. It is very good if you're into this kind of thing though. The horror is not too explicit, but is more suggestive, and this actually makes the film genuinely creepy in parts. The performances are a little amateurish by the lower cast members, but Peter Cushing is in commanding- if all too brief - form and John Carradine gives a good perf. Brooke Adams also registers well in her acting debut. The plot is daft yet manages to convince, mainly because there is a really neat exposition scene in which Cushing explains what is going on. He's such a persuasive actor that even though the whole idea is so preposterous, when he says it you kind of feel compeeled to believe him. I rate this flick and would hope that anyone reading this at the moment would go out of their way to try to see it. It's worth the time and has a weirdly effective way of sticking in your mind for a long time afterwards.

'Shock Waves' is a low budget horror movie with few special effects... actually not very special effects at all. We're talking a half a dozen "zombies" which are basically people in Nazi uniforms holding their breath underwater. The cast apart from Brooke Adams ('Invasion Of The Body Snatchers', 'The Dead Zone') are unknowns, with guest appearances from horror legends John Carradine and Peter Cushing. One would think this would be a real turkey only good for a few laughs, but not so, it's a surprisingly effective thriller with atmosphere to spare. One of the reasons I enjoy horror movies is that creative directors are capable of making something special out of virtually nothing. 'Carnival Of Souls' and 'Night Of The Living Dead' are obvious examples. El cheapo budgets, unknown actors, minimal effects, but two of the greatest horror movies ever made. I'm not saying 'Shock Waves' is anywhere near THAT good, but I enjoyed it a lot more than I expected from the cheesy packaging on the video box. The concept of underwater Nazi zombies is an intriguing one, and was subsequently used by Jean Rollin and Jess Franco in 'Zombie Lake' and 'Oasis Of The Zombies'. I always enjoy seeing John Carradine, but his role is, let's be honest, little more than a cameo. I have a major crush on Brooke Adams, she's goofy but beautiful, and admirers won't want to miss this one as she spends most of her time in a bikini. One minor complaint - I wished Peter Cushing had more screen time. He's my favourite horror actor after Vincent Price and I always enjoy his performances. All in all 'Shock Waves' is an underrated and creepy movie that all horror buffs should try and see. It's just one of many overlooked 1970s horror gems that deserve more attention than they get (see also 'Count Yorga, Vampire', 'The Brotherhood Of Satan', 'The Crazies', 'The Legend Of Hell House', 'Deranged', 'Alice, Sweet Alice', 'Thirst',etc.etc.)

Rather than re-watch Rob Zombie's homage to 70s flicks, or any of the modern remakes of the "Living Dead" films, why not just dig up some of the little seen but really good original 70s stuff? There's a lot of it out there that deserves to be seen, and this is one of them. There's a lot going for it, atmospheric soundtrack, decaying old structure, handful of frightened folks out of their normal element, the walking dead, plans for escape all go awry, very typical of the 70s pre-slasher horror genre. But this is one of the best entries, surprisingly better than I remember it to be when I saw it back in 1979 on tape. Back then, being an immature young kid, I though it was slow, but now I see it's a steady build of tension.