Ansioso per il suo futuro dopo il liceo, un italo americano di dicianove anni di Brooklyn cerca di sfuggire alla dura realtà della sua vita dominando la pista da ballo della discoteca locale... Leggi tuttoAnsioso per il suo futuro dopo il liceo, un italo americano di dicianove anni di Brooklyn cerca di sfuggire alla dura realtà della sua vita dominando la pista da ballo della discoteca locale.Ansioso per il suo futuro dopo il liceo, un italo americano di dicianove anni di Brooklyn cerca di sfuggire alla dura realtà della sua vita dominando la pista da ballo della discoteca locale.
- Candidato a 1 Oscar
- 6 vittorie e 14 candidature totali
Sam Coppola
- Dan Fusco
- (as Sam J. Coppola)
Robert Costanzo
- Paint Store Customer
- (as Robert Costanza)
Recensioni in evidenza
It's funny how people remember a film they are reminiscing about. An example would be "Muriel's Wedding" - a film that is labeled as a comedy. And yet it is one of the saddest & most realistic films about family life that has been made. When you remember the film, its moments of humour are so clever, that they hide the dark undercurrents explored.
The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.
John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.
The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going something that his friends will never be unable to ever do.
It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.
John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.
The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going something that his friends will never be unable to ever do.
It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
... this is a product of my generation. I was the age that Travolta's character Tony was in 1977, although in a completely different part of the US. Probably the disco era is the only one in the history of film in which people in street clothes look like they are going to a costume party. The pointy collars, the shoes, the hair so full of hairspray that it looks like it would shatter if it brushed up against something, and those jackets that are so full of holes - big ones - they look like they were attacked by moths and why are we calling them jackets anyways?
So Tony (Travolta) is a New York City born and bred Italian American with only a high school education, an employee at a dead end job - selling and mixing paint - in a store that is now extinct - the neighborhood hardware store that is about to get replaced by the big box hardware stores such as Harbor Freight. Dad is used to being the head of the family, but now he has been laid off in middle age. Suddenly Edith is talking back and disrespecting Archie and he doesn't like it one bit. And the only thing that makes Tony feel alive is Saturday nights on the dance floor of the local disco where he is the best.
And then he meets a girl - Stephanie. She is everything that I, a Texan, was told that New Yorkers are - loud mouthed, self important, snooty. And yet Tony follows her around like a puppy because he is in love. Annette (Donna Pescow) follows Tony around like a puppy because she is in love. It's funny how Tony doesn't like how Stephanie treats him, yet he turns around and treats Annette the same way. But Tony turns out to be much more self aware than you would think. And Stephanie - there is much more to her story than her being just another stuck up Manhattanite.
There is so much casual sex going on here that it answers the question "Where did herpes come from?". But it is so much more than glittering disco balls. it is a love story. A story of a guy learning about the friendship component of love. It is a tragedy. It is a story of young people at a crossroads. And last but not least, it has probably one of the great soundtracks in motion picture history and gave the Bee Gees a second act. I'd highly recommend it. Just try to ignore your probable first reaction "Yikes those clothes!!!!"".
So Tony (Travolta) is a New York City born and bred Italian American with only a high school education, an employee at a dead end job - selling and mixing paint - in a store that is now extinct - the neighborhood hardware store that is about to get replaced by the big box hardware stores such as Harbor Freight. Dad is used to being the head of the family, but now he has been laid off in middle age. Suddenly Edith is talking back and disrespecting Archie and he doesn't like it one bit. And the only thing that makes Tony feel alive is Saturday nights on the dance floor of the local disco where he is the best.
And then he meets a girl - Stephanie. She is everything that I, a Texan, was told that New Yorkers are - loud mouthed, self important, snooty. And yet Tony follows her around like a puppy because he is in love. Annette (Donna Pescow) follows Tony around like a puppy because she is in love. It's funny how Tony doesn't like how Stephanie treats him, yet he turns around and treats Annette the same way. But Tony turns out to be much more self aware than you would think. And Stephanie - there is much more to her story than her being just another stuck up Manhattanite.
There is so much casual sex going on here that it answers the question "Where did herpes come from?". But it is so much more than glittering disco balls. it is a love story. A story of a guy learning about the friendship component of love. It is a tragedy. It is a story of young people at a crossroads. And last but not least, it has probably one of the great soundtracks in motion picture history and gave the Bee Gees a second act. I'd highly recommend it. Just try to ignore your probable first reaction "Yikes those clothes!!!!"".
An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...
Lo sapevi?
- QuizJohn Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
- BlooperWhen Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
- Citazioni
Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.
- Curiosità sui creditiWhen the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
- Versioni alternativeIn 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
- 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
- 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
- 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
- 4) Tony signs for a telegram that tells his father has been asked to go back to work.
- 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
- ConnessioniFeatured in Les rendez-vous du dimanche: Episodio datato 16 aprile 1978 (1978)
- Colonne sonoreHow Deep Is Your Love
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Fiebre de sábado por la noche
- Luoghi delle riprese
- 86th Street, Brooklyn, New York, New York, Stati Uniti(opening sequence: Tony's Walk)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 94.213.184 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.878.099 USD
- 18 dic 1977
- Lordo in tutto il mondo
- 237.113.184 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of La febbre del sabato sera (1977) in Canada?
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