Rituals, il trekking della morte

Hal Holbrook stars as one of five friends(all doctors) who are taking their usual outdoor vacation, only this year they fly into a secluded wilderness, where their rest is disrupted by a sinister and unseen figure who first steal their boots, then escalates things with terror then murder...

Well directed by Peter Carter in real Canadian locations, this film creates an effective atmosphere of suspense and fear, aided by a capable cast that really involve you in their plight, leading to a harrowing climax.

Best to see this on the restored DVD, which has the best picture quality possible, since the original negative was damaged, which makes the ending quite(literally) too dark. Otherwise, this is much more than just a "Deliverance" rip-off, which isn't a fair description.

Haunting final scene is memorable.

After reading no less than positive thoughts (mainly by horror fans), in the back of my mind I was thinking that maybe I was setting myself up for a huge letdown after finally managing to get my hands on a copy (uncut too). Gladly to say it lived up to its reputation and I was thoroughly enthralled by the slow grinding, suspense-drilling minimal 70s survival horror set-up amongst the remote, vast Canadian deep mountainous backwoods.

Five doctors meet up every year, and this reunion they decide to go on a trek in a remote mountain terrain known by the local Indians as the Cauldron of the Moon. However they soon realise they're not alone, and find they'll being stalked and slowly picked off by someone who seems to hold a grudge of some sort.

What I found that separated this from most backwoods survival horror (and it shares common ground with its blatant influencer 'Deliverance') is that the characters are given more emotional weight (as background mistakes and methodical differences arose from the unbearable stress) and in doing so makes their conflicts and petty bickering intensely raw and effective in the way they stretch their friendships. This is based more so on the inflicting psychological drama, than say just the nasty action (gore and violence is kept low-key, but there is still a dangerous air of sinisterness within). It's a fight for survival, reverting back to primal instincts isn't option at first, but eventually it succumbs to. Also lingering in the well-written script is the focus of being frightened by the unknown and paralysed by abandonment. Our deranged tormentor stays pretty much a shadow (we're give a brief story or explanation to why he's humiliating and torturing these doctors. Is it personal? Does someone know more than they let on? Or it is just in the wrong place at the wrong time) to only appear as an eerily ominous figure in the picturesque backdrop (that sets off some nerves), until the final closing frames we come face-to-face with the freak of nature. The material formed by Ian Sutherland is cerebral and emotionally guided, if a little grey.

Director Peter Carter efficiently constructs a productively tight pace and bleak atmospherics from the alienating locations. Distinctively skin crawling imagery can leave a haunting mark. Sure the low-budget showed up some niggles (jumpy editing and dark passages), but was neatly worked around it. The tension is gained more so from the authentic character interactions and attitudes that they battle to stay one step ahead. As it's just no the killer to worry about either, but the tearing harshness of Mother Nature. Being eaten alive by bugs. Rapid moving rivers. Unstable terrain and the beaming sun. And not to forget one another. The performances are tremendously towering and strongly delivered by a dependably competent cast. An anchor-like Hal Holbrook is demandingly sharp and Lawrence Dane is suitably good. Hagood Hardy's majestically shuddery music score had that organic sense surrounding it and fitted in perfectly. Rene Verzier's camera-work is top-rate as he sharply lenses the colourful backdrop, but also the impending intensity in the character's actions.

An excellently uneasy and captivating low-budget survival trek that keeps it all quite basic, but manages to also bring out the bitter blows when it counts.

Just caught this one on T.V. I was surprised how much I enjoyed it. The low budget works in its favor. It really gives this movie a realistic feel. Excellent, naturalistic performances by Holbrook, Robin Gammell and (actor-producer) Lawrence Dane, as a bunch of rather ordinary guys caught in extraordinary circumstances. I particularly liked the fact that the killer's motivations are suggested, but never fully explained. The setting and cinematography, particularly during the night scenes, are pretty creepy. All in all, if you're a fan of subtle, realistic, quality horror, check this one out. Kind of surprised Ebert gave this a thumbs down. Seems like his kind of flick.

Note: First make-up credit for FX wiz Carl Fullerton (Friday the 13th parts 2 and 3)

I thought this was a very well-acted, believable and absorbing film. It's is a crime that there is not yet a DVD release of this title. It is very similar to DELIVERANCE in many respects, but with more of a horror-movie feel. Five doctors take their annual camping trip into the thick wilderness of "The Cauldron," a huge, basin-like spot in the forest which was formed, according to Native American legend, when the moon once bumped into the earth. Things go from bad to worse to horrifying for the doctors, as they're faced with a trip through hell brought upon by an unseen, unknown stalker. If you're a horror fan, this is a forgotten gem. Highly recommended for fans of backwoods slashers.

Long before THE BLAIR WITCH PROJECT took the crown of 'lost-in-the-woods-and-stalked-by-evil' movies, there was this poorly distributed low budget gem which deserves reevaluation, and should be seen by any serious horror/thriller enthusiast.

A buddy group of medical field professionals trek into the solitude of the forest for a relaxing fishing trip. On their first day out, their boots mysteriously turn up missing, marking the inception of a tense and distressing game played against an unseen evil adversary. One by one, the men meet grisly fates, and a scattering of vague clues which may reveal the reason behind it all are left to be pondered.

Quite good of its type, and deserving of mention in the same breath as DELIVERANCE and SOUTHERN COMFORT.

7/10.