Passi di morte perduti nel buio

The giallo has since the genre began employed humour, from at least the time of Bava's The Girl Who Knew Too Much spots of comedy have leavened the intrigue and stylised violence. Not a bad thing either in my book, gialli operate in a realm outside of normal human experience and to pursue their concerns with deathly seriousness is not always the best approach. Still, there aren't many substantially comic gialli, perhaps because the earthy nature of a lot of Euro exploitation comedy of the time was ill fitting with the rarefied nature of the giallo. Death Steps In The Dark is an example of a substantially humorous giallo and it actually works out pretty nicely, while never especially funny the film carries its humour with an unforced daftness that is a little charming, and only grating in a short sequence of the hero in drag. Then again I've never been a fan of drag humour and others may think more of it. The general plotting is serious stuff and fairly convoluted, whilst travelling through a tunnel the lights go out in a train and a nun is murdered, suspicion falls on fashion photographer Luciano and he must prove is innocence, murder and intrigue continuing all the while. Maurizio Pradeaux of the similarly lesser seen Death Carries A Cane directs here, bringing style and colour, the pace is quick and there are some memorable moments including a use of defiantly unerotic ultra close up during a sex scene that could pass for one of Jesus Franco's craziest dalliances and a particularly fine murder with nice bloodshed. The suspense scenes are for the most part taken seriously with good use of killer POV shooting, and while never especially gory the kills get a bit of the red stuff flowing, satisfying enough in a film like this where the tone is lighter and the emphasis not so much on shocks. Acting is generally decent, Leonard Mann sympathetic as the confused and somewhat frazzled hero, Vera Krouska a delight as his dim witted girlfriend and Robert Webber suitably dry as a police inspector just trying to get the job done, despite plot convolutions, idiots around him and heartburn. The Riz Ortolani score is solid too, has a smooth and romantic feel to it that works with the surroundings and general style. There are a couple of drawbacks here, one easy to point out and one less so, but they conspire to bring the film down a few notches. Though often amusing the humour is pretty basic and tends towards sexism, it may all be in good fun but the lack of sophistication is pretty glaring. And the explanation for events is based on information that doesn't appear anywhere in the prior proceedings, the film lays clues as to its killer, but the ultimate explanation is pretty left-field and its a bit of a downer that it wasn't hinted at earlier, it feels a bit of a cheat. Still for the most part this is fun stuff and giallo completists could do worse than check it out.

This is the second of only two giallos directed by Maurizio Pradeaux. And this is the better of the two in my opinion. It's mostly better due to the script and the acting. Comic scenarios and sometimes witty, and sometimes stupid, dialogue abound here. The actors have a lot of fun with it! The pace is breezy and bubbly. Leonard Mann (protagonist) and Robert Webber (inspector) come across as the strongest of the group.

There is quite a bit of misogyny here with every female character being written as either an idiot or a criminal.

The gore/special effects are pretty average. The killer has very little creativity and basically kills every victim the same way.

The mystery never completely makes sense to me. But since the movie doesn't take itself too seriously, I cut it some slack. It really does breeze by with all the humor.

Many people have trashed this film on account of it being a strange mixture of thriller and comedy. "Passi di morte perduti nel buio" (Death steps in the dark) has all the ingredients of a good giallo and I think that the comic moments don't spoil the suspenseful ones.

"Death steps in the dark" starts as an homage to Agatha Christie. In a compartment of the Istanbul-Athens express train, a girl is fumbling nervously with her necklace. The train passes under a tunnel. When it emerges from the tunnel this girl has a letter opener sticking in her chest. The letter opener belongs to Luciano Morelli (Leonard Mann), a fashion photographer. He'll be one of the main suspects of the police. Luciano along with his naive girlfriend Ingrid (Vera Krouska) will investigate on his own the murder(s) and try to find out the killer - this is the only way to clear himself. Luciano (and Ingrid) will live many adventures and so will the killer (someone - maybe more than one person - is trying to blackmail him/her!). But beware! The film has many surprises in store.

"Death steps in the dark" was shot in Athens - It's very colourful and it has, as it's usual in many gialli, pretty girls (and some nice lesbian touches), stylish camera work and editing, very well-staged killing scenes and a wonderful soundtrack. It also features a very beautiful romantic scene. All in all, "Death steps in the dark" is full of "joie de vivre" - the actors are very natural and seem to be enjoying themselves.

The comic moments are provided mostly by Luciano and his naive and beautiful girlfriend Ingrid, and also by the Detective Inspector in charge of the case (Robert Webber), with his eternal stomach problems.

If you don't take the film too seriously you might enjoy it like I did.

I've seen the film twice already.

Luciano is a press photographer travelling to a photo shoot on the Istanbul-Athens express with his girlfriend. While passing through a tunnel, his girlfriend is stabbed to death with Luciano's dagger. He is naturally the prime suspect for the murder, but he believes he can solve the case himself and so goes on the run to clear his name. On the face of it a classic giallo theme, but what we have here is a film that is an odd mix of authentic Giallo, black comedy and at times, outrageously bawdy comedy, in the vein of Airplane movies, the killer leaving his fingerprints in $hit might give you an idea of its level. Still though, some of the humour is spot on and never reaches the level of being tiresome, there are also enough gruesome murders and suspense to keep real Giallo enthusiasts intrigued.

Quite ludicrous but bright and breezy enough to be likable this is, wait for it - a comic giallo. I know, obviously, we are on dangerous territory straight away because, what with all the twists and turns and often daft denouements, gialli, are sometimes laughable enough. Yet here we have a particularly complicated one, albeit with simple enough start, Agatha Christie style with six people in a railway carriage, light goes out, one dies, who dunnit? But this is complicated by the fact that one gets involved in blackmail and then maybe another and there are characters chasing characters, we are struggling to keep up only for the characters to start making jokes (sometimes amusing, sometimes not). On the positive side, it looks tremendous, great costumes and furnishings with the girls not afraid to slip off their clothes, the killings are fairly gory and the score keeps things bobbing along as the cast seem to be genuinely enjoying themselves. Just wish I had as much fun watching.