L'uomo di Santa Cruz

I know nothing of Lief Garrett's modern day goings on, but I'll tell you this: he can sure pick a grim film to star in! Not only was he great in Devil Times Five (aka Peopletoys), he's also good in this, as a kid out to get revenge on the low down scum who killed his parents! The leader of this gang? Lee Van Cleef, all bald and knife-brandishing.

Garrett fairly works his way through the evil gang, using snakes, scorpions, nooses, rocks and arrows in what amounts to almost a slasher-like Western. I didn't even think he needed the help of Jim Brown, but when Big Jim starts throwing dynamite at everyone, you're kind of signing up a winner right there! Big Jim also brings along his band of brothers he's been fighting with, just to complicate things up a bit.

This is your typical dark late-era Spaghetti Western, violent and pretty unrelenting, with a fairly high body count. Made in Isreal so I guess the term 'Spaghetti' might not be appropriate.

KID VENGEANCE (2 outta 5 stars) Cheaply-made and poorly-directed piece of western fluff starring Lee Van Cleef as one of the most vile villains he's ever played. This was during his later years when he was getting a bit long in the tooth to believably play those nasty, tough guy parts... but he is still the most interesting thing in this movie. He leads a bunch of bandits who rape and kill the mom and dad of young Leif Garrett and then kidnap his sister. Leif goes after them with "vengeance" on his mind. He begins to pick off the bandits one by one, using some pretty unconventional means (bow and arrow, rocks, scorpions, the old snake-in-the-saddlebag trick). He eventually teams up with a gold prospector (Jim Brown) whose life savings have been stolen by these men as well. The film starts off looking like a bad TV-movie... but once the raping and killing starts it becomes obvious that this was no "Movie Of The Week". You might be interested enough to sit through it once but this is no classic by any means.

Young Leif Garrett watches helplessly while his parents are murdered and his sister taken by a savage band of grimy cutthroats led by Van Cleef, who looks like a hippie with full facial growth, earring, long hair, and headband (probably holding the hair extensions in place), and Robert Morley. (best remembered for waking up next to a horse head in The Godfather)

Garrett tracks the bandits and begins to slay them one by one before teaming up with gold miner Jim Brown to finish them off.

Not a spaghetti western, this was an Isreali production made in Isreal by Golan-Globus, who did a better job (Van Cleef too) with God's Gun.

Most people agree that Lee Van Cleef's career in westerns ended with a whimper, but I thought it was okay. Too bad that in the following twelve years nobody got him back in the saddle with a six-shooter. It would have been great having seen Lee Van Cleef on a horse in the action packed eighties.

After witnessing the savage massacre of his family , a boy (Leif Garret) sets out a personal vendetta and rescue his sister (Glynnis O'Connor) against an outlaw band ( Lee Van Cleef, John Marley , among others ) . He carries the revenge in his heart after seeing his family butchered . Former rules of the code of west are dated and nowadays is guided for revenge . He embarks on his vengeance and during his quest teams up with a prospector (Jim Brown ) who has been robbed by the nasties . Together form an alliance going after those who murdered his parents and trying to retrieve the money the bandits robbed him . They are a dynamic duo combining untamed youth and toughness . They travel the southwestern territories and cross paths concerning similar foes they hunt .

This average Western/revenge flick is plenty of violence , shootouts and packs loads of action though the director is uninspired and the final is pretty predictable . This mediocre Western vengeance tale is set with Francesco De Massi's good musical score . Features an appearance by stalwart Spaghetti Western Lee Van Cleef as an ugly , brutal, dirty and downright villain with big earring.

James Brown as two fisted hero is fine , he starred four Westerns in similar style , three of them along with Van Cleef ( exception is ¨100 rifles¨ ) , they are : ¨Take a hard ride¨ ( directed by Antonio Margheritti ), ¨The Condor¨ ( by John Guillermin ) and ¨Kid Vengeance¨ . Leif Garret as obstinate and impetuous young is nice , he starred two Westerns both of them with Van Cleef , thus was with ¨ A bullet from God ¨ ( by Frank Kramer or Gianfranco Parolini ) and this one .The motion picture is regularly directed by Joseph Manduke .

I may be the only person in the universe that actually likes this movie. Of course the last time I saw this, I was 16, and not yet force-fed twaddle like Resnais, and being conditioned as to what to appreciate in cinema. Even so, this film was enough to make the great Lee Van Cleef hang up his six-guns forever, with the exception of riffing his cowboy image for Cheetos and Midas Muffler commercials. He is superbly slimy in this one, nonetheless-- with a big earring, bandana and goatee, his character McLain is outlandish, but in a good way. Despite the exploitative nature of the material, much of the film is otherworldly- the violence and the characters. Shot in orange hues and dreamy soft focus, Leif Garrett (yes... Leif Garrett) rides the trail of vengeance after Van Cleef's gang of slimeballs after they murder his family. He gets an ally in Jim Brown, who shares his thirst for revenge after Lee rips off his mine. The fact that some of the violence is ludicrous actually works- take for instance the scene with the scorpion, or when an outlaw has rocks dropped on his head in slow motion. The last half of this revenge western has a dream-like quality; perhaps it was meant to accentuate the state of mind of Garrett's character, and of a child at that. Dealing with such a loss and seeking retribution for it puts one in a strange state of consciousness-- how often have we felt after the death of a loved one that we are dreaming. or hoping that we will wake up soon? But at least, because this film is so bizarre, it is not your average revenge oater. It at least makes you think about you are watching. Isn't that what cinema art is supposed to do?