La ragazza dell'altro

"Joyride" captures the malaise of the 70's so much better than many films of the era. Think of it as a perfect antidote to "Saturday Night Fever" on many levels. Watch for the Pacific Northwest cinematic quirkiness that comes through later in everything from "Twin Peaks" to "Napoleon Dynamite" and many more. There are many northwest talents that went on to other endeavors in this movie as well - surprising it has not been celebrated a bit more for that. I recommend it highly to college sociology students and Melanie Griffith groupies (get a life!). Truth be told, I've always held a candle for Anne Lockhart. We could have been very happy together, the restraining order was so uncool. Psyche! She's great.

"Joyride" is an independent 1977 road flick starring the sons of Desi Arnaz (and Lucy) & John Carradine and the daughters of Tippi Hedren & June Lockhart.

THE STORY: Three footloose youths, two guys and a girl (a young Melanie Griffith) all around the ages of 18-20, decide to leave their dead-end jobs and travel to Alaska. They have some half-baked plan to become salmon fishermen, but they're more likely just looking for adventure, fun and possibly a sense of purpose. Unfortunately they're forced to pick up other dead-end jobs, including working for the oil pipeline. Desperation leads to crime where they acquire a hostage (Anne Lockhart).

I never heard of this film before and took a chance picking it up. I was under the impression that it was a fun 70's car-chase flick like "Eat My Dust" or "Grand Theft Auto." Although it shares aspects of those types of films I was surprised to discover that "Joyride" is essentially a serious road flick, the second half taking on elements of "Bonnie And Clyde." Although this is a fairly low-budget independent film it's quite professionally made. The Washington locations are great and the acting is fine. Anne Lockhart is easy on the eyes and Melanie isn't bad either.

I encourage you to read M.G. DaVega's review on Amazon from May 11, 2008, because he accurately points out what may turn some viewers off. The story has a meandering vibe because the kids are living aimless lives. They're not necessarily "bad kids" or unlikable (although they later turn bad via bad choices); in fact, one part of the story shows one of the guys boldly taking a stand for what's right while working security for the pipeline, but it ends up costing them. DaVega rightly argues that the viewer is unsympathetic towards the youths because they increasingly turn to crime as the story progresses. He calls them "half-wits" who do stupid things and engage in unsavory & deplorable acts like shoplifting, public drunkenness, pissing contests (literally), auto theft, breaking & entering, and armed robbery of the pipeline company.

DaVega also points out that they (seemingly) learn no moral lesson through their experiences and are not much different at the end than at the beginning.

These valid criticisms will certainly turn some viewers off, but I'd like to point out that the events in the story aren't even close to being as morally shocking & appalling as in, say, 1966's "The Wild Angels."

Although the characters seemingly learn no moral lesson, the film itself is a moral lesson, not to mention it smacks of reality. I can remember when I was in my mid-to-late teens, living an aimless existence and doing incredibly stupid things, just as dumb and senseless as depicted in this movie. So I can relate to the kids, their situations and foolish choices. Simply put, "Joyride" is a portrait of lost, fallen humanity. The title is sarcastic because the kid's adventure is more laborious and miserable than fun and joyful, not that there aren't any lighthearted moments.

The film successfully depicts the meaningless, aimless and darkened nature of life "under the sun," in particularly for those who are unaware of the designs of the Creator, or who simply refuse to seek/acknowledge the Almighty. Read the relatively short ancient book of Ecclesiastes to get my drift.

***SPOILER ALERT*** Anyway, the picture ends with the kids getting lost and stranded in the Northwest wilderness, which is reminiscent of that family that got stranded near the Rogue River in Oregon not many years ago.***END SPOILER***

BOTTOM LINE: DaVega is wrong to say that anyone who likes this film has "extremely low standards for movies." I can see why the film turned him off, but his objections are based solely on moral grounds. This doesn't mean "Joyride" isn't worthwhile or well-made for an independent 70's flick. On the contrary, the meandering story keeps the viewer's attention (which is pretty much the most important gauge for discerning the worthiness of a picture), and the film itself makes a potent moral point about the fallen nature of humanity. Plus the viewer gets a good glimpse of what it was like to work on the pipeline back then.

If nothing else, "Joyride" is worth seeing because it's like traveling back in time to 1977.

GRADE: B

This is a difficult video to find which is just as well. I had searched for 15 years wanting to view the film I saw in 1977 with a soundtrack from ELO (Electric Light Orchestra). When I recently found a video store that specializes in obscure videos, I rented it and Vestron Video (now out of business) had released this road-pic as "Joyride-special video edition"...now that sounded to me like it was going to better than the original. What it meant was that they had removed all of the ELO music from the soundtrack, then cheaply dubbed a new soundtrack. The story in a word is boring. It would only be worth renting if (like me) you wanted to hear the ELO soundtrack again. It was interesting to see Melanie Griffith and Robert Carradine in their younger days. The clerk at the video store said this title hadn't been rented in five years!

HOWEVER, a few years later....I have found a copy of the video (thanks to ebay)that was intact with the ORIGINAL soundtrack as released on video in the U.K. Seeing the movie again with its original soundtrack made it a pleasure.

Nothing to see here in this poor attempt at a car chase/on-the-lamb drama, which plays more like a wannabe produced by Columbia Picture's heir Bruce Curtis, and starring 4 children of Hollywood stars. Dezi Arnaz Jr., Robert Carradine, Melanie Griffith, and Anne Lockhart. Film has a run-of-the-mill opening with catchy Electric Light Orchestra tunes introducing us to the uneventful lives of some 3 uninteresting late teen/early 20 somethings longing for something more (Arnaz Jr. Carradine, Griffith). They hatch a rather vague plan to head north to Alaska, something about owning a fishing boat. After landing less-than-desirable blue collar jobs in the cold North, these three upset the wrong people and end up on the lamb with an employee of the top corporation around (Lockhart...the only interesting cast member/character). The film flies south from it's already low standing by this point and there is never an absolution to what these brats want, nor is there any tact in how they go about trying to achieve it. The writing is terribly unmemorable, and the story is never completely clear. Director Ruben has no style in how he captures this uneventful series of even more so pedestrian events. Producer Curtis pulls out all the stops to deliver a product with car chases, sex, drugs, and rock n roll. SNORE. It is simply an afterthought cocktail of left-over iconographic elements which fit so awkwardly into it's own bowl of dry, tasteless crumbs. PASS.

Hey, it's Joyride, starring the son of Desi Arnaz, a son of John Carradine, and the wife of Antonio Banderas!

Well, these wacky kids could sure pull crimes and escape local bar patrons, business owners and the police with ease, alright

But there was always ONE horrible thing they could NEVER escape from:

All that lousy ELO music!!!

Yes, regardless of what state they drove to, what restaurant, bar or car radio that played music, mainly only ONE thing kept blaring out of those poor little speakers:

ELO! ELO! ELO!

Now THAT was some scary stuff!