Aggiungi una trama nella tua linguaLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter ... Leggi tuttoLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter Firth), a Latin pupil and protégé of Parson Adams (Sir Michael Hordern), and makes him the... Leggi tuttoLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter Firth), a Latin pupil and protégé of Parson Adams (Sir Michael Hordern), and makes him their footman. Joseph's heart belongs to a country girl, foundling Fanny Goodwill (Natalie Og... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 2 candidature totali
Recensioni in evidenza
Full of wigs, gout and heaving bosoms, this attempt by director Richardson to do Tom Jones again, has its charms, but ultimately the sum of its parts, often fun as they are, do not make for a full and compelling romp. There is a wonderful display of British character actors on show here which helps, but in the end it is all rather a mess and a bit of a disappointment.
Richardson once again brings humour to history (the traffic jam of horse-drawn carriages is neat and funny). Even the demise of Ann-Margaret's elderly gouty husband ("taking the waters" at Bath in England) combines beauty with dark humour.
One curious inexplicable failing are the opening titles - firstly in the dreadfully monotonous and repetitive song sung in thoroughly undistinguished fashion by Jim Dale and the flat, lifeless and pointless visuals appearing behind the titles. Those who have seen the dazzling title sequence to his "Charge of the Light Brigade" will be especially struck by difference. In this latter case the titles had been farmed out to an animator who regarded it as his best - and hardest - work. What a shame Richardson did not do the same here.
Overall a classic even if flawed.
The story is simple, a little too dependent on coincidences and unrealistic twists. The costumes are great, as are the wonderful settings. You certainly feel like you really are there in the 17th Century.
Firth and Ogle as the young loving couple are attractive but bland. They fail to live up to the comedic demands of Fielding's story. The rest of the cast does a very good job on the other hand. Special mention should go to Michael Hordern and Beryl Reid, two of Britain's finest actors.
Nevertheless the best acting in the film comes not from one of the British theater and character actors but instead from the only American in the cast: Ann-Margret. She was rightfully nominated for a Golden Globe but would have deserved an Oscar non too. It's a brilliant satiric performance full of subtlety and vulgarity at the same time, comic timing that's never off, she dominates the film. Considering the talent that is working alongside her, that's quite a feat. Her accent is perfect too, something that rarely happens and could so easily destroy such a film. In the worst possible scenario she could have been an anachronistic sex kitten from the 60s stuck in a costume drama: Those fears never come true, she's great. The thick make-up (that fits the role perfectly) prevents us from seeing hernatural beauty but she's still quite a sight. Why American producersdidn't see the film and immediately give her a comic lead role in anHollywood A film, seems like a brutal shame.
Overall, a fun little history story of love, romance and adventure.
Lo sapevi?
- QuizMaking this film some 14 years after Tom Jones (1963), Tony Richardson was persuaded to hire Hugh Griffith, who had scored a great personal success (and an Oscar nomination) in the earlier film, to play a brief cameo. In the intervening years, however, Griffith's legendary fondness for alcohol had degenerated into a chronic condition which would kill him in 1980, and Richardson was, he later wrote, shocked by his appearance and condition. Without alcohol, Griffith could not perform at all; but if he had even a small amount, he became incoherent, slurred and unpredictable. Compromising, Richardson fed him a tablespoon of brandy before each take, which he estimated was just about as much as Griffith could safely take.
- BlooperSome stonework at the Roman baths is clearly stained with coal soot from the Industrial Revolution. This would not have been present in 1742 but was still common on old British buildings in 1977.
- ConnessioniFeatured in The 68th Annual Academy Awards (1996)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Die Abenteuer des Joseph Andrews
- Luoghi delle riprese
- Castle Combe, Chippenham, Wiltshire, Inghilterra, Regno Unito(The pedlar meets the gypsy)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 839.865 USD
- Lordo in tutto il mondo
- 839.865 USD
- Tempo di esecuzione1 ora 44 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1