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Joseph Andrews

  • 1977
  • R
  • 1h 44min
VALUTAZIONE IMDb
5,6/10
698
LA TUA VALUTAZIONE
Joseph Andrews (1977)
AvventuraCommediaDrammaRomanticismo

Aggiungi una trama nella tua linguaLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter ... Leggi tuttoLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter Firth), a Latin pupil and protégé of Parson Adams (Sir Michael Hordern), and makes him the... Leggi tuttoLady Booby alias "Belle" (Ann-Margret), the lively wife of the fat landed squire Sir Thomas Booby (Peter Bull), has a lusty eye on the attractive, intelligent villager Joseph Andrews (Peter Firth), a Latin pupil and protégé of Parson Adams (Sir Michael Hordern), and makes him their footman. Joseph's heart belongs to a country girl, foundling Fanny Goodwill (Natalie Og... Leggi tutto

  • Regia
    • Tony Richardson
  • Sceneggiatura
    • Tony Richardson
    • Allan Scott
    • Chris Bryant
  • Star
    • Ann-Margret
    • Peter Firth
    • Michael Hordern
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    698
    LA TUA VALUTAZIONE
    • Regia
      • Tony Richardson
    • Sceneggiatura
      • Tony Richardson
      • Allan Scott
      • Chris Bryant
    • Star
      • Ann-Margret
      • Peter Firth
      • Michael Hordern
    • 12Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 2 candidature totali

    Foto32

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    Interpreti principali58

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    Ann-Margret
    Ann-Margret
    • Lady Booby
    Peter Firth
    Peter Firth
    • Joseph Andrews
    Michael Hordern
    Michael Hordern
    • Parson Adams
    Beryl Reid
    Beryl Reid
    • Mrs. Slipslop
    Jim Dale
    Jim Dale
    • The Pedlar
    Natalie Ogle
    Natalie Ogle
    • Fanny
    Peter Bull
    Peter Bull
    • Sir Thomas Booby
    Kenneth Cranham
    Kenneth Cranham
    • The Wicked Squire
    Karen Dotrice
    Karen Dotrice
    • Pamela
    James Villiers
    James Villiers
    • Mr. Booby
    Norman Rossington
    Norman Rossington
    • Gaffer Andrews
    Patsy Rowlands
    Patsy Rowlands
    • Gammer Andrews
    Murray Melvin
    Murray Melvin
    • Beau Didapper
    Ronald Pickup
    Ronald Pickup
    • Mr. Wilson
    Penelope Wilton
    Penelope Wilton
    • Mrs. Wilson
    Peggy Ashcroft
    Peggy Ashcroft
    • Lady Tattle
    Pauline Jameson
    Pauline Jameson
    • Lady Tittle
    Timothy West
    Timothy West
    • Mr. Tow-Wouse
    • Regia
      • Tony Richardson
    • Sceneggiatura
      • Tony Richardson
      • Allan Scott
      • Chris Bryant
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    5,6698
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    Recensioni in evidenza

    coolbluegreen

    Wonderful!

    This is a delightful, absolutely hilarious, visually stunning adaptation of Henry Fielding's Joseph Andrews. It is not 100% true to the book, but it really doesn't matter. I have seen this movie so many times, and I am thrilled it is finally available on DVD! I encourage everyone to see it.
    4henry8-3

    Joseph Andrews

    18th century romp with Peter Firth as the titular Joseph, unclear on his family lineage and forced to undertake various adventures usually to save the honour of his beloved Fanny (Natalie Ogle).

    Full of wigs, gout and heaving bosoms, this attempt by director Richardson to do Tom Jones again, has its charms, but ultimately the sum of its parts, often fun as they are, do not make for a full and compelling romp. There is a wonderful display of British character actors on show here which helps, but in the end it is all rather a mess and a bit of a disappointment.
    7trimmerb1234

    Beautiful and bawdy and Ann Margaret was never better at both

    This sumptuous 18th Century romp is both bawdy and beautiful (sometimes simultaneously). From powdered wigs and fluttered fans to farmyard frolics there is fast paced farce. But it is Ann Margaret who commands attention - the white-faced period make-up accentuates her expression whether of predatory interest in a fresh faced youth or flashes of anger and frustration when her designs and desires are thwarted. I'm not sure any of her actress contemporaries could summon up that amount of power in a single look.

    Richardson once again brings humour to history (the traffic jam of horse-drawn carriages is neat and funny). Even the demise of Ann-Margaret's elderly gouty husband ("taking the waters" at Bath in England) combines beauty with dark humour.

    One curious inexplicable failing are the opening titles - firstly in the dreadfully monotonous and repetitive song sung in thoroughly undistinguished fashion by Jim Dale and the flat, lifeless and pointless visuals appearing behind the titles. Those who have seen the dazzling title sequence to his "Charge of the Light Brigade" will be especially struck by difference. In this latter case the titles had been farmed out to an animator who regarded it as his best - and hardest - work. What a shame Richardson did not do the same here.

    Overall a classic even if flawed.
    8floydianer

    Entertaining costume drama with great actors

    History has forgotten this film, it's never talked about, almost never shown. Why? It's certainly not a quality problem. Richardson was of course trying desperately to get back to the level of success Tom Jones had a decade before. The fact that he's trying to copy himself gets the film some minus points.

    The story is simple, a little too dependent on coincidences and unrealistic twists. The costumes are great, as are the wonderful settings. You certainly feel like you really are there in the 17th Century.

    Firth and Ogle as the young loving couple are attractive but bland. They fail to live up to the comedic demands of Fielding's story. The rest of the cast does a very good job on the other hand. Special mention should go to Michael Hordern and Beryl Reid, two of Britain's finest actors.

    Nevertheless the best acting in the film comes not from one of the British theater and character actors but instead from the only American in the cast: Ann-Margret. She was rightfully nominated for a Golden Globe but would have deserved an Oscar non too. It's a brilliant satiric performance full of subtlety and vulgarity at the same time, comic timing that's never off, she dominates the film. Considering the talent that is working alongside her, that's quite a feat. Her accent is perfect too, something that rarely happens and could so easily destroy such a film. In the worst possible scenario she could have been an anachronistic sex kitten from the 60s stuck in a costume drama: Those fears never come true, she's great. The thick make-up (that fits the role perfectly) prevents us from seeing hernatural beauty but she's still quite a sight. Why American producersdidn't see the film and immediately give her a comic lead role in anHollywood A film, seems like a brutal shame.

    Overall, a fun little history story of love, romance and adventure.
    8jimcheva

    A gleeful 18th century romp

    There's one or two disturbing moments in this film, but overall a very British earthiness is apparent in the rhythm, tone, and incidents of the film. The costumes and make-up are both a delight and (as best I know) historically accurate. Not that they're always wearing costumes.... Lots of top notch English actors (Peter Firth, young - and ludicrously pretty - here, hasn't stopped since). The reversals of fortune probably owe more to Fielding than the scriptwriter, and are a reminder that soap opera has a long history, under whatever name. -- For those who don't understand the term "double entendre", the shot of Ann-Margret's character lovingly swallowing the full length of an asparagus dipped in oil should about clear it up.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Making this film some 14 years after Tom Jones (1963), Tony Richardson was persuaded to hire Hugh Griffith, who had scored a great personal success (and an Oscar nomination) in the earlier film, to play a brief cameo. In the intervening years, however, Griffith's legendary fondness for alcohol had degenerated into a chronic condition which would kill him in 1980, and Richardson was, he later wrote, shocked by his appearance and condition. Without alcohol, Griffith could not perform at all; but if he had even a small amount, he became incoherent, slurred and unpredictable. Compromising, Richardson fed him a tablespoon of brandy before each take, which he estimated was just about as much as Griffith could safely take.
    • Blooper
      Some stonework at the Roman baths is clearly stained with coal soot from the Industrial Revolution. This would not have been present in 1742 but was still common on old British buildings in 1977.
    • Connessioni
      Featured in The 68th Annual Academy Awards (1996)
    • Colonne sonore
      (He Was Such a) Gentle Boy
      Words and Music by Robert Stewart (as Bob Stewart)

      Sung by Jim Dale

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    Dettagli

    Modifica
    • Data di uscita
      • 31 marzo 1977 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Die Abenteuer des Joseph Andrews
    • Luoghi delle riprese
      • Castle Combe, Chippenham, Wiltshire, Inghilterra, Regno Unito(The pedlar meets the gypsy)
    • Azienda produttrice
      • Woodfall Film Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 839.865 USD
    • Lordo in tutto il mondo
      • 839.865 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 44 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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