Aggiungi una trama nella tua linguaAn astronaut is transformed into a murderous gelatinous mass after returning from an ill-fated space voyage.An astronaut is transformed into a murderous gelatinous mass after returning from an ill-fated space voyage.An astronaut is transformed into a murderous gelatinous mass after returning from an ill-fated space voyage.
- Regia
- Sceneggiatura
- Star
- The Model
- (as Rainbeaux Smith)
- Fisherman
- (as Sam Gelfman)
Recensioni in evidenza
Escaping from the hospital, West trawls the land in search of human victims to eat in the desperate hope of staving off the melting of his body.
It's as bad as you most likely have heard it is, and Rick Baker's makeup work is as good as you have heard it is! Intended as a horror parody but switched to being a "supposed" horror with some cuts and swipes requested by the studio, it's pretty evident upon viewing the film that was clearly the case. Tale doesn't add up to much more than the melting man of the title walking from one scene to another dripping in goo whilst meeting up with a host of bad actors. He's pursued by a pal who wants to help him, while it all builds to some fireworks at a power plant where the "big" battle unfolds.
You can't really do much with the story, after just 8 minutes of film he starts melting and once his bodily parts start falling off you just know he is beyond help. The tragic creature vibe is strong enough to hold interest, if you can stop yourself from laughing at everything else that surrounds him (it) during its Quatermass Experiment journey. The power plant scenes are nicely photographed, the final demise of the creature is bleakly sad and Baker really comes through with the only bit of quality in the piece. It's messy in more ways than one! But fun to be had if in a very forgiving mood. 4/10
It's very funny.
Watch this with some mates and you can all have a laugh as the sheer stupidity of it all unfolds in front of you. Why does that nurse run through a glass door? Why does Steve lurk around his friends house, fertilising the garden? Pre-pubescent kids taking a puff? And what's with the head in the waterfall?
I'm sure the intention was to make a genuinely scary film, but it's more like an Ed Wood effort. The only thing they managed to do well was the effects.
The acting and script are not the best. But the effects are good for a 30 year old movie with a budget of $50 - the title character takes quite a while to actually melt but when he does it's reasonably impressive; we also have one inventive death scene involving electrocution. Of note too is the music, it's insane - a cheese-tastic medley of nonsense.
Notable highlights:
* Marvel at the slow-motion nurse who jumps through a pane of glass for absolutely no reason whatsoever.
* Be amazed by a day in the life of a severed head.
* Beware of the psychotic cannibalistic melting humanoid. Called Steve.
* Be astonished when our hero takes a break from hunting the melting lunatic to have a bowl of soup and complain about insufficient crackers in the kitchen.
This film is just too 70's for me to hate it. It's tacky and trashy but I thought it was a lot of fun. You could do a lot worse.
Director, William Sachs, who has plenty of good credits in his resume, along with a fine group of seasoned actors and legendary, make-up genius, Rick Baker, started shooting this movie and those parts of the film, are the good ones in this movie. Studio producers then came in, did reshoots on all those scenes, which are truly embarrassing and re-edited the film, in a completely different way. The only thing, that the producers decided to do, that I feel worked in the film, was making the Incredible Melting Man (1977), into a full horror movie and not a parody of itself, which Sachs had originally intended to do. Sachs uses, in his filmmaking process, interesting styles of camera-work, lighting and editing, as well as, strategically-placed, audio edits and voice-over techniques. The film looks really good in some parts. The melting-man is what kills the film.
Rick Baker's creature effects are ok, but they too, suffer from the re-editing and change of direction, that the film took. At one point in the film, we get to witness the melting man's right eye-ball fall out of his head. Unfortunately, later in the film, we can see actor, Alex Rebar's, real eye, poking out behind all of the creature make-up effects. The melting effects worked much better in long shots, back shots and low-lighted scenes. The dripping effect of his skin falling off his body looks cool in some shots. There are plenty of miscues in the film and terribly embarrassing moments, which means, maybe Sachs was right. Make the film a parody of itself, because the melting skin and bones, are a metaphor, for a mess of a film, on the way.
4.6 (E MyGrade) = 5 IMDB.
Lo sapevi?
- QuizTo achieve the gruesome Melting Man monster, makeup effects artist Rick Baker fashioned a slightly over sized skull-shaped helmet for actor Alex Rebar to wear. The piece was painted flesh tone and then was cover by a gooey concoction of syrup and paint. The drippy substance would have to be re-applied for every take of the Melting Man. At the end of each shoot Rebar would have so much of the sticky stuff on him that he would literally have to peel his costume off.
- BlooperWhen the nurse enters the room of the melting man, she drops the blood containers and it splatters her shoes; then, as she runs away down the hallway, her shoes are completely clean.
- Citazioni
[it's lunch time at the Nelson home]
Dr. Ted Nelson: Steve escaped.
Judy Nelson: Oh God. What're you gonna do?
Dr. Ted Nelson: Uh... did you get some crackers? I told you yesterday that we needed some crackers.
Judy Nelson: Oh, I forgot. I knew there was something... Y'know there's uh, there's a pad right by the phone y'know, you could write it down too.
[she brings over his soup]
Judy Nelson: So what about Steve?
Dr. Ted Nelson: So, we don't have any crackers?
Judy Nelson: Ted. Steve?
Dr. Ted Nelson: Steve? I've got to go out and find Steve.
- ConnessioniFeatured in Movie Macabre: The Incredible Melting Man (1982)
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