I distruttori del tempio Shaolin

Thank God for Celestial Entertainment's re-releasing of this classic! Okay, the plot is rather straightforward, and not terribly original (a revenge theme in a Martial arts movie. Nope, never seen that before!) But it is very well acted, very well directed and damn if the fight scenes aren't excellent.

Basically, it follows the historic destruction of the Shaolin Temple by the Manchus. The assault is led by Pai Mei, (yup, the same Pai Mei from Kill Bill 2, in fact, Bill even talks about this in that movie) played by Lo Lieh. Gordon Liu who played Pai Mei in Kill Bill 2, appears briefly as a Shaolin student who informs Hong Xiguan (played by Chen Kuan Ti) that Pai Mei killed their master. Gordon Liu sacrifices himself so that Hong and some of the other students may escape.

A few years later, Hong, hiding out as a Peking Opera performer, meets and marries another Martial Artist, played by Lily Li. They eventually have a child. But Hong cannot enjoy married life for too long, because he still has to train to avenge his master and his fellow students.

A good example of vintage Kung Fu films. Not to be missed by any Kung Fu film connoisseur.

Kung Fu movies always seem to refer to a bewildering array of styles. this film highlights the Tiger and Crane styles and you really can see the difference in the 2 approaches.

It gives a real insight into the idea of 1 style not being able to beat another because it's too rigid and inflexible and the practioner is not as good as his opponent, hence he WILL be beaten.

Apparently this movie is about the evolution of the Huang Gar fiststyle but I'm no expert so don't know much more than that!

Liu Chia Liang directs some great sequences, the earlier ones being better (the main fights between the father/son and the priest Pei Mei seem to automated to really flow smoothly)

Some really good acting as well let down by the usual rushed dubbing.

See it but would not buy it (go for Legendary weapons of kung fu/China for a classic movie)

The film opens with Pai Mei using his retracting groin skills (no – seriously) to defeat a Shaolin master Zhishan, scattering his students. Pai Mei sends his Governor Kao Tsinchung and his soldiers after the students and, while leader Tung Chinchin makes a heroic stand, Hung Hsikuan leads the rest to safety, vowing to return and avenge his master and Tung. Hiding out as a traveling opera company, Hsikuan is leading the students as a master of tiger style when he meets performer Ying Chun, a master of the crane style. The two fall in love and will eventually have a child called Wending, although as the decades pass and Hsikuan trains, both he and Chun know that he must return to face the white wispy haired danger of Pai Mei.

Just like the martial arts which Wending will grow up developing, this film is a real mix of things that don't always seem like they should work but generally do. The plot is straightforward "avenge your master" stuff but it is spread over decades and involve several confrontations to good effect. The central villain should be comically silly with his ability to essentially lift his genitals back into his body, but aside from it looking a bit silly, it doesn't affect the tone of the film. At the same time we also have the romance between Hsikuan and Chun, and lots of comic moments as well as moments of death or loss. All told it is a total mix and it could have been that none of it worked but actually it gels very well and at only 90 minutes doesn't feel too long or that it crams things in.

The comedy is genuinely cheerful and funny while the romance between the two leads actually works and is quite sweet. The fight sequences are frequent and impressive, with a brutal tone to much of the film which keeps you interested. Chen Kuantai is very good in the lead – a likable type even if he doesn't age particularly convincingly. Li Lily works very well with him – I liked her as I have in other things and the two have a good chemistry. Gordon Liu is a nice find (I get the reference now) and makes a good villain despite the slightly daft special power he has. Chiang Tao is a decent presence but I particularly liked Wong Yue as the oldest version of Wending – he was fun and fitted well into the family of the leads. The sets and direction are roundly good and the film has an enjoyable pace to it which is consistent no matter what is happening.

With such a mix of content, it is impressive that it all gels so well and in the end, Hong Xi Guan is a very enjoyable film with lots to enjoy.

This was one of those films that I watched over and over, whenever I could. I've seen it on TV, usually in NYC on Channel 5 Saturday afternoons at 1pm, 3pm, or 5pm, on Drive-In Movie. I have also paid to see it repeatedly years ago in the old Times Square movie theaters. They used to specialize in Hong Kong martial arts films before Giuliani killed them all off. That's one thing I really miss about the old Times Sq...

This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...

A couple unite - she is fluent in the crane style of kung fu, he in tiger style. They have a son, but the boy's father is killed by the evil eunuch Bai Mei. Disguised as a girl, his mom trains him in crane style while he secretly learns tiger style from his father's training manual.

This was directed by Lau Kar-leung before his "36th Chamber" films, which are arguably some of the best-known kung fu movies ever made. I say "arguably" because my knowledge comes not from being a lover of martial arts films and more from knowing about these movies because of the Wu-Tang Clan (who, incidentally, I am also not really a fan of).

Everything you want is here. The different styles of martial arts (tiger and crane this time), and plenty of choreographed fights that look like complex dances, and the over-the-top sound effects to make each hit hit explosive. Definitely worth a watch for fans of the Shaw Brothers.