Comunione con delitti

Alice, Sweet Alice - 1976 (This Film Rates a B ) The film takes place in 1961, New Jersey. A young girl Karen played by Brooke Shields, is about to receive her first communion. Her sister Alice becomes jealous and starts to torment and bully her. However, Karen is strangled in church by an unknown assailant wearing a translucent mask. The mothers ex-husband starts to investigate the murder but the police are also interested in the case. Her overly bitchy mother (Annie) moves in to help out and Alice is not a fan. The family start to suspect that Alice killed Karen and the police are a bit suspicious as well. The rather obese cat daddy neighbor tries to molest her while she is delivering the rent money. He is dirty and disgusting. But that poor kitty! The masked figure attacks Annie on the stairs in an overdramatic but gripping sequence. Alice is sent to a psychiatric unit and states that Karen tried to kill Annie not her. The ex/detective receives an odd call from someone claiming to be Annie's daughter and that she has the crufix belonging to Karen. He learns of the killers real identity before he dies. The reveal is a little anti climatic but the death has some intensity. Eventually a pathologist is able to rule out poor Alice as a suspect. The real killer is a bit off kilter since the death of her own daughter on the same day as this communion. She kills the pervert neighbor but is spotted fleeing the scene by police. She has one more kill before its all over, right in front of the whole church congregation. But in the end, Alice might not be so innocent after all. The ending is a little bit of a downer. The build is spectacular even though some of the camera shots/angles aren't particularly great. At times its hard not to laugh even if not intentional. The chaotic church scene, The whole cake interaction at the 22 minute mark with the obese neighbor was a bit weird. The reaction of the congregation at the end was puzzling. It's not overly gory but what is present is top notch. Its just to quick for the eye and not often enough. The script is above average for a slasher film even if overlong. The acting is fairly decent, some average highlights and some not so good ones. It really is overdramatic like the 46:40 min mark at the hospital. For the most part, the soundtrack is spot on. A real mixture of vintage sounds. But it all fits. A lot of religious overtones and church scenes throughout. No T&A. It's an odd but sinister film.

Alice Spages (Paula Sheppard) is a rebel and problematic twelve year-old girl that lives with her divorced mother Catherine (Linda Miller) and her younger sister Karen (Brooke Shields). Catherine gives more attention to Karen, neglecting her older daughter. During the first communion of Karen, the girl is strangled by a woman dressed with a St. Michael's yellow coat and a mask. Alice takes her place in the line wearing her veil that she claims she had found on the floor and becomes the prime suspect of the police. When Catherine's sister Annie (Jane Lowry) is stabbed on the leg several times, she accuses Alice and the girl is sent to psychological evaluation under the protest of her parents and their friend Father Tom (Rudolph Willrich). Alice's father Dominick Spages (Nies McMaster) seeks evidences to prove the innocence of Alice.

"Communion" is a creepy and stylish horror movie of the 70's and practically the debut of Brooke Shields in the cinema with a minor but important participation. The dramatic story discloses insanity through weird characters in a period of heavy rain and using the Catholic principles of communion, sin and guilty, giving an atmosphere that recalls Dario Argento's movies. The relationship among Catherine, Father Tom and Dominick is not clear, especially because the Catholic Church requires celibate from the priests. In one moment, Catherine is ready to leave town alone, and she says to Father Tom that Alice would be better with him, giving an indication that Alice might be Tom's daughter. If my guess is right, the behavior of fanatic Catholic Annie that apparently blames Catherine for getting married pregnant of Alice is explained, and the conclusion is perfect, with Mrs. Tredoni saying that "children should pay for the sins of their parents"; calling Catherine of whore; and stabbing Father Tom. My vote is seven.

Title (Brazil): "Comunhão" ("Communion")

Note: On 29 May 2012, I saw this film again on DVD.

Note; On 06 Sep 2022, I saw this film again.

This is a brilliant, original, thought-provoking horror movie that has festered in obscurity for some time. Despite a laserdisc release and a slew of alternate titles -- "Alice Sweet Alice" and "Holy Terror" are but two -- it is still virtually unknown.

At the time of its release, PR wags made a big deal that it featured Brook Shields in her first on-screen role. PR wags did not make a big deal of the fact that there had not been anything like it ever before and that it featured an amazing newcomer, Paula E. Sheppard, in a chilling role as a deeply disturbed schoolgirl who may or may not be responsible for a slew of gory murders. Add to those a strong Catholic subtext and hints of child abuse and you've got one incredible ninety minutes of mental and physical mayhem.

Director Alfred Sole, who also made the flawed but fascinating "Tanya's Island" and the rotten "Thursday the 12th" (aka "Pandemonium") creates unbelievable tension and always places his characters (who are very well written) before the horror. Plotting, characterization and suspense are so expertly mixed the film doesn't even feel like a genre piece at times ; instead, it feels like a European drama...but one circling a potent giallo.

As noted, Sheppard is superb as Alice; Linda Miller is exemplary as Alice's tormented mother Catherine and Jane Lowry as the domineering Aunt Annie turns in a powerhouse performance. And playing Alice's obese, perverted neighbor to chilling perfection is the late Alphonso DeNoble. The scene in which he comes close to molesting Alice is priceless for its economy and authenticity.

From the excellent photography to the super-creepy score by Stephen Lawrence, "Communion" is compelling until the final body hits the church floor.

I had never heard of Alice Sweet Alice until a a while back when it was on a list of overlooked horror films. I had never heard it mentioned as even a cult classic but I was intrigued. The 1970's produced some pretty good horror films. I went in with pretty low expectations and even though I can't say that this film blew me away I do think that it is better than your average slasher film.

I do know that the original title was Communion but they chose Alice Sweet Alice which is a lame title in my opinion. The film is about a spoiled 12 year old girl named Alice played by Paula Sheppard. She is jealous of her angelic 10 year old sister Karen who is played by Brooke Shields. One of her church's priests Father Tom gives Karen his mother's crucifix and Alice is very jealous. Alice torments Karen by taking one of her dolls and scaring her by wearing a weird translucent mask and a raincoat. She threatens Karen not to tell anyone. All of this is set up to make Alice look like a bad seed. On the day of her First Communion, Karen is strangled to death in the church transept by a person wearing a translucent mask and a yellow raincoat. Her body is stuffed into a bench compartment near the confessionals, which is set on fire with a candle, but not before her crucifix is ripped from her neck. This first murder is not gory but is very brutal. Alice comes into the church to receive her communion but is found to have Karen's veil. The film is pointing to her as the killer so obviously that it is not hard to figure she's really innocent. But of course she's so unlikable that the film leaves the possibility open. We see Alice's mother Catherine played by Linda Miller dealing with her grief along with her sister Annie who loves in to help. She does not get along at all with Alice. Catherine us divorced, but her ex husband Dominick comes to the funeral and wants to find out more about Karen's murder. The whole film is set up in a sort of melodramatic way. The performances are good but border on camp in some scenes. The killer keeps appearing going after others in Alice's life. The film is very tense and creepy at times. It also has alot of religious imagery. I don't think that directpr Alfred Sole is a big fan of Catholicism, he deals with sin, guilt and especially hypocrisy. Even though the film does have a simple even cheap.look it is well made. The image of the translucent mask and tge raincoat is very creepy. The film throws some clues on who the killer is but really wants to.keep the possibility that it could be Alice. When it us revealed who the killer actually is it is kind of confusing but all I can say is that the motivation is very similar to what was seen in David Fincher's Se7en. The final 30 minutes kind of lags a little butthe story is pretty involving.

The film is not really that bloody but the violence it does have is pretty brutal. It is a film that has been largely ignored in the mainstream but I think it is one of the better early slasher horror films of the 70's. At times,, it actually feels very much like an Italian giallo.

Very creepy and effective.

Grade: B

Alice is a 12 year old brat with a real mean streak...she bullies her younger sister (an 11 year old Brooke Shields) and terrorizes a reclusive neighbor. When her sister is murdered in church everyone begins to wonder if she's crossed the line from a tiny terror to a psychotic.

It's the simplicity of the story and near perfect execution that made this a cult classic. It's got ambiance, a wonderful accompanying score, creative camera work (although a little too much of people looking directly into the camera). Paula Sheppard shines as Alice and sometimes just the look on her face gives you the feeling she's thinking up new ways to traumatize people. It's got great subtext with sibling rivalry, children coping with divorced parents and religious faith. Some of the editing feels a bit stiff and some of the acting is subpar but in a story like this it can add a bit to the 'creepy' factor.

I think this is one of those movies that gets a little better with age. 6.5 in 1976 7.5 in 2021