Io sono il più grande

I loved Ali the fighter. I was his biggest fan. With that said, Muhammad wasn't very good in this film; playing himself! The only good thing about this movie are the real films of some of Ali's greatest boxing matches. The entire cast comes across as cartoonish, stereotyped, wooden and dull. Even Ali overplays himself and plays himself very badly. Forget this film and watch Ali's real boxing matches on dvd instead.

Despite having a rather poorly constructed story and not telling anything that fans of Muhamas Ali did not know; But it's even good, interesting, and fairly well built for a biography. Highly recommend.

I said several months ago that no one could play Ali except Ali. I was right. Muhammad Ali does a magnificent job playing himself in this movie. Maybe he's no actor, but in this case he accomplished what he set out to do, and he had several really effective scenes, such as when he explained why he didn't want to go to Vietnam, and the scene where Clay demanded that he no longer be called by that slave name.

This was the third film (as opposed to documentary) that I saw on the life of the great boxer. David Ramsey did an okay job in the first one, and Will Smith tried his best but didn't quite capture the champ as only the champ could. Smith may have been the best actor out of the three, and certainly his film was the best.

Chip McAllister made young Cassius Clay too much of a clown. He was okay, I guess, but the portrayal of the character improved dramatically at one point, and I also noticed the actor looked so much more like Clay. That's when I remembered: Ali himself was playing the character.

Ernest Borgnine did a capable job as Ali's trainer, but this was not one of his best performances. James Earl Jones did a fine job as Malcolm X, brief as the performance was.

I learned a few new details about Ali's life I didn't know before. I also found out that 'The Greatest Love of All' was written long before Whitney Houston made it a hit.

The main reason for watching this movie was Ali himself. He was the greatest.

Maybe the producers of this film thought it would be highly original to have Ali play himself. I can picture them sitting down and saying that really there is no actor who could do this man justice (this was before Will Smith was born!). However, Ali just couldn't act. Its sad watching him play himself as a young man when he's so obviously overwieght older and out of shape. Also I think that at the time this film was made, he was beginning to develop Parkinsons. His speech was already becoming slurry. The filmakers surround Ali with a professional cast of actors like James Earl Jones and Ernest Borgnine as Angelo Dundee, but Ali just wasn't right for this. Maybe this is one film that should never have been made. The lead up to the climatic Rumble in the Jungle with Foreman where he regains the title is done very well, it shows him training and running. They show quite a bit of footage from Ali's fights which is fine because they are from his best fights, the only thing is they keep playing the same damn music OVER AND OVER for them! It got kind of irritating. It was thrilling though in the end when Ali went up against the younger and stronger George Foreman and beat him in a stunning upset by using that "rope a dope" strategy. The final words of the film are of the fight commentator when he says "Foreman goes down, Muhammad Ali has done the IMPOSSIBLE! He has regained the Heavyweight Championship of the World"

The original (and nominal) director here, Tom Gries, died of a heart attack while the film was still in production; somewhat perversely, Monte Hellman (who usually had to struggle to set-up his own personal projects) seemed like the go-to-guy in similar situations – since he would be assigned similar 'doctoring' duties on AVALANCHE EXPRESS (1979), whose own viewing preceded this one! While it was most probably green-lit in the wake of the boxing sleeper hit (and surprise Oscar triumph) ROCKY (1976), earlier in the decade another film on a black champ within this particular sporting field had emerged i.e. THE GREAT WHITE HOPE (1970) – in which James Earl Jones had been Oscar-nominated for his turn as Jack Johnson and who, here, turns up briefly as yet another controversial historical figure, Malcolm X (himself the subject of a 1992 film, where he would be interpreted by Oscar contender Denzel Washington).

Anyway, it was a rarity to have the protagonist of a biopic played by the man himself; legendary Muhammad Ali – formerly known as Cassius Clay – 'performs' adequately enough under the circumstances (though some disparagingly opined that he was unconvincing!), so much so that he would later star in the made-for-TV American Civil War epic FREEDOM ROAD (1979). For the record, his life-story would also be treated in a number of documentaries, such as a.k.a. CASSIUS CLAY (1970) and the Oscar-winning WHEN WE WERE KINGS (1996) – both of which I own but have yet to check out – as well as Michael Mann's more thorough feature ALI (2001; for which star Will Smith would also be up for a Best Actor Oscar). Incidentally, the name-change was from Clay to Ali occurred when he changed his faith from Christianity (rejecting it for being "the white man's religion 'mandating' that the black man suffer while on Earth and reap his rewards in the afterlife"!) to Muslim (the boxer's association with the revolutionary Malcolm X would be frowned upon by his promoters, while Ali's pacifist views would land him in trouble with the authorities when he refused to be drafted in the Vietnam War, whereupon he was stripped of his titles!).

Thankfully, the script (by sports authority Ring Lardner Jr. and an uncredited Bill Gunn, perhaps best-known for his radical take on the vampire theme with GANJA & HESS {1973}) does not whitewash its subjects, depicting Ali as misogynistic (liberally seducing white women and dominating those of his own color) and brash (openly aggravating his opponents in order to throw them off-balance) and Malcolm himself as delusional. The heavyweight bouts themselves are presented briefly via stock footage, with more time allotted to the 1974 "Rumble In The Jungle" with Ali making a spectacular comeback facing George Foreman (actually exclusively dealt with in the afore-mentioned WHEN WE WERE KINGS – by which time the protagonist would have become afflicted with Parkinson's Disease, though he did turn up unannounced at the awards ceremony!) and which ends THE GREATEST itself on a high note. Such powerful moments are intermittently felt throughout, but the end result does not really prove the compelling portrayal that was clearly intended!

In fact, among its deficiencies, one has to include the movie's soundtrack – composed of equal parts sappy songs by George Benson (notably "The Greatest Love Of All") and a pulsating score (during the ROCKY-type training sessions) that are very evocative of its era, that is to say, feel dated at this juncture! Nor is the film helped in any noticeable way by the star-studded supporting cast – highlighting Ernest Borgnine (as Ali's trainer), John Marley (his doctor), Robert Duvall (the afore-mentioned flustered promoter), Ben Johnson (as an early supporter), a thinned-down Paul Winfield (as his defence counsel) and Roger E. Mosley (as Sonny Liston, the heavyweight champ he first lost to and then triumphed over).