Generazione Proteus

Demon Seed is a solid, independent science fiction thriller, regretfully overshadowed by the tragic fade of its director Donald Cammell. He was a devoted filmmaker who never really could depend on much support from both critics and distributors. His career started in a minor key, with `Performance' suffering from a lot of re-editing. Similar problems with his last film `Wild Side' drove him into committing suicide.

Don't let the technical mumbo-jumbo at the beginning of `Demon Seed' trick you…The first half hour leads you to believe this film is a theoretical suspense-thriller but in fact, the premise is more simple and appealing to a wider audience. `Proteus' is the name of a super computer, designed by scientist Alex Harris, in order to help him with his research. Yet, Proteus is so smart he soon develops an own will. Continuously growing stronger, Proteus perpetrates Alex's house and keeps his wife as a hostage. Proteus's goal is to impregnate Suzan (Julie Chrisie)…

Proteus is like a feared computer-virus in a pre-internet era! A super computer thinking & handling for itself! Which is, according to me, a very successful horror formula. The absence of a villain in the shape of a man helps increasing the tension. The setting of the over-protected house is great and causes uncomfortable feelings of claustrophobia. Julie Christie (the female star of `Don't Look Now') is great and almost carries the entire film. The visual effects in `Demon Seed' may look a bit dated by now, but the film still contains one of the greatest decapitations ever and…an outstanding ending! I swear to you…if you thought the whole movie was only so-so, the last 5 minutes will make you think more highly of it.

Dean R. Koontz's novel is adapted for the screen with this original and provocative science-fiction tale. An organic super computer dubbed Proteus has been created, but this entity has ambitions and thoughts that its creators couldn't have foreseen. The one emotion built into it is reason, and it doesn't want to just blindly follow orders; it questions things. For example, why it's so necessary to plunder the Earth's oceans in search of precious metals and destroy wildlife in the process. But what really intrigues Proteus (eerily voiced by an uncredited Robert Vaughn) is human life itself, and it traps Susan Harris (ever radiant Julie Christie) inside her own home, intending for her to bear its "child".

As one can see, "Demon Seed" is far from your typical sci-fi, and is positively creepy, and personal. For a while it's practically a two character drama, with the frightened Susan and the coldly determined Proteus locked in a battle of wills. With the high level of intimacy generated, it's easy to be with these characters and feel concerned for Susan's safety.

The popular subtext of this and similar features - "Colossus: The Forbin Project" and "The Terminator" - illustrating a potential for disaster in trusting our lives to machinery, is front and centre. The movie never insults the audience's intelligence, and as it plays out it's really fascinating to see. Even if one can take issue with the way the movie strongly dates itself - special effects, fashions, etc. - some of the visuals are still quite hypnotic and the scenario remains compelling the entire time, with a memorable and haunting wrap-up, which will leave the viewer to wonder about the "What next?" aspect.

The acting is strong from all concerned, with Christie an engaging lead, and the likable Fritz Weaver doing well as the confident human brain behind Proteus who realizes this creation of his can't be so easily controlled. It's also cool to have on hand the always entertaining Gerrit Graham ("Phantom of the Paradise", "Used Cars") as Susan's would-be rescuer, Walter Gabler.

Excellent widescreen cinematography by Bill Butler and chilling music by Jerry Fielding are also heavy assets in this solid shocker, one of the more noteworthy films of its type from its era.

Eight out of 10.

This is a truly classic science fiction film, and it was actually way ahead of it's time when it was released back in 1977. The topic of artificial intelligence is still very relevant today, and just one look at Eagle Eye is proof enough. Everything about this film is top notch: directing, acting, script, score, cinematography, etc. are all first-rate. I was very sad when I looked for it on DVD a few years back and could not locate it. Fortunately, it is now available in DVD format. I also echo the sentiments of another reviewer who commented on the sad demise of director Donald Cammell, who was extremely talented but misunderstood. Another interesting film directed by Cammell in his later years is White of The Eye, which was released in 1987. It is a suspense thriller about a serial killer on the loose in Arizona, and it stars David Keith in a great performance. Check it out, and definitely check out Demon Seed if you haven't seen it already. You won't regret it. 8 Stars.

Demon Seed is an adaptation of the novel of the same name by Dean R. Koontz. I wasn't sure what to expect when I first saw this film. Needless to say, I was impressed. Whilst the idea of a megalomaniacal computer is not new, it is used to great effect. Proteus IV is a computer that actually questions the tasks it has been made to do and what the relevance of those tasks are. It also seems to have emotion and is heard several times to other characters in the film that he does not wish to hurt them when they are not co-operating with his demands. Although aspects of this film are now dated ( particularly the computer equipment ),Proteus IV's interesting philosophy, Julie Christie and Fritz Weaver's performances and the unexpected creepy ending make this film worth watching.

When we realize today how the computers changed our life ,"demon seed" can easily be looked upon as a film ahead of its time.A bizarre cross between "Rosemary's Baby" and "2001"'s "Hal 9000" ,one feels ill-at-ease after the viewing .The screenplay may seem far-fetched but today it can become a transparent metaphor :we might be the computers' prisoners and it won't improve with time.The computer might know intimate details about us,he may "rape" us in a way.

But what remains impressive today is how the director and the script writers managed to sustain interest while using only one character most of the time.Most of the time,the audience is left alone with Julie Christie and the "monster" (there are snatches of "Frankenstein" too),and the viewers can easily identify with her character.