Death Game

It's actually a real shame that this film wasn't better, as it features a story line that does a good job of turning the tables on the common exploitation theme of men brutalising women, and it's also quite scary if you put yourself in the position of the lead character! The basic plot revolves around George; a 'happily married' man who picks up two young girls and seduces them at his house. However, after giving him some information that he REALLY didn't want to hear, George finds himself at the girls' mercy. The film has just three central performers, and while many other films work well from this sort of base; this one doesn't, or at least; not really. Director Peter S. Traynor doesn't really have enough ideas to keep the film entertaining throughout; but luckily, The Seducers does have its moments. The majority of the film is suitably sick and twisted, and the two central women are nasty enough to make the film a nightmare for most men. The Seducers is nowhere near as malicious as many similar seventies thrillers; but its decent enough entertainment for fans of this sort of thing. Unfortunately, the stretched plot ultimately lets it down - but it's an interesting film at least, and I somewhat enjoyed it. Just a word of warning, though – you'll have trouble getting the theme song out of your head!

It's a bad movie from the 70s about killer lesbian hippies taking on the establishment. Sort of like a "Thelma & Louise" without any feminism. Both painful and compelling, the film had tense and giddy, while also wishing it would just end.

And then the end came and I was utterly baffled and amused. The final 10 seconds of the movie over, I blurted over and over, "What the hell was that?" I backed up, watched it again.

Then I forced my girlfriend (who had not seen the movie) to watch it.

"That is pretty weird," she said.

Pretty weird? It makes no sense at all! Wow! If you enjoy odd, bad film, I think you'll love this movie. Even when it's at its worst, it's fun. There's the 1970's moustache "wakka-chikka" aspect. Then there's the campy screaming semi-naked young women. And then there's the goofy, straight-faced, comical horror movie aspect.

Given the ending, I assume the people making this film knew they were joking. They had to know. Or else they thought the ending was deep. I don't know. But I am forced to admit that I really, really enjoyed this film a lot.

This film essentially begins with a man by the name of "George Manning" (Seymour Cassel) saying goodbye to his wife "Karen Manning" (Beth Brickell) as she goes to visit their son living in another state. That night two young women named "Agatha Jackson" (Sondra Locke) and "Donna" (Colleen Camp) appear on his doorstep totally drenched due to a thunderstorm and asking to use the telephone. Being a good person George allows them inside and even gives them some food and dry clothes while they wait for a friend to come and pick them up. What George doesn't know is that these two women aren't nearly as sweet and innocent as they pretend to be and soon he will regret ever meeting them. Now rather than reveal any more I will just say that this film started off rather well but then things took a turn for the worse with one extended scene continuing for what seemed like an eternity--and it became quite tedious from that point on. That being said, I have rated this movie accordingly.

A middle-aged husband and father left alone on his 40th birthday decides to celebrate it with two 20-year-old hitch-hikers he lets in his house on a stormy night. After a steamy, delirious three-way sex scene in a bathtub, the two girls claim that they are both underage and reveal themselves to be obviously psychotic as they destroy his house and torment him with increasing violence. You have to hand it to the movies. In real life it is almost always the older men abusing young women, but in movies like this of course it's always the opposite. Someone once described this as "a middle-aged male sex fantasy gone wrong". That seems like a pretty accurate description.

On the plus side the story is never COMPLETELY unbelievable, although if it had been based on true story, you definitely would have heard the story. The acting is good. Seymour Cassell is always good even if he's rarely the lead. Colleen Camp brightened up both small roles in many big-budget movies and larger roles in many low-budget movies in the '70's. She's good here as always and has a few surprising nude scenes. Even Sondra Locke is pretty good (ironically, years later Locke would sue ex-husband Clint Eastwood for ruining her career--well, this is the kind of stuff she was doing before she met him).

On the negative side this story is still pretty unbelievable. The antics of the two girls are often more annoying (for both the protagonist and the viewer) than truly frightening. There's some gratuitous animal cruelty (and delivery boy cruelty). Worst of all, is the song "Good Old Dad", which as annoying as it is, is ironically appropriate to the movie at least, but the filmmakers insist on playing it at length again and again and again. It reminded me of the similar Umberto Lenzi-Carroll Baker film "Paranoia" where the villains try to drive the heroine insane by playing one annoying song repeatedly, except that it's not part of the plot here--the filmmakers are doing it to the viewers. I wonder if there is a soundtrack to this movie available. If so it probably a double LP of this one song playing over and over and over. The movie also features one of the most ridiculous deus ex machina endings since "The Bad Seed" (and it is also surprisingly similar to the ending of the English-language version of "Paranoia"). And look what's written on the side of the truck in the last scene. I guess they didn't didn't think too much of that thing with the cat.

A really twisted film where two psychotic young lesbians (Sondra Locke and Colleen Camp) turn a middle-aged man's life upside down when they invade his home and harass him while his wife and kids are out of town. This starts off very much like the ultimate male sexual fantasy at first, but ultimately turns into a demented nightmare.

Amidst all the ensuing mayhem and insanity, this could have used more sexual depravity and titillation to make it more effective. As it stands, these teenagers are more irritating than anything else. Yet this is still one bizarre experience and certainly a sight to see, at least once. I've never seen Sondra Locke show so much range, at least not in any of the movies I've seen her in up to this point. Colleen Camp has some good moments of lunacy.

I kind of liked that goofy theme song about "My Good Old Dad" which pops in and out during the course of the wackiness. And in my opinion, the ending is perfect.