Nel corso di una vacanza alle Bermude, praticando attività subacquea, esplorando una nave da carico affondata durante la seconda guerra mondiale, i due sub trovano un'ampolla di vetro e un m... Leggi tuttoNel corso di una vacanza alle Bermude, praticando attività subacquea, esplorando una nave da carico affondata durante la seconda guerra mondiale, i due sub trovano un'ampolla di vetro e un medaglione datato 1714. Il problema è portarlo in superficie.Nel corso di una vacanza alle Bermude, praticando attività subacquea, esplorando una nave da carico affondata durante la seconda guerra mondiale, i due sub trovano un'ampolla di vetro e un medaglione datato 1714. Il problema è portarlo in superficie.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 4 candidature totali
- Henri Cloche
- (as Louis Gossett)
- Mate
- (non citato nei titoli originali)
- 'Goliath' Captain
- (non citato nei titoli originali)
- Young Romer Treece
- (non citato nei titoli originali)
- Young Adam Coffin
- (non citato nei titoli originali)
Recensioni in evidenza
1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative.
2) Robert Shaw. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. Amazing.
3) A 32 year old Jacqueline Bisset. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
4) The great supporting turns from Eli Wallach and Lou Gossett, Jr.
I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.
Title (Brazil): "O Fundo do Mar" ("The Bottom of the Sea")
The pace moves along nicely and production values are on the high scale . This is an amusing seagoing adventure in which the ocean deep figure prominently , though this time guarding sunken treasure . The action is plentiful with undersea excitement with terrifying underwater sequences. The film is spirited, lively and at times rather frightening light amusing . Made mainly as vehicle for Nick Nolte and Jacqueline Bisset , they show particularly in the technical excellence of the underwater scenes . They show off their considerable screen presence, both attractive and slender . Lightweight entertainment notable for sunny outdoors and underwater photography as well as Bisset in a bathing suit, a glamorous bikini and of course her famous wet T-shirt. Jacqueline Bisset fans will ask no more than the sight of their star in a swimsuit involved in this fast-moving sunken treasure yarn.
This waterlogged story is packed with gorgeous cinematography by Christopher Challis who manage to keep this afloat with fab footage maritime as expert cameraman ; furthermore pulsating musical score by the classic John Barry . The movie was spectacularly shot in Bermuda , Australia and British Virgin Islands . The motion picture is professionally directed by Peter Yates ( Bullit ) though drags in some places and is overlong . In the 2000s was realized a special remake of this story with Paul Walker and Jessica Alba in similar roles to Nolte and Bisset titled ¨ Into the blue ¨.
I understand that there was a longer version of this film which provided a lot more character exposition. That would have been cool to see, but you have to make choices for time when making a movie from a novel. Peter Benchley's novels were good middle-brow writing.
Anyway, this is a film worth seeing, with lots of underwater scenes
Lo sapevi?
- QuizIn the beginning of the movie, whilst Gail (Jacqueline Bisset) is diving, she reaches under a part of the shipwreck and gets her arm yanked by the giant green moray eel, which causes her to scream in pain. In real life, her stunt double, Jackie Kilbride, dislocated her shoulder doing this scene. A diver was told to pull the stick attached to her wrist from inside the wreck. When the stick appeared, he pulled with all of his might (as instructed). The scene was done in one take, with multiple cameras, as there was no chance (or need) for repeating it.
- BlooperIn one of the underwater scenes, Treece refers to the girl as "Kate," when the character's name is "Gail."
- Citazioni
David Sanders: I'm goin' down there, and you're gonna have to blow me up too!
Romer Treece: As you please, boy.
- Curiosità sui creditiOpening credits prologue: Bermuda
- Versioni alternativeMore scenes from the television version NBC broadcast include: A scene in which just Treece and David go diving, whilst Gail and Coffin speak of Treece's past, including his wife who was murdered by a drug dealer. When David and Gail first go to Treece's lighthouse, they are stopped and held at gun point by a territorial Kevin. Whilst David is turning the rented scuba equipment in, Gail goes and we see her rinse off the salt water from the sea. A scene where Cloche attacks Treece's lighthouse in the middle of the night, threatening to kill David and Gail.
- ConnessioniEdited into Yes Frank No Smoke (1986)
I più visti
Dettagli
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 47.346.365 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.835.540 USD
- 19 giu 1977
- Lordo in tutto il mondo
- 47.346.365 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Proporzioni
- 2.39 : 1