VALUTAZIONE IMDb
5,3/10
1039
LA TUA VALUTAZIONE
Un sadico culto omicida rapisce e sacrifica belle donne. Una giovane donna, appena uscita di prigione, si trasferisce in una strana casa e sembra essere la prossima vittima della setta.Un sadico culto omicida rapisce e sacrifica belle donne. Una giovane donna, appena uscita di prigione, si trasferisce in una strana casa e sembra essere la prossima vittima della setta.Un sadico culto omicida rapisce e sacrifica belle donne. Una giovane donna, appena uscita di prigione, si trasferisce in una strana casa e sembra essere la prossima vittima della setta.
- Regia
- Sceneggiatura
- Star
Giovanna Galletti
- Mrs. Grant
- (as Giovanna Galetti)
Dada Gallotti
- Claire
- (as Dada Galotti)
Nuccia Cardinali
- Mrs. Craig
- (as Nuccia Cardinale)
Anna Liberati
- Edie Whitman
- (as Anna Maria Liberati)
Marian Fulop
- Sarah
- (as Mariann Fulopp)
Recensioni in evidenza
A young girl named Edie is mysteriously kidnapped and taken to a country house where she is tied up,stripped and hung from the ceiling by her wrists.She is then tortured and finally killed by a long spear that penetrates her soft flesh Meanwhile the beautiful Margaret just released from a women's prison takes a room at Mrs. Grant's remote country mansion.Soon the strange things begin to happen...This sleazy and rather perverse giallo from Ramiro Oliveros is quite similar to Massimo Pupillo's "The Bloody Pit of Horror".The action is slow and the mystery elements aren't well-handled,but there is enough nudity and misogynistic violence to keep fans of Euroexploitation happy.Give this one a chance.7 out of 10.
Girls who stay in room 2A at a mysterious boarding house are being abducted, tortured and killed by masked assailants. The latest female tenant and the brother of the last victim begin investigating the mystery.
Perhaps the most defining thing about this giallo is the fact that it was directed by an American. When I saw the name William Rose in the opening credits, I automatically assumed that this must be an Americanised Italian name for a director wishing to sell his product in the States. But no, it was in fact an American B-movie director working in Italy. I'm not sure if this has anything to do with the fact that The Girl in Room 2A is not exactly the most stylish giallo out there. Visually it is pretty pedestrian when set alongside other similar Italian productions, although, in fairness, this may be due to the quite limited settings. Quite a lot of the movie takes place within the confines of the boarding house and this may also account for the lack of good lighting. It's certainly a relatively restrained effort in terms of violence, except for the pre-credit sequence of course, which is very salacious. In fairness, the beginning promises more than the movie ultimately delivers. I wouldn't say it ever gets dull but it just doesn't necessarily live up to its potential.
There are a few strange details such as the mysterious villain who looks very similar to the Crimson Executioner from Bloody Pit of Horror (1965). This one doesn't possess the sheer delirium of that crazy film though, this one is much more down-beat, while still being far from realistic. The casting is notable for a couple of the actresses. The lead girl is Daniela Giordano who made a very memorable and sexy turn in Mario Bava's comedy Four Times That Night. She isn't quite as well utilised in this feature, as Bava's playful movie was better suited to her. The other actress of note is Rosalba Neri who starred in many Italian genre pictures in the 70's, such as the excellent Amuck! Sadly she is very under-utilised in this film which is somewhat careless of the film-makers.
This isn't a prime example of the genre. It isn't quite stylish enough, nor is the mystery interesting enough. Nevertheless, it does have enough strangeness to be worth a watch if you are a fan of Italian thrillers.
Perhaps the most defining thing about this giallo is the fact that it was directed by an American. When I saw the name William Rose in the opening credits, I automatically assumed that this must be an Americanised Italian name for a director wishing to sell his product in the States. But no, it was in fact an American B-movie director working in Italy. I'm not sure if this has anything to do with the fact that The Girl in Room 2A is not exactly the most stylish giallo out there. Visually it is pretty pedestrian when set alongside other similar Italian productions, although, in fairness, this may be due to the quite limited settings. Quite a lot of the movie takes place within the confines of the boarding house and this may also account for the lack of good lighting. It's certainly a relatively restrained effort in terms of violence, except for the pre-credit sequence of course, which is very salacious. In fairness, the beginning promises more than the movie ultimately delivers. I wouldn't say it ever gets dull but it just doesn't necessarily live up to its potential.
There are a few strange details such as the mysterious villain who looks very similar to the Crimson Executioner from Bloody Pit of Horror (1965). This one doesn't possess the sheer delirium of that crazy film though, this one is much more down-beat, while still being far from realistic. The casting is notable for a couple of the actresses. The lead girl is Daniela Giordano who made a very memorable and sexy turn in Mario Bava's comedy Four Times That Night. She isn't quite as well utilised in this feature, as Bava's playful movie was better suited to her. The other actress of note is Rosalba Neri who starred in many Italian genre pictures in the 70's, such as the excellent Amuck! Sadly she is very under-utilised in this film which is somewhat careless of the film-makers.
This isn't a prime example of the genre. It isn't quite stylish enough, nor is the mystery interesting enough. Nevertheless, it does have enough strangeness to be worth a watch if you are a fan of Italian thrillers.
What do you do when you come across somebody tied up in the back of a car with a deadly snake loose inside?
Step 1/ Casually put your hand in the car. Step 2/ Once you grab it, hopefully you're not bitten, simply throw the snake away. Step 3/ Then nonchalantly ask "Hey Man. What's happening"?
This drive-in, occult themed horror (despite its Giallo tag) with an investigative mystery to the plot is just so ludicrously outlandish with its many random moments, jarring visuals, reckless scenarios and unintentional laughs. It's cheaply produced, but there's conviction, a touch of nervy, slow-burn suspense and the locations near or around Rome give it poignant character. The reveal to who's behind the red mask do all I these vicious acts is easy to detect, but a lot fun nonetheless.
Step 1/ Casually put your hand in the car. Step 2/ Once you grab it, hopefully you're not bitten, simply throw the snake away. Step 3/ Then nonchalantly ask "Hey Man. What's happening"?
This drive-in, occult themed horror (despite its Giallo tag) with an investigative mystery to the plot is just so ludicrously outlandish with its many random moments, jarring visuals, reckless scenarios and unintentional laughs. It's cheaply produced, but there's conviction, a touch of nervy, slow-burn suspense and the locations near or around Rome give it poignant character. The reveal to who's behind the red mask do all I these vicious acts is easy to detect, but a lot fun nonetheless.
If you can make it through the slow first hour of Girl in Room 2A, you'll be rewarded with a somewhat insane final act that almost makes it worth the wait. It's still far off the mark in many ways and most of it feels really pedestrian and predictable.
Daniela Giordano plays recently released jailbird Margaret Bradley, whose parole officer Alicia (Rosalba Neri) sends her to the house of Mrs. Grant (Giovanna Galletti). Soon after moving in, Margaret becomes convinced that something strange is afoot, and her suspicions are compounded when she is approached by Jack Whitman (John Scanlon), who is investigating the disappearance of his sister, a previous guest at the house.
The Girl in Room 2A kicks off in fine giallo style, with the bloody murder of a topless woman during the opening credits, the victim impaled, her body thrown over the edge of a cliff; however, giallo fans are bound to be disappointed by director William Rose's lack of style (all of his previous films were pure sexploitation; I'm thinking he should have stuck with what he knew best), the low body count and a plot that strays a long way from the conventions of the genre.
Regular bouts of female nudity and some gratuitous sleaze (girls are tied up and flogged by a maniac in a red hood and cape) help prevent the viewer from dozing off, but remaining invested in the film is a struggle, the pedestrian direction, lack of gore, and dreary pace all taking their toll. The film ends with the revelation that the women are being killed by a sect who seek to 'cleanse' the wicked, and shows the masked killer to be none other than... well, that would be telling, but suffice to say it's suitably silly.
5 out of 10, minus one point for the inexplicable scene that shows a machine pumping blood through the floorboards of Margaret's room - what the hell was that all about?
The Girl in Room 2A kicks off in fine giallo style, with the bloody murder of a topless woman during the opening credits, the victim impaled, her body thrown over the edge of a cliff; however, giallo fans are bound to be disappointed by director William Rose's lack of style (all of his previous films were pure sexploitation; I'm thinking he should have stuck with what he knew best), the low body count and a plot that strays a long way from the conventions of the genre.
Regular bouts of female nudity and some gratuitous sleaze (girls are tied up and flogged by a maniac in a red hood and cape) help prevent the viewer from dozing off, but remaining invested in the film is a struggle, the pedestrian direction, lack of gore, and dreary pace all taking their toll. The film ends with the revelation that the women are being killed by a sect who seek to 'cleanse' the wicked, and shows the masked killer to be none other than... well, that would be telling, but suffice to say it's suitably silly.
5 out of 10, minus one point for the inexplicable scene that shows a machine pumping blood through the floorboards of Margaret's room - what the hell was that all about?
Lo sapevi?
- QuizThough filmed in Italy, both cars used in the action of the plot are foreign: a French Citroen and a German Volkswagen.
- BlooperIn the English version, while driving Margaret to the Biyanki's, George, who otherwise speaks English like everybody else, inexplicably breaks into a couple sentences in Italian, then back to English when they arrive.
- Citazioni
Prisoner #1: I'll kill you, you bitch!
Prisoner #2: Ow! Let go of me! Ow!
Prisoner #1: You keep your hands outta my stuff!
- Curiosità sui creditiThe writers obviously couldn't wait for the body count to start, putting the first murder scene under the opening credits.
- Versioni alternativeSome VHS releases include a scene in the very beginning showing a woman getting kidnapped and then brutally tortured to death
- ConnessioniFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 1 (1996)
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Dettagli
- Tempo di esecuzione1 ora 26 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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