Un attimo una vita

Charming, if slightly patronizing 70's drama. Superb direction. Subtle and understated script. Pacino at his most gorgeous. Howlingly funny, despite it's tragic subject matter. A memorable ending, brilliantly realised. I'd forgotten about the "look, it's Bobby Deerfield" scene as well as all that stuff about salami. Pacino's reactions, especially after first dropping off Marthe Keller at her uncles, are perfectly pitched, dead pan gems. Inexplicably maligned by many, this hidden jewel may be due a timely re-assessment, not least because Keller's performance now seems perfectly in tune with the Ritalin generation.

Al Pacino is BOBBY DEERFIELD in this touching and moving film about a race car driver in a indifferent marriage who falls in love with Lillian (Marthe Keller). Deerfield buries his feelings and forgets his past until a reckless and passionate woman (Keller) who also lives in death's shadow shows him life's possibilities to the fullest. Beautiful scenes shot in France and Italy make this film even more romantic as well. As Pacino said during the filming of Bobby Deerfield, "I might have been closer to that character, what he was going through, than any character I've played". Why this film is not out on dvd is beyond me, it is fantastic. Funny and touchingly romantic. This was during Pacino's best years.

I'm surprised to see it's actually not a racing movie but a love story, and a rather good one and among the few that did Pacino. Sure, for the asphalt lover, you will have a excellent introspective of a pilot(the danger, the uselessness of making circles) and a good retrospective of what was F1 in the late 70s. But, it's above all a dramatic romance that happens in Europa (Paris and Firenze essentially).

As it's an early Pacino, he's the nervous, a bit cold and not smiling easily actor of that period. What's interesting is that her girlfriend will change him as a more cool, compassionate that's actually the old Pacino. The good thing also is that the girlfriend is very funny, free, careless and it's a big change from the usual romance, even as if Al says, she's a bit difficult to follow. In addition, Marthe Keller is a fine woman and it's also the proof that charm doesn't mean sex appeal. Another thing that catches my eyes is the carefree way of life of those times(drinking, smoking) and the flashy fashion. In a way, it's like the rebellious generation of the sixties has reaches adulthood without losing their conviction. So, explain why now, in the 10s, everything is forbidden and it's the time of the dark suits!

When Bobby Deerfield was marketed in the USA it was sold to the public as a racing picture like Grand Prix or Le Mans. I well remember the advertisements for it. The European racing scene however is only a background for an Erich Maria Remarque novel on which the film is based. It is a very typical Remarque story about doomed people.

Remarque was one of the most pessimistic of 20th century writers. His best known work however usually has a war background. He spent his entire life trying to out do his first great success All Quiet On The Western Front. Such other work as Three Comrades and Arch of Triumph which were also filmed had a war background or post or pre-war if you will.

The novel Bobby Deerfield is based on Heaven Has No Favorites and came out in 1961 and its protagonist was not an American. My guess is that in order to film it and insure box office the protagonist was changed to an American and a rising American star was cast. Al Pacino plays the title role, an American driver on the European circuit who is self involved in his career. In fact he goes visiting another injured driver, not out of any tremendous concern for him, but to find out information about the crash because he's driving the exact same type of car.

While at the hospital he meets Marthe Keller who leaves the hospital with him. She's a terminal tuberculosis patient and she wants to experience a little of life before it's too late. His kind of risk taking profession appeals to her. It takes a while, but the two develop a relationship.

Which was paralleled in real life between Al Pacino and Marthe Keller and that certainly helped the film a lot. Keller joins Ingrid Bergman from Arch of Triumph and Margaret Sullavan in Three Comrades as yet another of Remarque's doomed heroines. And like in war Pacino's in a job where his number can come up any time.

The film was shot on location in France. Sydney Pollack showed some of the style he did while making that other Oscar winning romantic film Out of Africa. The French countryside is captured beautifully.

Still I think it was bad for American audiences to expect another Grand Prix in Bobby Deerfield. There was enough racing scenes in the film to satisfy racing fans, maybe. But make no mistake, this is a tender romantic story and a good one.

This movie is hard to locate and seems to be a true lost gem. Both Al Pacino and Marthe Keller are true hedonists who fall in love. But there's more. Keller is dying of cancer and Pacino is a racing driver who lives for the adrenalin buzz of speed and excitement. Both get to realise the reason behind their own "Live for today" motivations. Keller is the society girl who falls in love with Pacino and their manic lifestyles compensate one another. A very poignant and truly touching movie which will bring a lump to your throat.