Un attimo una vita

This movie is hard to locate and seems to be a true lost gem. Both Al Pacino and Marthe Keller are true hedonists who fall in love. But there's more. Keller is dying of cancer and Pacino is a racing driver who lives for the adrenalin buzz of speed and excitement. Both get to realise the reason behind their own "Live for today" motivations. Keller is the society girl who falls in love with Pacino and their manic lifestyles compensate one another. A very poignant and truly touching movie which will bring a lump to your throat.

For me, one of the great roles of Al Pacino. and one of the most impressive love story films. for many reasons. in many forms. because it is a film about deep solitude. about escaping from yourself. about hope, in a manner who easyly escapes if you define it as a sport film. one of films reflecting, in inspired manner, the actors behind the roles. and this is one of basic motifs to see it time by time. not for artistic virtues, not for message but for a forme of precious honesty. and it is enough for admire "Bobby Deerfield" as one of admirable films.

Al Pacino is BOBBY DEERFIELD in this touching and moving film about a race car driver in a indifferent marriage who falls in love with Lillian (Marthe Keller). Deerfield buries his feelings and forgets his past until a reckless and passionate woman (Keller) who also lives in death's shadow shows him life's possibilities to the fullest. Beautiful scenes shot in France and Italy make this film even more romantic as well. As Pacino said during the filming of Bobby Deerfield, "I might have been closer to that character, what he was going through, than any character I've played". Why this film is not out on dvd is beyond me, it is fantastic. Funny and touchingly romantic. This was during Pacino's best years.

Bobby Deerfield is not your average romantic drama especially when compared to the recent phase of Rom-Com's sweeping the screens at the cinemas.

Firstly, Al Pacino is at his best, highly intense and more importantly convincing as a character to accept. This is not surprising as his two other significant films of that decade were the masterful The Godfather and Godfather Part II. There seems to be something compelling in his role in this film which i cannot grasp to identify to you. Maybe because his co-star heightens our interest by their exchange of witty dialogue although i would point towards his stern expressions and calm voice which can explode in his characters few moments of glory.

Secondly, this film is not for the mass popcorn audience, the direction is obtuse and could be compared to the 'Art film' style that we struggle to view at all in popular culture. This is were the 'original' element of my comment of Bobby Deerfield spurs from. It is the fact that the mass audience wouldn't know what to do with the arbitrary meanings revealed. It is usually clear cut in 'Hollywood'.

To finish up, the romance and the character sparring is worth the time of a person who wants to be inspired or possibly take something away from a film that will last longer than the time it takes to see it.

Charming, if slightly patronizing 70's drama. Superb direction. Subtle and understated script. Pacino at his most gorgeous. Howlingly funny, despite it's tragic subject matter. A memorable ending, brilliantly realised. I'd forgotten about the "look, it's Bobby Deerfield" scene as well as all that stuff about salami. Pacino's reactions, especially after first dropping off Marthe Keller at her uncles, are perfectly pitched, dead pan gems. Inexplicably maligned by many, this hidden jewel may be due a timely re-assessment, not least because Keller's performance now seems perfectly in tune with the Ritalin generation.