VALUTAZIONE IMDb
6,6/10
1620
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe lives and tribulations of staff of an independent newspaper in Boston who're struggling financially. Unbeknownst to them, they are about to be taken over by a big publisher; an idea they... Leggi tuttoThe lives and tribulations of staff of an independent newspaper in Boston who're struggling financially. Unbeknownst to them, they are about to be taken over by a big publisher; an idea they despise.The lives and tribulations of staff of an independent newspaper in Boston who're struggling financially. Unbeknownst to them, they are about to be taken over by a big publisher; an idea they despise.
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- Sceneggiatura
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- 4 vittorie e 1 candidatura in totale
Recensioni in evidenza
The lives and loves of a small Boston newspaper. You have the idealists, the wannabe authors, the photographers, the rock journalists, the editor, the secretary, etc etc. All working and hooking up while facing the possibility that the paper is going to be sold to a big corporation and ruin the counter culture nature of it all.
This is one of those ensemble movies that follows different people for a while then goes onto someone else. It's not nearly as good as Altman but still a nice movie about people. Sure a lot of them are jerks, but you do get a sense of who they are during the run time. Worth seeing for young Goldblum too!
This is one of those ensemble movies that follows different people for a while then goes onto someone else. It's not nearly as good as Altman but still a nice movie about people. Sure a lot of them are jerks, but you do get a sense of who they are during the run time. Worth seeing for young Goldblum too!
This note perfect film really must be seen. It is one of the best ensemble pieces ever made.
Viewed as an exercise in character, is is a strong enough . As a comment on its times, it was accurate and prescient. It was once possible to have a newspaper, music, a life that was not co-opted by corporatism.
Some of weaknesses in our culture are manifested in the sell-out, the opportunist, the survivor, the careerist. The real politician who changes political parties out of expedience, even if it means laying down with the dogs, could have stepped out of this picture. The once progressive believer who becomes a lapdog of the powerful was portrayed here.
This movie was too smart and knowing for Hollywood.
Viewed as an exercise in character, is is a strong enough . As a comment on its times, it was accurate and prescient. It was once possible to have a newspaper, music, a life that was not co-opted by corporatism.
Some of weaknesses in our culture are manifested in the sell-out, the opportunist, the survivor, the careerist. The real politician who changes political parties out of expedience, even if it means laying down with the dogs, could have stepped out of this picture. The once progressive believer who becomes a lapdog of the powerful was portrayed here.
This movie was too smart and knowing for Hollywood.
Standard ensemble dramedy about 60's "youth quake" hippies running a radical paper, trying to maintain their anti-establishment values in the face of encroaching corporate greed, with all the joys and conflicts inherent in the enterprise. Good performance from lotsa youngish stars that continued to deliver for years, Jeff Goldblum even today.
Standard.
Standard.
Between the Lines, and it's pleasant. BtL is one of those ensemble, renegade, rage-against-the-machine flicks that have always been with us, but were completely at home in Post-Watergate Land.
All I remember is that I enjoyed the actors (and if you look at the cast, it's an A-Team of talent), that Lindsey Crouse was really cute, and Jeff Goldblum insults some corporate suit or sell-out or whatever with "You pernicious eel-sh**!"
You can tell that Between the Lines didn't make much of a splash because--not counting mine--when I wrote this review, there were nine others.
I saw the movie, I think, on HBO in something like 1978 or 1979, right about the time FM came out. FM was another ensemble, renegade ratm flick, but with great music, and it was really dumb.
I don't remember Between the Lines being stupid. Unfortunately, I just watched it again on TUBI, and, although the movie isn't dumb, it's bland and predictable, an WKRP in Cinncinati kind of mish-mash of actors who have gotten old and, for the guys, bald.
I looked up Lindsey Crouse, and she has aged well. I think the last time I saw her on anything was Law and Order: SVU back in 2000. Jeff Goldblum looks like Jeff Goldblum, only with a shock of white hair. Steven Elliot did something somewhere that got him "canceled." If I'm wrong, I apologize.
John Heard died. The Venus Flytrap character was Joe Morton, and you'll remember him as the black scientist/voice of reason in Eureka. Michael J. Pollard? Passed away? Bruno Kirby? Don't know. Gwen Welles?
As you can see, Between the Lines was oozing with talent, the sort of movie that puts some oomph in an actor's resume.
I still like the movie. It's on TUBI. TUBI's free. You can afford to blow 100 minutes on a snapshot of what raging against the machine looked like in 1977.
All I remember is that I enjoyed the actors (and if you look at the cast, it's an A-Team of talent), that Lindsey Crouse was really cute, and Jeff Goldblum insults some corporate suit or sell-out or whatever with "You pernicious eel-sh**!"
You can tell that Between the Lines didn't make much of a splash because--not counting mine--when I wrote this review, there were nine others.
I saw the movie, I think, on HBO in something like 1978 or 1979, right about the time FM came out. FM was another ensemble, renegade ratm flick, but with great music, and it was really dumb.
I don't remember Between the Lines being stupid. Unfortunately, I just watched it again on TUBI, and, although the movie isn't dumb, it's bland and predictable, an WKRP in Cinncinati kind of mish-mash of actors who have gotten old and, for the guys, bald.
I looked up Lindsey Crouse, and she has aged well. I think the last time I saw her on anything was Law and Order: SVU back in 2000. Jeff Goldblum looks like Jeff Goldblum, only with a shock of white hair. Steven Elliot did something somewhere that got him "canceled." If I'm wrong, I apologize.
John Heard died. The Venus Flytrap character was Joe Morton, and you'll remember him as the black scientist/voice of reason in Eureka. Michael J. Pollard? Passed away? Bruno Kirby? Don't know. Gwen Welles?
As you can see, Between the Lines was oozing with talent, the sort of movie that puts some oomph in an actor's resume.
I still like the movie. It's on TUBI. TUBI's free. You can afford to blow 100 minutes on a snapshot of what raging against the machine looked like in 1977.
This is a movie very much of it's time. The hippie underground newspaper is in financial trouble and might be bought by a big time publisher. The in-fighting, bickering, jealousies and bed hopping by the young, idealistic staff make up the main, simple plot of the film but the cast and the sharp script make it a pleasure to watch. The film is CHOCK FULL of some of the best, young American actors doing some of their earliest film work: Jeff Goldblum is hystercial as the constantly stoned music critic who is always dead broke, Bruno Kirby (pre-Godfather II, When Harry Met Sally) is almost unrecognizable, pre- L.A. Law Jill Eikenberry, Lindsay Crouse, Joe Morton (Terminator II, Lone Star, City of Hope), a very young pre-TAXI Marilu Henner as a stripper and TV's 7th Heaven, Stephen Collins who plays a real jerk in the film. In fact, there is a scene on a park bench between John Heard and Stephen Collins as two rival writers that is one of the best things I have ever seen about petty jealousy between scribes. Terrific fun.
Lo sapevi?
- QuizFeature film debut of John Heard.
- BlooperAt the staff lunch, after Sarah's last line, her mouth can be seen to continue to move, but without voice, just before the cut.
- Citazioni
The Hawker: All the news behind the news... and some hippie smut.
- Curiosità sui creditiMax and Doug's conversation continues into the early end credits.
- ConnessioniFeatured in For the Love of Movies: The Story of American Film Criticism (2009)
- Colonne sonoreI Don't Want To Go Home
Written by Steven Van Zandt (as Steve Van Zandt)
Performed by Southside Johnny & The Asbury Jukes
© Blue Midnight Music
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Zwischen den Zeilen
- Luoghi delle riprese
- Harvard Square, Cambridge, Massachusetts, Stati Uniti(David follows Max east on Brattle street heading to the record store - Harvard Square Subway Kiosk is visible)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 15.383 USD
- Lordo in tutto il mondo
- 15.383 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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