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Sette note in nero

  • 1977
  • VM14
  • 1h 35min
VALUTAZIONE IMDb
6,8/10
7191
LA TUA VALUTAZIONE
Sette note in nero (1977)
Jennifer O'Neill, fresh from Luchino Visconti's The Innocent, plays Virginia a woman who has had psychic powers since childhood when she sensed her mother's suicide... Now newly-married and well-off, Virginia becomes plagued by waking visions of bloody deaths and meaningless torment. With the aid of her parapsychologist friend (Marc Porel), they try to discover the meaning of these horrific unwanted visions only to slowly discover that these are premonitions of future deaths...
Riproduci trailer0: 56
1 video
99+ foto
GialloWhodunnitDramaHorrorMysteryThriller

Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.

  • Regia
    • Lucio Fulci
  • Sceneggiatura
    • Lucio Fulci
    • Roberto Gianviti
    • Dardano Sacchetti
  • Star
    • Jennifer O'Neill
    • Gabriele Ferzetti
    • Marc Porel
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    7191
    LA TUA VALUTAZIONE
    • Regia
      • Lucio Fulci
    • Sceneggiatura
      • Lucio Fulci
      • Roberto Gianviti
      • Dardano Sacchetti
    • Star
      • Jennifer O'Neill
      • Gabriele Ferzetti
      • Marc Porel
    • 72Recensioni degli utenti
    • 91Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Psychic trailer
    Trailer 0:56
    The Psychic trailer

    Foto113

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    Interpreti principali20

    Modifica
    Jennifer O'Neill
    Jennifer O'Neill
    • Virginia Ducci
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Emilio Rospini
    Marc Porel
    Marc Porel
    • Luca Fattori
    Gianni Garko
    Gianni Garko
    • Francesco Ducci
    Ida Galli
    Ida Galli
    • Gloria Ducci
    • (as Evelyn Stewart)
    Jenny Tamburi
    • Bruna
    Fabrizio Jovine
    Fabrizio Jovine
    • Commissioner D'Elia
    Riccardo Parisio Perrotti
    • Melli
    Loredana Savelli
    • Giovanna Rospini
    Salvatore Puntillo
    • Second Cab Driver
    Bruno Corazzari
    Bruno Corazzari
    • Canevari
    Vito Passeri
    • Caretaker
    Franco Angrisano
    • First Cab Driver
    • (as Francesco Angrisano)
    Veronica Michielini
    • Giuliana Casati
    Paolo Pacino
    • Inspector Russi
    Fausta Avelli
    Fausta Avelli
    • Virginia as a Girl
    Elizabeth Turner
    Elizabeth Turner
    • Virginia's Mother
    Ugo D'Alessio
    • Art Gallery Owner
    • Regia
      • Lucio Fulci
    • Sceneggiatura
      • Lucio Fulci
      • Roberto Gianviti
      • Dardano Sacchetti
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti72

    6,87.1K
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    Recensioni in evidenza

    7ma-cortes

    Mysterious and enjoyable Giallo by expert Lucio Fulci about a clairvoyant envisions strange deaths

    This is a scary and intriguing film with a twisted plot , plenty of grisly killings , relentles suspense , ghastly mystery , astonishing images , gory events and well staged murders. A psychic woman (Jennifer O'Neil) discovers a skeleton in a wall in her husband's house , and seeks to find the truth about what occurred to the victim . Along with her psychiatrist friend (Marc Porel) , she seeks to find out the truth about who the person was and who put her there . Meanwhile her suspect husband (Gianni Garco) is imprisoned accused for killing . Early rare deeds begin to happen to them , as she along with husband's sister (Evelyn Stewart) start investigating , discovering weird characters (Gabriele Ferzetti) and tragic murders . Soon enough, she begins realizing the possibility that she may share the victim's fate . Suddenly she could see into the future...and saw her own murder...Suddenly and without warning it's tomorrow... and you're dead.

    Chilling Italian terror flick full of screams , chills, thrills , twists and turns .This is an alright Giallo where intrigue , tension , suspense appear threatening and lurking in grim mansions , in every room , corridors and luxurious houses , as well as exteriors , and with numerous suspicious people . The main premise results to be to guess who's the killer among a lot of suspect people . A properly creepy Giallo movie fully of thrills , chills , suspense and frightening happenings , particularly when our starring -who attempts to alter the killing prediction- is mercilessly chased by a mysterious murderer . These Giallo movies are characterized by overblown use of color with shining red blood , usual zooms , originally staged crimes with seemingly fascination by razors and knifes , use of images-shock and a lot of plot twists . Being the principal representatives of this sub-genre : Riccardo Freda , Mario Bava , Dario Argento and Lucio Fulci . Stars the beautiful Jennifer O'Neil , recent her successful Summer 42 , here plays well a psychic who inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it . Gorgeous Jennifer O'Neil is well accompanied by a fine support cast, such as : Gabriele Ferzetti , Marc Porel , Gianni Garko who acted in a lot of Spahetti westerns as well as Bruno Corazzari , Jenny Tamburi who performed various Sex Comedy and Evelyn Stewart who starred several Giallos.

    Colorful and adequate cinematography by cameraman Sergio Salvati who photographed splendidly interior and outdoors . This photographer to get the best sightseeing by adequate filming , using nice cameras to capture the flavor of urban . Eerie musical score composed and conducted by Walter Rizzati, as Frizzi, Fulci's regular , and composing in Goblin style . The motion picture was compellingly directed by Luccio Fulci who makes of it pretty eerie and chilly . The motion picture was made by one of the most controversial filmmakers of terror movies , here Lucio Fulci shoots in his usual style with flaws and gaps but being professionally made because he was a skilled craftsman . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. For some critics many of his movies are cruel and shockingly violent, yet their gory surface often conceals religious, social commentaries or intelligent issues. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a medium/low budget such as proved in ¨The black cat¨, ¨Demonia¨, ¨Voices from beyond¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨The Beyond¨, ¨Island of the living dead¨, ¨Zombie 3¨ , ¨New York ripper¨ , ¨Don't torture a duckling¨ , among them . This Giallo that tried to disguised itself under many other titles will appeal to Lucio Fulci aficionados , being essential and indispensable watching for their fans . Rating : 7/10 . Better than average Giallo from Fulci .
    8The_Void

    Another excellent Giallo offering from the great Lucio Fulci!

    Murder to the Tune of Seven Black Notes is the last of Fulci's pre-gore flick Giallo's, and it has to be said that it's the lowest quality of the bunch. That, however, is more down to the fact that the others are such brilliant films rather a shortfall with this one. Having already done straight murderers with A Lizard in Woman's Skin and Don't Torture a Duckling, Fulci has resorted to a supernatural plot line for his fourth Giallo feature and the plot draws its mystery and intrigue from it. Fulci has taken influence from the more psychological Giallo films made before this one, as well as a plentiful helping of Edgar Allen Poe's "The Black Cat". The plot kicks off properly with the uncovering of a skeleton inside the walls of a villa belonging to the husband of our young lady protagonist. Clairvoyance is the reason for finding the skeleton, and naturally it isn't long before the husband is put under suspicion for the murder given that the body was uncovered inside his house; and he finds himself on the inside when it turns out that the body belonged to one of his ex-lovers...

    Despite the fact that this film serves as something of a prelude to the latter half of Fulci's career, there is a surprising lack of blood and guts, and this film isn't even as gory as the earlier Don't Torture a Duckling. Fulci presents his plot with a surprising amount of restraint, and doesn't even take the opportunity to show a heavily decomposed corpse as he did in the largely gore-less One on Top of the Other over a decade earlier. While the plot itself does serve up intrigue, it has to be said that it's a little too bare to cover the running time properly. The suspense is there throughout, but Fulci's script certainly could have benefited from adhering a little more to the common convoluted Giallo plot. The technical side of the film makes up for this shortfall, however, as Fulci's use of the camera is excellent and he continually presents a morbid and foreboding atmosphere, particularly inside the central villa location. The tension mounts as we approach the ending, and Murder to the Tune of Seven Black Notes boils down to a satisfyingly macabre - if a little abrupt - conclusion. This film may not be Fulci's best Giallo attempt, and it is liable to disappoint fans of his later, bloodier films; but if you like your atmospheres grim and your plots suspenseful; Fulci's fourth Giallo comes recommended.
    diabolicaldrz

    Lucio Fulci's best movie

    This underrated giallo is probably Lucio Fulci's best movie. Without his usual gorie style, the film is about a clairvoyant woman, Virginia (Played by Jennifer O'Neill- Scanners), who has a vision of a murder that happened years ago. When she goes to her new husband's country house, she finds out that it's the same place she saw on her vision. So she smashes one of the walls of the house and finds a skeleton in it. Now the police think Virginia's husband is the murderer. But she doesn't think the same and does everything possible to prove he's innocent, so she start to investigate (giallo style of course)- Sadly ignored at the time of it's release (Maybe because it has almost no blood and no nudity), the film is filled with suspense, especially after the hour mark. It has a great storyline and above average acting. The score deserves a special mention as it is arguably the best giallo music ever, even beating Goblin's Deep Red. Recommended to anyone who likes the giallo genre, Lucio Fulci's fans and people who think he's a hack. Definitely a 10/10.
    8Red-Barracuda

    A well thought-out supernatural giallo from Lucio Fulci

    The Psychic finds Italian film-maker Lucio Fulci in a decidedly more restrained mood. Never a director to shy away from excessive sex and violence, this entry in his cannon is far more an exercise in suspense with a real focus on presenting an interesting mystery. There is an early scene where a character falls off a cliff resulting in their face being bloodily shredded by rocks as they fall - basically a scene repeated from Fulci's earlier giallo classic Don't Torture a Duckling (1972) – but apart from this, there is no real excessive blood-letting at all. The story is essentially about a psychic woman who experiences premonitions about mysterious murders, before long she finds herself in the midst of a dangerous situation.

    The atmosphere of this one generates a real sense of dread. This is mainly on account of the quite distinctively structured mystery that underpins the story-line. The mixing of visions of the past and events yet to come was clever. It means that there is a real sense of intrigue to this one, with lots of visual clues thrown at us that progressively make sense, while often setting us off to entirely the wrong conclusion. It's a jigsaw puzzle of a movie and this is a very nice touch. Because it came quite late in the giallo cycle I guess it was for this reason that it adopted a more original approach, mixing the standard tropes of the genre with a supernatural angle. Whatever the case, this is one of the better written and thought out story-lines from the sub-genre and what it lacks in visceral excess it does make up for with a well-conceived mystery. It benefits too from a good leading lady in Jennifer O'Neill who later starred in David Cronenberg's excellent sci-fi/horror Scanners (1981). In addition it also features a Goblinesque score which was another nice touch.
    8Bezenby

    Nice one Lucio

    It's nice when the main character of the giallo you're watching receives all their clues in one huge psychic download five minutes into the film.

    Psychic lady, who has already remotely viewed her mother's suicide when she was a child (the only truly gory bit of the film), gets her vision when driving away from the airport after dropping off her new hubby (the always great and glary Gianni Garko of I Am Sartana, I will Kick Your Arse fame).

    From then on out it's up to psychic lady to figure out all the clues. Who has she witnessed being murdered and walled up? Why doesn't her vision add up to police evidence? Who done it? It's difficult to review gialli without ruining them so I'll stop there.

    I've seen this reviewed as Fulci's best film and his best Giallo, but personally I'd rate Lizard In A Woman's Skin higher (it's more surreal for starters). I would put in on a par with Don't Torture A Duckling though - I was glued to the screen. This man had talent at this point in his career.

    Next up: Ghosts of Sodom. I'm thinking the next review won't be so glowing.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Unusually for an Italian film of the time, all the actors spoke their dialogue in English regardless of nationality, instead of being overdubbed in the English soundtrack. The Italian track however is dubbed by other actors voicing the characters, even the film's Italian actors.
    • Blooper
      The opening sequence set in Dover England, and Florence Italy at the exact same time show the time set as 11:45. Continental Europe is one hour ahead of the British Isles time zone in which the time in Florence should read 12:45, but it could be 'local' times for both.
    • Citazioni

      Gloria Ducci: I've had fifty-six lovers and haven't killed even one of them.

    • Connessioni
      Featured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
    • Colonne sonore
      With You
      Written by Ernest - Franco Bixio (as Bixio) - Fabio Frizzi (as Frizzi) - Vince Tempera (as Tempera)

      Recorded on Cinevox Record by Linda Lee

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    Dettagli

    Modifica
    • Data di uscita
      • 12 giugno 1980 (Hong Kong)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • Dolce Come Morire
    • Luoghi delle riprese
      • Rocca Salimbeni, Siena, Tuscany, Italia(Tribunale)
    • Aziende produttrici
      • Rizzoli Film
      • Cinecompany
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    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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