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IMDbPro

Sette note in nero

  • 1977
  • VM14
  • 1h 35min
VALUTAZIONE IMDb
6,8/10
7192
LA TUA VALUTAZIONE
Sette note in nero (1977)
Jennifer O'Neill, fresh from Luchino Visconti's The Innocent, plays Virginia a woman who has had psychic powers since childhood when she sensed her mother's suicide... Now newly-married and well-off, Virginia becomes plagued by waking visions of bloody deaths and meaningless torment. With the aid of her parapsychologist friend (Marc Porel), they try to discover the meaning of these horrific unwanted visions only to slowly discover that these are premonitions of future deaths...
Riproduci trailer0: 56
1 video
99+ foto
GialloWhodunnitDramaHorrorMysteryThriller

Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.Una donna chiaroveggente scopre uno scheletro in un muro nella casa di suo marito e cerca di scoprire la verità su ciò che è accaduto alla vittima.

  • Regia
    • Lucio Fulci
  • Sceneggiatura
    • Lucio Fulci
    • Roberto Gianviti
    • Dardano Sacchetti
  • Star
    • Jennifer O'Neill
    • Gabriele Ferzetti
    • Marc Porel
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    7192
    LA TUA VALUTAZIONE
    • Regia
      • Lucio Fulci
    • Sceneggiatura
      • Lucio Fulci
      • Roberto Gianviti
      • Dardano Sacchetti
    • Star
      • Jennifer O'Neill
      • Gabriele Ferzetti
      • Marc Porel
    • 72Recensioni degli utenti
    • 91Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Psychic trailer
    Trailer 0:56
    The Psychic trailer

    Foto113

    Visualizza poster
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    + 108
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    Interpreti principali20

    Modifica
    Jennifer O'Neill
    Jennifer O'Neill
    • Virginia Ducci
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Emilio Rospini
    Marc Porel
    Marc Porel
    • Luca Fattori
    Gianni Garko
    Gianni Garko
    • Francesco Ducci
    Ida Galli
    Ida Galli
    • Gloria Ducci
    • (as Evelyn Stewart)
    Jenny Tamburi
    • Bruna
    Fabrizio Jovine
    Fabrizio Jovine
    • Commissioner D'Elia
    Riccardo Parisio Perrotti
    • Melli
    Loredana Savelli
    • Giovanna Rospini
    Salvatore Puntillo
    • Second Cab Driver
    Bruno Corazzari
    Bruno Corazzari
    • Canevari
    Vito Passeri
    • Caretaker
    Franco Angrisano
    • First Cab Driver
    • (as Francesco Angrisano)
    Veronica Michielini
    • Giuliana Casati
    Paolo Pacino
    • Inspector Russi
    Fausta Avelli
    Fausta Avelli
    • Virginia as a Girl
    Elizabeth Turner
    Elizabeth Turner
    • Virginia's Mother
    Ugo D'Alessio
    • Art Gallery Owner
    • Regia
      • Lucio Fulci
    • Sceneggiatura
      • Lucio Fulci
      • Roberto Gianviti
      • Dardano Sacchetti
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti72

    6,87.1K
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    Recensioni in evidenza

    8The_Void

    Another excellent Giallo offering from the great Lucio Fulci!

    Murder to the Tune of Seven Black Notes is the last of Fulci's pre-gore flick Giallo's, and it has to be said that it's the lowest quality of the bunch. That, however, is more down to the fact that the others are such brilliant films rather a shortfall with this one. Having already done straight murderers with A Lizard in Woman's Skin and Don't Torture a Duckling, Fulci has resorted to a supernatural plot line for his fourth Giallo feature and the plot draws its mystery and intrigue from it. Fulci has taken influence from the more psychological Giallo films made before this one, as well as a plentiful helping of Edgar Allen Poe's "The Black Cat". The plot kicks off properly with the uncovering of a skeleton inside the walls of a villa belonging to the husband of our young lady protagonist. Clairvoyance is the reason for finding the skeleton, and naturally it isn't long before the husband is put under suspicion for the murder given that the body was uncovered inside his house; and he finds himself on the inside when it turns out that the body belonged to one of his ex-lovers...

    Despite the fact that this film serves as something of a prelude to the latter half of Fulci's career, there is a surprising lack of blood and guts, and this film isn't even as gory as the earlier Don't Torture a Duckling. Fulci presents his plot with a surprising amount of restraint, and doesn't even take the opportunity to show a heavily decomposed corpse as he did in the largely gore-less One on Top of the Other over a decade earlier. While the plot itself does serve up intrigue, it has to be said that it's a little too bare to cover the running time properly. The suspense is there throughout, but Fulci's script certainly could have benefited from adhering a little more to the common convoluted Giallo plot. The technical side of the film makes up for this shortfall, however, as Fulci's use of the camera is excellent and he continually presents a morbid and foreboding atmosphere, particularly inside the central villa location. The tension mounts as we approach the ending, and Murder to the Tune of Seven Black Notes boils down to a satisfyingly macabre - if a little abrupt - conclusion. This film may not be Fulci's best Giallo attempt, and it is liable to disappoint fans of his later, bloodier films; but if you like your atmospheres grim and your plots suspenseful; Fulci's fourth Giallo comes recommended.
    8tuco73

    ECCELLENTE horror movie!

    ... Actually it is not exactly an horror movie, but rather more a thriller (or, better, a giallo). Visionary, tense, well acted (& dubbed), nice locations (villas, interiors, landscapes, cars, etc.), care to costumes and details, a nice 7 notes tune... it is a truly enjoyable little gem from the (not enough) celebrated Italian gore maestro. The plot itself, assuming it is possible to have such supernatural powers, develops convincingly and without too many disgusting bloody scenes . In some points (the visions, particularly the reversed statue) I had the feeling that Kubrick in Shining (1980) might have stolen something (MURDER...). Will it be possible? Oh, I was forgetting, the actress (O neill) is wonderful, and Ferzetti (Once upon in the West, On Her Majesty's Secret Service) is playing as well. 8.5/10 Well done Lucio!
    8Bezenby

    Nice one Lucio

    It's nice when the main character of the giallo you're watching receives all their clues in one huge psychic download five minutes into the film.

    Psychic lady, who has already remotely viewed her mother's suicide when she was a child (the only truly gory bit of the film), gets her vision when driving away from the airport after dropping off her new hubby (the always great and glary Gianni Garko of I Am Sartana, I will Kick Your Arse fame).

    From then on out it's up to psychic lady to figure out all the clues. Who has she witnessed being murdered and walled up? Why doesn't her vision add up to police evidence? Who done it? It's difficult to review gialli without ruining them so I'll stop there.

    I've seen this reviewed as Fulci's best film and his best Giallo, but personally I'd rate Lizard In A Woman's Skin higher (it's more surreal for starters). I would put in on a par with Don't Torture A Duckling though - I was glued to the screen. This man had talent at this point in his career.

    Next up: Ghosts of Sodom. I'm thinking the next review won't be so glowing.
    DrLenera

    Clever,slow but increasingly gripping supernatural thriller from one of Italy's most underrated filmmakers

    Lucio Fulci is best known for his surreal and graphically gory horror movies of the early 80s {i.e.Zombie,The Beyond} but some of his most interesting work was made before. This film,which deserves to be far better known,is a case in point. It's an extremely suspenseful thriller with borderline horror elements,a bit reminiscent of Don't Look Now and quite possibly an influence on several films since such as The Vanishing. Fans of Kill Bill will recognise one of the pieces of music used.

    Opening with a graphic but very unconvincing scene of a suicide off a cliff,the head bashing on the rocks,the film does not continue that way,but becomes a slow but intriguing supernatural mystery,with the suspense gradually building and Fulci showing himself quite capable of handling a relatively complex plot. Camera work,music and Jennifer O'Neill's stunning performance are all so good that the relative lack of actual action does not matter too much. Nevertheless, Fulci really proves himself with a really exciting and suspenseful scene near the end where O'Neill is pursued by the killer,and there is clever and evocative use of props throughout.

    Interestingly,where most Italian films like this are dubbed by different actors,this one looks like it was dubbed by most of the actual cast,and unfortunately a couple of major plot revelations are hard to make out! However,this is a solid little thriller that ,while not quite on the level of,say Fulci's A Lizard In A Woman's Skin,really deserves to be seen if you think Fulci can only do gore.
    8jamesdarwell

    A Classy Fulci Film

    The Psychic is one of Lucio Fulci's most well thought out films with less gore than usual and more focus on characters and suspense. Some might find it dull, but I found it refreshing. Who knew he had it in him? Wonderful music score, too!

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Unusually for an Italian film of the time, all the actors spoke their dialogue in English regardless of nationality, instead of being overdubbed in the English soundtrack. The Italian track however is dubbed by other actors voicing the characters, even the film's Italian actors.
    • Blooper
      The opening sequence set in Dover England, and Florence Italy at the exact same time show the time set as 11:45. Continental Europe is one hour ahead of the British Isles time zone in which the time in Florence should read 12:45, but it could be 'local' times for both.
    • Citazioni

      Gloria Ducci: I've had fifty-six lovers and haven't killed even one of them.

    • Connessioni
      Featured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
    • Colonne sonore
      With You
      Written by Ernest - Franco Bixio (as Bixio) - Fabio Frizzi (as Frizzi) - Vince Tempera (as Tempera)

      Recorded on Cinevox Record by Linda Lee

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    Dettagli

    Modifica
    • Data di uscita
      • 12 giugno 1980 (Hong Kong)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • Dolce Come Morire
    • Luoghi delle riprese
      • Rocca Salimbeni, Siena, Tuscany, Italia(Tribunale)
    • Aziende produttrici
      • Rizzoli Film
      • Cinecompany
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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