I professionals

"The Professionals" has been slated from all sides over the years. It's fallen foul of, among others, the self-appointed moralist zealots of television watchdog groups because of its often hard-hitting violence, and the feminist lobby for its portrayal of most of its female characters as bimbos and ciphers. Even Martin Shaw, one of its three main stars, was so embarrassed by the show that for years his veto prevented it from being repeated in the UK (or perhaps it was simply because he was ashamed of the perm which he sported throughout the show's six-year run and which led to co-star Lewis Collins giving him the nickname "the Bionic Gollywog"). Whatever the reason, "The Professionals" won few critical admirers at the time and now - in the age of political correctness - is perhaps even more widely pooh-poohed. So why did it run for 6 years and become one of British TV's biggest ever, and most popular, exports? And why does it still enjoy cult status? The answer, paradoxically, lies in the reasons why it was so widely reviled in the first place. It's violent, politically incorrect and - to put it kindly - doesn't demand that its audiences have the intellect of rocket scientists to follow its plots. It was escapist entertainment aimed at boys of all ages from 10 to 50. Pictures of Bodie & Doyle adorned the bedroom walls of teenage girls up and down the land as they got in on the act too. And the show practically became an hour-long advertisement for the Ford motor company. In the UK during the late 70s and early 80s, it was positively hazardous to venture forth on a Friday night during a "Professionals" run, for fear of being knocked over and hospitalised by some young Johnny screeching round the corner in his Ford Capri, pretending to be Bodie & Doyle. Sure, "The Professionals" (like most shows of the genre) had its moronic moments, but who can forget classics like the episode in which two anti-social misfits holed up on a high rooftop and started taking pot-shots at a nearby hospital? Or the one with Bodie trapped in a country house, under siege by a bunch of German terrorists and with all contact to the outside world lost? Everything the critics accuse "The Professionals" of may well be true. But who cares? It's still a cult classic. They don't make 'em like that any more.

'The Professionals' came into being at a time when the media was obsessed with secret services, specialist divisions, gun crime, and terrorism. For five years this expensive LWT series had a prime time slot just after the watershed and entertained us with its mix of violence, cars, guns, and sexist banter.

Lewis Collins (Bodie) and Martin Shaw (Doyle) became household names in their portrayals of the laconic, cynical, and fearless agents who saved the day from grenade-carriers, gunmen, and gangsters. Gordon Jackson as Cowley, their boss, had another plum TV role and was perfect in it. Sexist and silly the series may have been, but it has perhaps stood up better than other crime programmes made in the late 1970s.

Curtailed too soon because of the mood of the time, 'The Professionals' still looks good when viewed today, and enjoys re-runs on one of the many digital TV channels.

When 'The Professionals' was aired at first in Germany - I believe it must have been some when in the eighties - I *loved* this show. I had never seen anything that grim and realistic before. What I liked most about it was that the 'good guys' weren't really 'good', they were complex character- and morality- wise and, especially the Bodie character, could as well have played on the other side of the fence. The violence was portrayed rather realistic and unstylised and the characters looked gritty enough to feel real.

Feeling somewhat nostalgic (must be my old age) I just bought the complete DVD set and found that I still like it a lot - although I see it differently nowadays. Analysing my feelings for it I found that what I like most about it now is the interaction between the main characters, and on my second watching of the complete series I find myself often ff-ing through the story to the parts with the lads (MS and LC). For me it's all about seeing pretty (but undoubtedly male) men run, jump, fight, shoot, saving each other's lives and - banter with each other. No wonder that it still has a major following among females and inspires reams of fanfiction!

Nearly thirty years since it was first seen on TV and still highly enjoyable despite the outdated fashion, hairstyles, motors and technique (have a look at those computers!) - this is a true classic that has proved its erstwhile critics wrong. An endeavour all participants (including Martin Shaw) can and should be proud of, I think, because it is no small feat to inspire such love and loyalty in their fans.

The Professionals is an extremely high quality cult t.v series that well and truly deserves its tag of "t.v legend".This is due to its excellent writing courtesy of Brian Clemens and co. and the outstanding theme and incidental scores of the incomparable Laurie Johnson.The series itself has a truly filmic quality due to the varied locations used - from beautiful shots of the English countryside with the immortal Ford Capris speeding by to the sweeping panning camera shots of the city of London.Everything about this series is memorable , from the exhilarating opening theme complete with wahwah guitar and "Shaft" style hihats to the abrasive , yet humorous relationship between the two leads.Even though most people seem to remember this series as so-called standard crime/adventure viewing , in reality , it is more than that.Particular episodes , such as "Wild Justice" , is about the character Bodie (Lewis Collins) in particular and asks whether he is able to continue working effectively under the stress placed on him by the demands of a job in an organisation such as Ci5.This sounds a reasonably formal premise for a plot , but on viewing the episode itself we see that unusual elements (such as Bodie going to an oriental martial arts/medical expert for help and advice) have been thoughtfully added by the writer to give an extra edge.To enhance this interesting angle further , the oriental character then proceeds to give Cowley - Bodies boss (Gordon Jackson) a lecture about where the soul might be placed in the body , definetly an unusual and welcome aspect to proceedings and it is precisely these element that make the Professionals linger in the mind long after an episode is over.

Unfortunately , at the time the show was mauled by critics , being cited as "moronic" and overly violent.It is undoubtedly fair to say that the show most certainly was the latter of these two things , being primarily a contemporary crime/drama series.It is also fair to say that whenever there was violence present on the screen it was handled with a certain flair and portrayed realistically.However , the reason the vitriolic attack from the critics didnt sour the publics appetite for the show was this - excellent acting from the trio of Gordon jackson (Cowley) , Lewis Collins (Bodie) and Martin Shaw (Doyle) in the lead roles , first class writing and production , the special atmosphere that permeated every episode , the memorable chemistry between Bodie and Doyle and the music , which spawned a theme which is now a signature within the genre itself and incidental music which managed magnificently to capture many differing moods and emotions , some normally found outside the often narrowly viewed crime/drama division section of television entertainment.The Professionals was and still is different and set new standards in many areas that television today is still catching up to.BUGS , anyone ?

I was only born a year after this series started production, so I only know it by re-runs, thanks largely to my mother who loves the series.

There are a great many TV series with the premise that you've got good guys running around trying to catch bad guys, and there are guns, cars and explosives thrown in for good measure. Some are good, some are not. The Professionals is a cut above the rest, not because of any trick or gimmick but simply because of superb writing, casting, directing and acting.

Shaw (Doyle), Collins (Bodie) and Jackson (Cowley) excel in their roles and are really the glue of the whole series. The constant jibing between Doyle and Bodie is an absolute delight to watch, as is Bodie's unashamed love for fast-driving and shooting stuff.

The action is very satisfying, with many shoot-outs, explosions and car chases. The plots are actually more varied and sophisticated than most people seem to remember, some of them require a very sharp mind to keep track of the wheeling and dealing. There's espionage, grand-theft, madmen with nerve-gas and more than a few personal vendettas. The characters, too, are deeper than most people seem to remember.

My favourite episodes are: "Discovered in a Graveyard" - Doyle is shot and seriously wounded by an unknown assasin. While Bodie and Cowley hunt down the shooter, we are given an insight into the thoughts going through Doyle's comatose mind.

"Blind Run" - what starts as a simple escort run for Doyle and Bodie turns into an urban war as their charge turns out to be much more significant than they thought. This is one of the most action-packed episodes, featuring multiple shootouts and car-chases.

"Mixed Doubles" - Bodie and Doyle are assigned to organise protection for a very high-level foreign diplomat who is almost certain to be an assasination target. As we see our two heroes making preparations, we also see the two hired assasins making theirs and we get an incredible insight into just how similar the two doubles are, and how sad it is that only one pair of them can survive the day.