Xin jing wu men

New Fist of Fury is a martial arts film directed by Late Lo Wei. The film stars Jackie Chan, Nora Miao and Chan Sing.

Lung, a thief, is unwillingly hired by Lier, fiance of Chen Cen, to help her save her martial arts school from the Japanese. However, Lung must first master the martial arts to prove his worth.

The film can be termed as a film with decent plot and an abrupt ending. The film which is the second part of Late Bruce Lee's Fist of Fury the film serves a huge disappointment specially for those for were looking for some martial arts action film.

The acting in the film is decent although Jackie Chan who tries to look funnier and acted as a punching bag in the first half of the film disappoints. Nora Miao carries the same face throughout the film. Chan Sing as the main villain was impressive.

Screenplay of the film is topsy turvy as the film gives lots of false hope of some serious or great fight which you didn't see until the climax which surely has some violent action scenes but with a atypical ending.

Overall a film which raise your expectations sky high and ends in an disappointment.

1970s kung fu movies have never exactly been known for outstanding (or comprehensible) plot. So, if you're anything like me, you were expecting this movie to be like the rest of Jackie Chan's early career: silly, unrealistic, and largely nonsensical, but fun nevertheless just because of Jackie's sheer force of personality. And, of course, his incredible stunts and fight scenes.

Unfortunately, New Fist of Fury fails even to meet that modest standard. The entire first half of the movie is apparently dedicated to the development of the plot. Bad move on the filmmakers' part. A kung fu movie is about kung fu, not lots of boring... *talking*. Jackie doesn't even start to learn kung fu until the movie is nearly over, for pity's sake! This would be forgivable, I guess, if the resulting plot were at all interesting. No such luck. Besides which, most of it simply becomes irrelevant by the second half of the movie, when everything hinges around a straightforward martial-arts-school showdown. As for the ending... well, I don't want to give anything away, but let's just say it's incredibly abrupt and surprising. And not in a good way.

This isn't to say there aren't fight scenes. There are several of them pointlessly interspersed throughout the tedious plot development, and one big one at the end that *almost* makes the rest worthwhile. But when the fights do break out, even when Jackie is actually involved, this isn't the almost cartoonish, balletic violence we see in his other movies. Rather, it's fierce and bloody -- the actors in the final fight scenes chomp down fake blood capsules like M&Ms -- and seems to hinge around the frequent use of kicks to the groin. (The guys kicked in the groin, inexplicably, are all given lingering closeups.) The fight scenes are still incredibly cool, of course, but not worth sitting through two hours of cheesy dreck.

In brief, this movie is too ridiculous to work in terms of plot, and its fight scenes are too nasty and spaced-apart to redeem it.

A few particularly ridiculous things to look for, if you watch this movie anyhow:

1. The high-pitched whoops and screeches during the old kung fu teacher's speech. (I don't know if that was a loon being tortured to death, or the cries of agony from one of the groin-kick victims.) 2. The old kung fu teacher's leaping-and-shouting related death, and the fact that his body still stands there looking annoyed afterwards. 3. The Japanese army captain's dubbed-over voice. "Weaselly" is a vast understatement here. 4. Jackie's Fist of Fury technique -- described on the back of my VCR tape case as "a new and deadly art, never before revealed on the screen" -- which involves waving his arms up and down slowly during funky 70s hypno-music. Deadly indeed.

After co-starring in Hand of Death, Jackie Chan was forced into an early retirement because of the shift in consumer tastes in movies. The Hong Kong audience was dissatisfied with the action films after the death of Bruce Lee, leaving an ever-widening amount of unemployed stunt-men and bit-players. Since Jackie was one of these casualties he retired to Australia to be with his family. There he did construction in the day and worked in a Chinese restaurant at night. Then he received a telegram from Willie Chan wanting him to work in a new film called New Fist of Fury – a sequel to the beloved Bruce Lee film Fist of Fury. He told him that the movie would be for the newly formed Lo Wei Productions and that the film would be directed by Lo Wei himself. Jackie would receive 3000 Dollars (HK) per month for acting (he would later receive 9000 for being the stunt coordinator.) Little did anyone know that this unknown actor would become a big boon to the industry; though, this would not happen for a while and would not happen (directly) because of this film.

New Fist of Fury is typical of a Lo Wei film, it lacks cohesion and character with an overuse of plot elements. The film starts after the destruction of the Ching Wu School in Shanghai. The remnants of the school, led by the delightful Miss Lee (Nora Miao), are forced to flee to Taiwan to avoid persecution from the Japanese. She will stay with her grandfather Su Onli who is the head of a martial arts school. Unfortunately, the Japanese are ubiquitous in Taiwan too. When her group arrives, they are the target of a thief Helong (Jackie Chan) and his companion Old Chin (Hon Siu). Helong (Ah Lung in some translations) steals a wooden box containing the prize weapon of the late Brother Chen (Bruce Lee in the superior Fist of Fury) – nun-chucks.

Later, after Helong is found in a ditch beaten half-to-death by the students of Chin Ching Kai, he is found by Miss Lee's group and is nursed back to health (with the help of his prostitute mother's money, whom he does not know.) For all of this help and their forgiveness of him stealing their property, he refuses to learn Kung Fu so he can continuously be beaten up. Miss Lee has bigger problems than trying to get Helong to learn Kung Fu – the Japanese occupancy.

Akumora (played by the muscular Chan Sing) is the Japanese provincial leader who wants to combine the Chinese martial art schools under his Di Wah school. There is a great scene with him catching a knife in his teeth and then throwing it from his mouth killing an attacker. It is so hard to take this scene seriously, but it reminded me what Ed Wood might have done if he directed a Kung Fu film. Akumora is an interesting character that starts off semi-decent and then ends up completely anti-Chinese ("I kill Chinese, just like I kill dogs.") This is another annoyance with the film; it is completely ethnocentric with one-dimensional Japanese characters. This annoyance is especially evident when Akumora challenges a staged Kwong Gung, stating that the Japanese heroes are much better than Chinese's heroes. This infuriates Master Su during his 80th birthday celebration and leads to his death (when he jumps over a large crowd of people and apparently has a heart attack.) With the death of Master Su, Miss Lee decides to revive the Ching Wu School. This leads to an obvious clash with the Di Wah School.

One of the biggest problems with this film (yes even worse than the ever-yelling Jen Da So, the kiai spewing daughter of Akumora) is that Jackie is misused and miscast in this film. He constantly gets beat up by both Japanese and Chinese and yet refuses to learn Kung Fu. He does not get a decent fight scene until at least three-fourths of the film is over and yet he obtained his skills in just a few days (it is amazing what anti-Japanese sentiment can make you accomplish). When he does fight, his skills are quite evident. Jackie is very acrobatic and his fight scenes flow well though he is relegated to using actors who are weak in martial arts (with a few exceptions like Han Ying Chieh) and they slow down many of the action scenes.

I am a fan of Jackie Chan (and many of the HK films of this era), but this is not a film that rises above mediocrity. While it is not worse than many films during the 70's it has a few negative attributes that will doggedly follow it -- New Fist of Fury followed one of the most beloved of Bruce Lee films with a weak sequel and misused a future Hong Kong Superstar. Useless Tidbit: look for a small cameo role for Lo Wei where he portrays an inspector.

It was a mistake in trying to model Jackie Chan as the new Bruce Lee. There will only be one Bruce Lee. "Golden Harvest" attempted to make Chan's character in "New Fist of Fury" another version of Chen Chen (Lee) from the previous "Fist of Fury" movie. In the above film, Chan is angry, hard-edged and determined but none of that suited him. Jackie Chan needed a chance to develop his own personality and identity in the Asian film community. Eventually, he succeeded as we know. The plot picks up where "Fist of Fury" left off and the narrative here is a rambling mess! I can't be sure but I reckon the DVD I have of this movie is heavily edited. There is poor continuity and the film's depressing tone doesn't help. It is rather obvious that Chan and the school he belongs to, haven't a chance against their Japanese enemies. The film may have a generous dose of location shooting but that doesn't compensate for much. The fight scenes are still pretty good and at least they provide some distraction from the film's weaknesses.

Fairly drawn-out and sometimes frustrating Kung Fu film about the Japanese occupation of Taiwan. This film is not too bad, you just have to make it to the final reel - something that I expect only enthusiasts of this genre will do. So why is it frustrating? Well, Jackie (or Jacky as credited here), does virtually nothing until fellow Chinese literally drag him into a Kung Fu school in the last quarter of the (2 hour) film.

Sure, he has one action scene early in the film, but he succeeds only in getting pounded nicely by two Japanese fighters. A nice motive for him to learn Kung Fu, I thought. But I was wrong. He does nothing about it...

Anyway, this is one of the more coherent Wei Lo films, and the tension builds fairly steadily. The main villain played by Sing Chen is a believable and decidedly confronting and dangerous man - he's great.

The references to Bruce Lee are tastelessly rammed down your throat, but the final fight is great and suitably brutal. It's a good revenge story, with an unusual ending.