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Ascensione

Titolo originale: Voskhozhdenie
  • 1977
  • T
  • 1h 51min
VALUTAZIONE IMDb
8,2/10
11.390
LA TUA VALUTAZIONE
Ascensione (1977)
Excerpt: Hiding from the Nazis
Riproduci trailer3: 41
2 video
58 foto
DrammaDramma psicologicoGuerra

Due partigiani sovietici in missione per raccogliere cibo lottano contro il freddo invernale, i tedeschi occupanti e la loro stessa psiche.Due partigiani sovietici in missione per raccogliere cibo lottano contro il freddo invernale, i tedeschi occupanti e la loro stessa psiche.Due partigiani sovietici in missione per raccogliere cibo lottano contro il freddo invernale, i tedeschi occupanti e la loro stessa psiche.

  • Regia
    • Larisa Shepitko
  • Sceneggiatura
    • Vasiliy Bykov
    • Yuri Klepikov
    • Larisa Shepitko
  • Star
    • Boris Plotnikov
    • Vladimir Gostyukhin
    • Sergey Yakovlev
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    11.390
    LA TUA VALUTAZIONE
    • Regia
      • Larisa Shepitko
    • Sceneggiatura
      • Vasiliy Bykov
      • Yuri Klepikov
      • Larisa Shepitko
    • Star
      • Boris Plotnikov
      • Vladimir Gostyukhin
      • Sergey Yakovlev
    • 55Recensioni degli utenti
    • 44Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Video2

    Criterion Collection DVD Preview
    Trailer 3:41
    Criterion Collection DVD Preview
    The Ascent
    Trailer 1:36
    The Ascent
    The Ascent
    Trailer 1:36
    The Ascent

    Foto58

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 51
    Visualizza poster

    Interpreti principali15

    Modifica
    Boris Plotnikov
    Boris Plotnikov
    • Boris Sotnikov
    Vladimir Gostyukhin
    Vladimir Gostyukhin
    • Nikolay Rybak
    Sergey Yakovlev
    Sergey Yakovlev
    • Pyotr Sych - Village elder
    Lyudmila Polyakova
    Lyudmila Polyakova
    • Avginya Demchikha
    Viktoriya Goldentul
    Viktoriya Goldentul
    • Basya
    Anatoliy Solonitsyn
    Anatoliy Solonitsyn
    • Pavel Portnov - the Nazi interrogator
    Mariya Vinogradova
    Mariya Vinogradova
    • Village elder's wife
    Nikolai Sektimenko
    Nikolai Sektimenko
    • Stas' Gamanyuk
    Anatoli Chebotaryov
    • German officer with glasses
    Sergei Kanishchev
    Sergei Kanishchev
    • Boy wearing Budyonovka
    • (as Serezha Kanishchev)
    Vasili Kravtsov
    • German officer
    Mikhail Selyutin
    Mikhail Selyutin
    • Fascist collaborator
    V. Sokolov
    • Politzai
    Leonid Yukhin
    Leonid Yukhin
    • Partisan detachment commander
    Aleksandr Zvenigorsky
    Aleksandr Zvenigorsky
    • German officer
    • Regia
      • Larisa Shepitko
    • Sceneggiatura
      • Vasiliy Bykov
      • Yuri Klepikov
      • Larisa Shepitko
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti55

    8,211.3K
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    Recensioni in evidenza

    10rogermccarthy

    So powerful once will be enough

    This is one of the very, very few films that are so overwhelming that you are very unlikely to watch it more than once or twice in your lifetime (other examples are Claude Lanzmann's documentary Shoah and Come and See by the director's husband Elem Klimov - which covers much the same unbearable territory but in a very different way).

    I suppose this is just as well given the difficulty of ever seeing a print.

    Apparently it's extraordinarily overt Christian symbolism and admission that there were active Russian collaborators, ensured that it was hardly ever seen in the USSR - and of course post-soviet Russia has very little interest in films of that era.

    The one time I saw it in London was in a festival of Russian movies shown during the Glasnost era (i.e. probably c.1988) - however it apparently has been shown several times in the UK more recently so at least one subtitled print must exist here.

    As far as I know it has never been released in the west on DVD or video so if you haven't seen it, your best chance is probably to join a film society and endlessly nag them to find a print and screen it.
    8neigenoirejz

    Bleak, emotionally crushing, beautiful

    Is one's life the most valuable thing one can possess? Are all ideals and philosophies mere fallacy, not worth sacrificing one's life for? These are the questions this film touches upon. And does so brilliantly.

    By today's standards, the film might be viewed as somewhat slow-paced and indeed, without giving too much away, certain scenes are a bit stretched out and in my opinion, could have been made shorter for stronger emotional impact. Nonetheless, the amazing performance by all the main actors kept me glued to the screen most of the time. The hopelessness and the terror of war, intensified by the unforgiving Russian winter, permeates the film from start to finish.

    The film presents us with food for thought not covered much by modern cinema, touching upon something that isn't often discussed openly in modern society. We avoid it because it lurks inside each of us and we fear it - venality and betrayal in face of death.

    Our life is everything we know - the entire world ends with it, as Portnov, the Nazi interrogator says in the film. Would YOU sacrifice it for something? For anything? This film will force you to ponder this question and reflect on your values and yourself as a human being.
    10adipocea

    The Russians made the BEST war movies. Period

    If you have a chance, see this Russian(how should I call them: gems, masterpieces,hidden treasures?), war movies like this one, or The dawns here are quiet, or Proverka na dorogah... And , right after that, watch again the American war movies, or the international productions, those one with the allies and the Germans,etc. Or, even worse, watch the Italian war movies. Everything from the west will seem shallow, contrived, ridiculous, in comparison with the Russian movies. I am sooooo stunned by the quality of the aforementioned Russian war movies that I cannot find the words to praise enough their shattering superiority over Anglo-Saxon war movies.
    jitensmerchant

    A Christian parable from Soviet Russia!

    I saw "Ascent" in Bombay (dubbed in English) when I was 18, soon after the film was made. I have tried to see it subsequently EVERY TIME it was screened at the local Russian cultural centre. One of the first images in the movie is of a series of telegraph poles in a snowscape, one of which is out of alignment....and you realise that they look rather like the sign of the cross in the Russian Orthodox Church. This is a Judas-Christ parable, with several scenes "composed" like famous paintings of scenes from the Passion. The references and symbolism are endless....in the plot-line, the characters, the mise-en-scene --- the final hanging of the protagonist among "thieves" on a hill (which he has to climb) is a clear reference to Golgotha. The black and white photography is among the most beautiful I have seen; the acting is superb, especially the man playing the protagonist -- though making him a "special agent of the Red Army" is obviously a nod in the direction of Big Brother! I cannot begin to tell you how important this film probably is in world cinema....I use the word "probably" because I am only a film-lover, NOT a film-historian. However, if its available on DVD, PLEASE LET ME KNOW!!!!
    9museumofdave

    The Brutality of Battle and The Search For The Human Soul

    This intense dramatic examination of the effect of battle on two soldiers thrown together by the circumstances of World War II is brutal and often difficult to watch; it is a black and white film, and since most of the action occurs in the snow, it sometimes approaches the look of an abstract painting.

    In what is now Belarusa, the two men from different backgrounds are ordered to leave the camp to find food; on the way they encounter Nazi soldiers and are captured along with members of local peasantry; interrogation and torture follow. The film is less about action and more about the struggle to find meaning in battle, a struggle for the soul's integrity. This is a new release from the Criterion Eclipse series and is exquisitely remastered; be warned it is not an action film, and more a potent examination of human behavior under the worst sorts of stress; it can be a powerful viewing experience for some, and like Elem Klimov's Come And See, a revelation in many ways.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Official submission of Soviet Union for the 'Best Foreign Language Film' category of the 50th Academy Awards in 1978.
    • Citazioni

      Sotnikov: [Imprisoned, Sotnikov and Rybak are arguing whether to speak with Germans or not] We're soldiers. Soldiers. Don't crawl in shit. You'll never wash it off.

      Rybak: So then, to the grave - to feed the worms. Right?

      Sotnikov: That's not the worst that could happen. No. That's not what I'm talking about. Now I understand. I understand. The important thing is to be true to yourself.

      Rybak: Fool! You're a fool, Sotnikov. You graduated from the institute for nothing. I want to live! To live! To kill those bastards! Understand? I'm the soldier. And you're a corpse. All you've got left is your stubbornness - your principles!

      Sotnikov: Then go, go on living - without a conscience. It can be done.

    • Connessioni
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)

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    Dettagli

    Modifica
    • Data di uscita
      • 2 aprile 1977 (Unione Sovietica)
    • Paese di origine
      • Unione Sovietica
    • Sito ufficiale
      • Mosfilm [rus]
    • Lingue
      • Russo
      • Tedesco
    • Celebre anche come
      • L'ascesa
    • Luoghi delle riprese
      • Mosfilm Studios, Mosca, Russia(Studio)
    • Aziende produttrici
      • Mosfilm
      • Trete Tvorcheskoe Obedinenie
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 51 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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