Panico nello stadio

I remember the made for TV version as a kid. Today was the first time I'd seen the original theater version. The differences were striking. I'm amazed at how many people let their politics color their views of these movies. I also think people over think things rather than just allowing themselves to be entertained. I for one am glad they didn't tell us much of anything about the sniper. While apparently unfathomable in the 70's it seems pretty plausible today. I was not present when this happened but a gunman came into my church and killed 6 or 7 people before killing himself. The authorities came to learn a lot of useless details about the shooter but little or nothing to explain his motives or would give any type of solace to the grieving survivors. It was just random, senseless violence, like the shooter in this movie. I'd liked to have had some more sympathetic victims and I couldn't get over how ill prepared the police where, but otherwise I liked this movie.

An all-star cast led by Charlton Heston with likes of John Cassavetes, Martin Balsam, Beau Bridges, Mitchell Ryan and Jack Klugman feature in this well directed, but thinly written semi-disaster fare that never goes beyond its one-dimensional framework. Its central focus follows that of an unknown sniper planning a massacre at a championship football game at the Los Angeles Coliseum, as the coming and going personal dramas of certain people at the game intertwine. Slow to get going and rather one-note in its dramas never being as interesting as it should have been, but it opens up when the SWAT team enters and the sniper finally let's loose for a thrilling final third. As the joy and excitement of the match transforms into confusion and anxiety, where the stadium turns into a shooting pallor. I've read some people complaining about a lack of a motivation for the killer, but really one wasn't needed and the ambiguous nature only made its frenetic climax more effective. For most part it's a waiting game preying upon the inevitable build-up, even though the authorities know about the sniper they don't want to start a panic of hysteria. So it's a scary idea, exploitatively handled and director Larry Peerce creates a large scale look giving it an intense scope. The performances are stalwart, but no one really makes much of an impression.

"Lets not get too nervous about it. "

A lone gunman has his sights set on a sell-out crowd at a championship football game. Captain Peter Holly leads the desperate fight to try and stop the maniac from picking people off at will. Perched high on top of the Los Angeles Memorial Coliseum, the gunman has his pick of the targets, the Mayor -the President - or merely the innocent? Either way he has to be stopped before all hell breaks loose.

Much like "Rollercoaster" a year later, Two-Minute Warning is wrongly lumped in with the disaster movie genre that flooded the 1970s, and just like Rollercoaster, Two-Minute Warning is an excellently taut thriller. The build up is paced to precision, all characters are introduced to us to give us something to associate with should things go very wrong. As this is happening we get little POV snippets of our killer, accompanied by Charles Fox's harshly impacting music, the killer is never seen but we feel the dread, the impending sense of murder is a constant presence.

Once we are at the game and the authorities are aware that a sniper is on the roof, the film shifts up a gear and lays on the suspense thick and heavy. Captain Holly (Charlton Heston in authoritative scene commanding form) is joined by the SWAT team, led by the cool and serious Sgt. Chris Button (John Cassavetes), whilst stadium security manager Sam McKeever (Martin Balsam) prays that disaster can be averted. Then the final third of the picture is a ripper of heart pounding stuff, a final third that rewards the viewers patience for having invested in the film and the key characters. Filling out the cast is Gena Rowlands, Jack Klugman (brilliant interplay with Mitch Ryan's priest), Beau Bridges, Walter Pidgeon and David Jansen.

Two-Minute Warning is a quality thriller that is sadly undervalued on the big IMDb site, go on, give it a go and you might just be pleasantly surprised. 7.5/10

Footnote: I should point out that my thoughts are on the original unedited cut of this film, I have never seen the watered down TV cut and have no plans to ever do so.have never seen the watered down TV cut and have no plans to ever do so.

As a fan of suspense, I definitely have rated this film as a classic edge-of-your seat cliffhanger. It contained all of the elements of a real-life thriller. The actual mounting of the suspense itself up until the end is the most rewarding effect this film possesses. As frightening and terrifying as the climax was, it nevertheless demonstrated how the actions of one individual can cause a catastrophe to unfold.

A determined sniper is discovered by a TV crew in a scoreboard tower at a football game and how will police deal with the situation. The placement of S.W.A.T. sharpshooters on the light towers to take out the gunman would be the logical response since sneaking up on the guy might provoke him to shoot into the crowd.

I find this film to be a bit slow as stock characters are introduced and placed at the game. Once the sniper takes his position and becomes a threat, this film turns exciting, gritty and violent as shots are exchanged.

The fact that the shooter is faceless adds to the scariness of the situation. Who is this guy and what is his major malfunction?

The recent events in the Washington D.C. area add an air of reality to the movie. Previously no one would have believed that people were capable of such an ugly crime.

"Two-Minute Warning", aside from the formula melodrama, is a creepy thriller that might be a little too real now.