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7,3/10
2530
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Judy Garland
- Jo Hayden
- (filmato d'archivio)
- …
Mickey Rooney
- Clips from 'Girl Crazy' & 'Words and Music' etc.
- (filmato d'archivio)
Bing Crosby
- Clip from 'Going Hollywood'
- (filmato d'archivio)
Robert Taylor
- Clip from 'Broadway Melody of 1936'
- (filmato d'archivio)
Greer Garson
- Katherine
- (filmato d'archivio)
Clark Gable
- Clips from 'Gone with the Wind' & 'Strange Cargo' etc.
- (filmato d'archivio)
Kathryn Grayson
- Clip from 'Lovely to Look At'
- (filmato d'archivio)
Leslie Caron
- Lili
- (filmato d'archivio)
- …
Jeanette MacDonald
- Clips from 'New Moon' & 'Broadway Serenade'
- (filmato d'archivio)
Nelson Eddy
- Clip from 'New Moon'
- (filmato d'archivio)
Doris Day
- Ruth Etting
- (filmato d'archivio)
Ann Miller
- Clip from 'Kiss Me Kate'
- (filmato d'archivio)
Ann Sothern
- Dixie Donegan
- (filmato d'archivio)
Frank Sinatra
- Clarence Doolittle
- (filmato d'archivio)
- …
Jimmy Durante
- Clips from 'Hollywood Party', 'Two Girls and a Sailor' & 'Jumbo'
- (filmato d'archivio)
Eleanor Powell
- Clips from 'Born to Dance' & 'Lady Be Good'
- (filmato d'archivio)
Recensioni in evidenza
Part of the joy of watching 'That's Entertainment, Part 2' is seeing the ageing Astaire and Kelly dance together again, with all the skill and the joy they put across in their respective heydays.
Part 2 doesn't just rely on clips from MGM musical productions, but also celebrates the dramatic output of this prince of studios - Tracy and Hepburn, Garbo ... - as well as two amusing segments, one on comedy (including the Marx Bros.), and one on films about composers writing songs and melodies.
Also of note is the excellent title sequence, where each artiste is represented by some kind of introduction that sums them up (Garbo by a rose, Betty Hutton and Howard Keel branded into wood, Hepburn and Tracy announced by a gong, Nelson and Jeanette as floating petals on a lake).
A little peach of a movie, and proof positive that they really don't make 'em like this anymore.
Part 2 doesn't just rely on clips from MGM musical productions, but also celebrates the dramatic output of this prince of studios - Tracy and Hepburn, Garbo ... - as well as two amusing segments, one on comedy (including the Marx Bros.), and one on films about composers writing songs and melodies.
Also of note is the excellent title sequence, where each artiste is represented by some kind of introduction that sums them up (Garbo by a rose, Betty Hutton and Howard Keel branded into wood, Hepburn and Tracy announced by a gong, Nelson and Jeanette as floating petals on a lake).
A little peach of a movie, and proof positive that they really don't make 'em like this anymore.
In his exhaustive book "The Hollywood Musical," critic Clive Hirschorn describes "That's Entertainment, Part II" as being hampered by "the distinct screech of a barrel being scraped." I beg to differ. While it's not as good as the first "That's Entertainment" (But, then, what could be?), and while there are some distinct lowlights (Bobby Van jumping around like some demented jackrabbit in "Small Town Girl," for one), by and large, this is a more than worthy follow-up to the first film.
Among the best parts for me are: Judy Garland's unbeatable rendition of "Have Yourself a Merry Little Christmas" from "Meet Me in St. Louis," the Frank Sinatra montage, the Cypress Gardens finale from "Easy to Love" featuring (So, who else?) Esther Williams, the Marx Brothers' stateroom scene from "A Night at the Opera," and the sequence from "The Great Waltz," featuring Fernand Gravet and Meliza Korjus (Anybody remember them?) showing how Strauss' "Tales from Vienna Woods" was ostensibly written. PLUS you have host/narrators Fred Astaire and Gene Kelly in their only film appearance together other than their one dance sequence in "Ziegfeld Follies of 1946."
In short, highly recommended!
Among the best parts for me are: Judy Garland's unbeatable rendition of "Have Yourself a Merry Little Christmas" from "Meet Me in St. Louis," the Frank Sinatra montage, the Cypress Gardens finale from "Easy to Love" featuring (So, who else?) Esther Williams, the Marx Brothers' stateroom scene from "A Night at the Opera," and the sequence from "The Great Waltz," featuring Fernand Gravet and Meliza Korjus (Anybody remember them?) showing how Strauss' "Tales from Vienna Woods" was ostensibly written. PLUS you have host/narrators Fred Astaire and Gene Kelly in their only film appearance together other than their one dance sequence in "Ziegfeld Follies of 1946."
In short, highly recommended!
Like its predecessor, THAT'S ENTERTAINMENT II offers two hours of film clips from memorable MGM movies featuring the likes of Judy Garland, Bing Crosby, Lena Horne, Louis Armstrong, and Doris Day. Unlike its predecessor, which organized the film clips into thematic sequences introduced by different MGM stars, THAT'S ENTERTAINMENT just throws the clips out willynilly without much rhyme or reason--and saddles narrators Fred Astaire and Gene Kelly with some of the clunkiest, corniest material imaginable. In consequence, it lacks the cohesion and the excitement of the original.
But it still has its charms. Many of the individual clips are knock-outs: Ethel Waters performing "Taking a Chance on Love" from CABIN IN THE SKY, Bobby Van doing the famous "hop dance" from SMALL TOWN GIRL, Judy Garland belting out "I Got Rhythm" from GIRL CRAZY. In addition to such musical treats, the film also offers a look at the Marx Brothers with the famous "State Room Scene" from A NIGHT AT THE OPERA, a sequence of famous lines from famous films (such as Garbo's "I want to be alone"), and an extended tribute to Spenser Tracy and Katherine Hepburn. Most viewers will probably feel the film drags due to the uneven way in which the scenes are introduced and edited together, but just about every one will find plenty to enjoy. Recommended with reservations.
Gary F. Taylor, aka GFT, Amazon Reviewer
But it still has its charms. Many of the individual clips are knock-outs: Ethel Waters performing "Taking a Chance on Love" from CABIN IN THE SKY, Bobby Van doing the famous "hop dance" from SMALL TOWN GIRL, Judy Garland belting out "I Got Rhythm" from GIRL CRAZY. In addition to such musical treats, the film also offers a look at the Marx Brothers with the famous "State Room Scene" from A NIGHT AT THE OPERA, a sequence of famous lines from famous films (such as Garbo's "I want to be alone"), and an extended tribute to Spenser Tracy and Katherine Hepburn. Most viewers will probably feel the film drags due to the uneven way in which the scenes are introduced and edited together, but just about every one will find plenty to enjoy. Recommended with reservations.
Gary F. Taylor, aka GFT, Amazon Reviewer
Gene Kelly and Fred Astaire introduce more wonderful numbers from MGM musicals. This time drama and comedy clips have been added.
OK--there was no way this could be as good as Part 1. Most of the good material had been used there already. Also Astaire and Kelly were given some dreadful new lyrics to classic songs to sing and their introductions to segments were just terrible. It was NOT a good idea to have them dancing either. And I could have lived without the travelogue of Paris. Still, there's plenty of incredible material here.
Among the highlights: Wonderful opening credits (done by Saul Bass); Eleanor Powell tap-dancing; Greta Grabo dancing (!!); Robert Taylor singing (!!!); the Marx Brothers stateroom sequence from "A Night at the Opera" (unfortunately edited); From This Moments On from "Kiss Me Kate"; early Bing Crosby; Abbott & Costello; Tales from the Vienna Woods (which is actually pretty funny); Judy Garland singing "Have Yourself A Merry Little Christmas"; clips of dramatic and comedic stars; the I'll Build A Stairway to Paradise number; Bobby Van from "Small Town Girl"; etc etc.
The clips are put together without rhyme or reason--but that helps. You never know what's coming next. Worth catching but try to see the first one too.
OK--there was no way this could be as good as Part 1. Most of the good material had been used there already. Also Astaire and Kelly were given some dreadful new lyrics to classic songs to sing and their introductions to segments were just terrible. It was NOT a good idea to have them dancing either. And I could have lived without the travelogue of Paris. Still, there's plenty of incredible material here.
Among the highlights: Wonderful opening credits (done by Saul Bass); Eleanor Powell tap-dancing; Greta Grabo dancing (!!); Robert Taylor singing (!!!); the Marx Brothers stateroom sequence from "A Night at the Opera" (unfortunately edited); From This Moments On from "Kiss Me Kate"; early Bing Crosby; Abbott & Costello; Tales from the Vienna Woods (which is actually pretty funny); Judy Garland singing "Have Yourself A Merry Little Christmas"; clips of dramatic and comedic stars; the I'll Build A Stairway to Paradise number; Bobby Van from "Small Town Girl"; etc etc.
The clips are put together without rhyme or reason--but that helps. You never know what's coming next. Worth catching but try to see the first one too.
This film was another excuse to look through those old MGM film vaults and get out some old film reels, to enjoy once more. This excuse cetainly pays off with over 2*hrs of stunning musical/dance performances. It is even more enjoyable than the first, as Fred Astaire and Gene Kelly even entertain us with numerous dance numbers during the films intervals - the last time they were to dance together on screen. The clips are indelible as they are precious, which includes rare footage of Greta Garbo dancing!, Robert Taylor singing!, and Esther Williams Skiing!.
Overall it is action packed enjoyment throughout, simply bursting through the screen. Fans of musicals and any of the old stars, will relish with the opportunity to see the talented MGM stars in action once more. Lots of MGM glitz and Glamour thrown in too!!!
Overall it is action packed enjoyment throughout, simply bursting through the screen. Fans of musicals and any of the old stars, will relish with the opportunity to see the talented MGM stars in action once more. Lots of MGM glitz and Glamour thrown in too!!!
Lo sapevi?
- QuizThis was Fred Astaire's final dance performance on film.
- BlooperDuring the clip from Baciami kate! (1953), Gene Kelly identifies the choreographer as Hermes Pan. But the clip shown, "From This Moment On", was actually choreographed by Bob Fosse, one of the dancers.
- Citazioni
Gene Kelly: Fred, I hear tap dancing is popular again.
- Curiosità sui creditiThe opening credits introduce not only hosts Fred Astaire and Gene Kelly, but mention all the other performers from the clips before the movie's title card; all are done in different styles: names drawn in the sand, scrolls, inside a book, tiles spelled out on satin, inside a file cabinet, typed on stationery, branding iron, the 'Rank Organisation' gong, etc.
- Versioni alternativeThe original release print ran 133 minutes and contained a handful of sequences that were ultimately shorn from the general release print. In the first section, you can see Astaire and Kelly rotating enormous photos of each song that appears in that section. One of them is "You Stepped Out of a Dream" from Ziegfeld Girl (1941), which originally appeared between "La Chica Choca" and "I Wanna Be a Dancin' Man." In the Great Songwriters section, "Lonesome Polecat" from Seven Brides For Seven Brothers (1954) originally appeared between "All of You" and "The Lady is a Tramp." In the 'Shubert Alley' sequence, Astaire and Kelly dance among a series of marquee song titles that eventually appear in the section. Among them are "Concerto in F" from An American In Paris (1951) which originally appeared between "Triplets" and "Have Yourself a Merry Little Christmas" (in fact, due to hasty editing, Oscar Levant's final "Bravo!" can still be heard over the first image of Judy Garland and Margaret O'Brien on all VHS and laserdisc editions; it was edited out of the DVD and Blu-ray issues). Fred Astaire's "Drum Crazy" from Easter Parade (1948) was also slated for this sequence (replaced by "Steppin' Out With My Baby"), as was "The Stanley Steamer" from Summer Holiday (1948), which was to have capped the entire section (it was ultimately replaced by Gene Kelly's "I Got Rhythm").
- ConnessioniFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
- Colonne sonoreOverture
(1976) (uncredited)
"That's Entertainment" (1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
"Temptation" (1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Hi-Lili, Hi-Lo" (1953) (uncredited)
Music by Bronislau Kaper
Lyrics by Helen Deutsch
"Be A Clown" (1948) (uncredited)
Music and Lyrics by Cole Porter
"Good Morning" (1939) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Broadway Rhythm" (1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Have Yourself A Merry Little Christmas" (1944) (uncredited)
Music and Lyrics by Hugh Martin and Ralph Blane
Performed by the M-G-M Studio Orchestra Conducted by Nelson Riddle
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- How long is That's Entertainment, Part II?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Erase otra vez en Hollywood
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.979.380 USD
- Lordo in tutto il mondo
- 4.979.380 USD
- Tempo di esecuzione2 ore 13 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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