Squadra antiscippo

After the spaghetti western genre died in Italy, Italian filmmakers moved to cop movies. Like with spaghetti westerns, there were good and not so good efforts, this movie belonging to the latter category. Tomas Milian, an actor who's made an impression in other movies, seems kind of helpless here, thanks to the costume department dressing him up like a homeless person, and a screenplay that gives him very few opportunities to show some kind of character. Jack Palance is pretty much wasted - he only makes two very brief appearances in the first hour, and not much more in the last half hour. But the main problem with the movie is that it feels oh so tired. There are chases, punch-ups, and guns fired, but it all feels so mechanical. Maybe that's why the musical score plays the same bars of music over and over ad nauseum. Even die hard fans of Eurocult movies would be better off skipping this one.

Enjoyed this Italian Film, which had comedy, drama and plenty of gang-buster shootings and mob torture. Women seemed to get their clothes ripped off and also slapped in the face back and forth. There was some very clever old and young thieves who managed to rip off plenty of men and woman. Some of the police were former crooks and at times used this experience in their detective plans to catch the big mob fences, who did money laundering through out the country. Jack Palance of course played the king pin and was a bad guy who hid in an American Embassy. This is definitely a very low budget film, but great to see Jack Palance trying to make a few bucks.

THE COP IN BLUE JEANS, the US title of this film, was quite widely available in the video budget bins of the 80s and early 90s, so this may be the best known in the US of Tomas Milian's series of films as longhaired, unconventional cop Nico Giraldi. The films starts with a bang as a mini-crimewave is depicted in rapid-fire succession (the scene with the guy mooning the tourists to divert their attention as their possessions are stolen is a classic!), until after seven or eight minutes Milian jumps into action. Like most films of Bruno Corbucci, there is a serious political element in the film too, while it completely satisfies fans who just want an exciting violent action film. And of course, Tomas Milian is brilliant, creating an anti-hero (as he does so well!) who is unlike ANYONE in US cinema. I'm sure there are copies of this sitting in the 99-cent rack of video stores, so check it out if you want to see what is so good about the 1970s Italian police film genre or why Tomas Milian is one of the great icons of world film. My favorite film of this period w/ Milian is SWINDLE, where he is paired with David Hemmings. If you EVER see that offered or shown on TV, don't miss it!

I like old spaghetti police movies! Always dark, violents and originals. And they usually got a very good soundtrack. This one is no exception. The beginning is great, starting exactly like Street Law: small criminals doing pickpocket and many violent acts on bike. then come Millian violently punishing these little criminals. jack palance play a great bad guy, even if you know that he didnt put a lot of effort in this role. The first half is very good, but the second, I admit, is a little bit boring. Recommended for Millian and Bruno Corbucci fan and for the killer soundtrack by Guido and Maurizio...so cool.

Surprisingly engaging poliziottesco spoof which actually led to a series, all featuring star Tomas Milian as maverick cop Nico Giraldi; in fact, a total of 11 films were made between 1976 and 1984! I know a few of them turned up on Italian TV as a kid but I had always considered them - and Milian's other contemporaneous series revolving around a character nicknamed "Monnezza" (Italian slang for "garbage"), but which lasted for only 3 'episodes' - low-brow, indeed bottom-of-the-barrel, stuff; considering that their titles - and I'm sure plot lines - were basically interchangeable certainly makes their longevity astounding!

Well, action-packed though it is - with the star (playing a street-wise ex-delinquent dressed as a bum with a mouse, Serpico, for a pet!) going through many a stunt on a motor-bike - the film's most prominent trait is its vulgarity which doesn't merely extend to a proliferation of colorful swearwords; indeed, the very first scene shows a chubby young man mooning a group of Japanese tourists from across the street, in order to distract them while his accomplices make off with their luggage in a van! As such, the film is enjoyable in an unassuming way - though the muddy soundtrack and the characters' frequent resort to the use of dialect made the dialogue a bit of a chore to understand, even for one who's fluent in the language like myself! - and it's certainly made even more tolerable by the presence of a predictably ruthless Jack Palance (whose real identity proves quite a revelation!).

The finale, then, is at once amusing and clever in that Milian - assigned to a special squad dealing with "snatch & grab" cases, hence the original title SQUADRA ANTISCIPPO - resorts to just such a crime in order to help his lovely girlfriend, whose job it is to smuggle provocative literature into the country!; they had met when Milian saved the girl from being raped: keeping her watch and other valuables in her bra, he wonders what she'd say if someone asked her the time, perhaps "a quarter to tits"?!

P.S. at one point, Milian says "La Polizia Ringrazia" (The Police Is Thankful) - which happens to be the title of the 1972 film (released in the U.S. as EXECUTION SQUAD) credited with kick-starting the whole poliziottesco subgenre!